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WRITING AUTHORITY IN LATE MEDIEVAL ... - Cornell University

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ability to sound like “a narrator of things already past.” The ambiguity of Daniel’s rhetoric<br />

proves that the real Daniel witnessed events first hand and not that “some individual” disguised<br />

past history as future prophecy. As such, accurate dating matters little to Jerome because he sees<br />

Daniel as a book in which the depiction of time has no fixed rhetorical expectation of time even<br />

as time (particularly in the notion of things-to-come) is the book’s central narrative concern.<br />

Jerome, in a sense, admits that Daniel’s rhetoric confuses how a reader approaches time<br />

even as he claims that the book accurately sets “forth the very time at which [Christ] would<br />

come.” 158 In fact, the second chapter of Daniel, being a prediction of the passage of human<br />

empires and the coming kingdom of God first seen at an ambiguous historical date, exemplifies<br />

this tendency to blur temporal expectations yet demand historical accuracy. First, the dream<br />

paradoxically happens to the king as an individual at the same time when his individuality is<br />

dissolved into universal history. Nebuchadnezzar’s dream is only a historical reality as it occurs<br />

at a time when history coincided for “all the barbarian nations” of the world—i.e. when his<br />

unique experience of time was not his own but that of the generalized human race. Second, since<br />

the narration of dream is a narration of the whole of history, it must encompass both the time in<br />

which it is narrated and that when it is interpreted, making the events that lead up to<br />

Nebuchadnezzar’s dream part of the dream itself.<br />

This is why Jerome describes the dream as an eschatological vision from the historical<br />

time of Daniel’s interpretation forward: “either these ‘last days’ are to be reckoned from the time<br />

when the dream was revealed to Daniel until the end of the world, or else at least this inference<br />

is to be drawn, that the over-all interpretation of the dream applies to that final end when the<br />

image and statue beheld [in the dream] is to be ground to powder” [My emphasis]. 159 To Jerome,<br />

158 Ibid.<br />

159 Ibid. 30.<br />

90

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