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Seeing clearly: Frame Semantic, Psycholinguistic, and Cross ...

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CHAPTER 1. INTRODUCTION 21<br />

Regular Polysemy<br />

There are a number of types of polysemy in which regular relations exist among<br />

LUs; since we will be concerned in this study about the irregular polysemy that is unique<br />

to see, let us rst look at some common types of regular polysemy. (This discussion will<br />

be based in part on Cruse 1986.)<br />

One type of regular polysemy can be described through various types of rules<br />

or relations among lexical items. These have been analyzed in di erent ways by di erent<br />

authors under di erent names: regular polysemy (Apresjan 1974), lexical implication rules<br />

(Ostler & Atkins 1991), semi-productive polysemy (Copestake & Briscoe 1995), <strong>and</strong> lexical<br />

functions (Mel'cuk 1996). Examples of lexical relations are listed below.<br />

Unit/Type alternation<br />

The request in Ex. (6-a) might receive the reply in Ex. (6-b), treating that jacket as<br />

an instance (unit) of the type, but the more probable reply, in Ex. (6-c), treats it as<br />

expressing a type.<br />

(6) a. A: I want to buy that jacket in the window.<br />

b. B: Fine, I'll take it o the mannequin.<br />

c. B': Fine, what size do you wear?<br />

Membership in di erent contrast sets (a.k.a. Neutralization)<br />

(7) a. dogs <strong>and</strong> cats vs. dogs <strong>and</strong> bitches (Cruse 1986, Sect. 11.5)<br />

b. lions <strong>and</strong> tigers vs. lions <strong>and</strong> lionesses<br />

c. alcohol <strong>and</strong> drugs vs. alcohol <strong>and</strong> glycerol<br />

quality of opus - quality ofauthor<br />

Patterns of the form brilliant/witty/stupid book/play/poem :<br />

brilliant/witty/stupid person, i.e. where the properties of the author are ascribed to<br />

the work 8 (Cruse 1986:78)<br />

feeling-evoking<br />

8 This may be distantly related to the metonymy of author for work, e.g. Shakespeare is di cult for<br />

students today.

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