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WRITING AUTHORITY IN LATE MEDIEVAL ... - Cornell University

WRITING AUTHORITY IN LATE MEDIEVAL ... - Cornell University

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could.’ It must record both an accurate perspective and also a method to preserve objectivity and,<br />

in turn, readerly trust to the veracity of the narrative.<br />

Ayala’s synthesis of Bede and Isidore, however, takes him further than either because, in<br />

focusing on readerly trust and not writerly accuracy, he places the onus of truth in the reader’s<br />

hands. As long as there are no privileged ways of telling truth, no one witness—even an<br />

assiduous historian—can guarantee the reliability of the events in a story. Rather, Ayala reasons<br />

that, to make a story be true, a writer’s intentions must accord to universally true principles<br />

which any reader can vouch as true. This is why the ancients used writing to keep their memory,<br />

so that humans could retain “buenos exemplos para fazer bien” ‘good examples to do the good.’<br />

Writing is not only the product of collective memory but of collective memory in accord to<br />

moral goals outside the flow of time.<br />

For Ayala, stories are true as long as they reflect some universal Truth. The Good, as just<br />

such a timeless moral marker determined by reason or by God and represented through moral<br />

exempla, assures a story’s objectivity—its Truth—and hence its repeatability to any reader.<br />

Writing truth, therefore, constructs the “remembrança perdurable” ‘everlasting remembrance’<br />

not only of an event but also of a particular way of representing and experiencing events. This is<br />

because stories introduce a type of atemporality that, in describing the past, also imagines what<br />

the future will look like by tying events to morals worthy to be emulated. Through the “arte de<br />

escribir” ‘the craft of writing,’ a writer can imprint his experience beyond the finite memory and<br />

shifting generations of man in physically and conceptually according a text to an atemporal plane<br />

through the writing of graphemes on a page and representing analytical principles in history.<br />

This is not to say that Ayala writes history with another aim aside from chronicling things<br />

which he sees. Shaping a story to match “buenos exemplos” ‘good examples’ is not a way to add<br />

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