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WRITING AUTHORITY IN LATE MEDIEVAL ... - Cornell University

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II (“þe seconde kyng Richard after þe conqueste”). 359 In Trevisa’s frame, Higden’s narration of<br />

time, no matter how popular, could never match how Cornish men taught England how to<br />

“construeþ an Englysch” and to make identity from the nothingness of current times.<br />

Ironically, Trevisa’s authorial gesture for an English vernacular is only legible from the<br />

stand point of Latinate learning and not by reading his English at face value. Nevertheless, even<br />

if his pedagogical “style” is merely a posture, we cannot deduce that, in using Latinate tradition,<br />

Trevisa thinks of his vernacular syntax as anything more than a way to clarify concepts. Indeed,<br />

this gloss can be explained, like the majority of Trevisa’s signed interventions, as the teaching of<br />

a concept: it intervenes to comment upon a social phenomenon, and it expands a foreign concept<br />

to the average vernacular reader. 360 These two functions of commentary explicitly use “menyng”<br />

in a very restrictive sense as a concept. The signifier “Trevisa” (even if it stylistically addresses a<br />

Latinate tradition of “R”) can work as a direct, useful, and pedagogical source of information for<br />

a vernacular audience unschooled in history and general clerical training.<br />

It thus appears impossible to deny the common scholarly perspective that reads Trevisa<br />

as “committed to writing in order to transmit and retain meaning,” particularly when his use of<br />

English appears so “intelligible and accurate, yet suitably idiomatic.” 361 Still, our analysis shows<br />

that, from the standpoint of the “average educated reader,” there are no real syntactic markers<br />

that would help differentiate at what point Trevisa’s comments leave aside what Ralph Hanna<br />

has called “literary shaping” to portray more directly “a real relationship” of signs to concepts. 362<br />

Therefore, we should be wary to accept at face value that Trevisa’s readership would be able to<br />

359<br />

For the motif of the “young” and “dwarfish” Richard II in poetic satire, see George Coffman, “John Gower,<br />

Mentor for Royalty: Richard II,” PMLA, 69 (1954): 953-964.<br />

360<br />

Charles Briggs, Giles of Rome’s De Regimine Principum (Cambridge: Cambridge <strong>University</strong> Press, 1999) 81.<br />

361<br />

Ibid. 77-79.<br />

362<br />

Ralph Hanna, “Sir Thomas Berkeley III and his Patronage,” Speculum, 64. 4 (October 1989): 892.<br />

219

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