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WRITING AUTHORITY IN LATE MEDIEVAL ... - Cornell University

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own right, at least in Portugal, because to some extent it could portray its concern with writing<br />

distinctly from the presentation of its ideas, because it distinguished meaning from<br />

representation. This is why the Portuguese translators used the Confessio’s Latin frame without<br />

translating it. They understood that “Cristes truth,” as the Confessio was read to portray it, was<br />

derived from the inter-relationship of two distinct literary projects and could not simply be<br />

represented across languages or even from ideas to writing with ease without changing. Thus, the<br />

Portuguese translators used the Confessio’s Latin frame only in so far as it confirmed the logic<br />

present in Gower’s English—a textual logic that did not simply wish to narrate “authorial” truth<br />

but which also sought to imbue the process of narration with its own authority.<br />

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