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Beate Dignas & Engelbert Winter - Kaveh Farrokh

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84 3 Military confrontations<br />

a standard-bearer, a mounted soldier who leads the emperor’s horse and<br />

another page walking in front of the king’s horse. There is a striking detail<br />

at the lower edge of the image where two little trees grow out of the rock.<br />

Whereas the left one below ˇ Sāpūr grows tall and straight the one next to<br />

it on the right below the Roman emperor is bent and wilted. The growth<br />

of the two trees corresponds to the different positions of power of the two<br />

rulers at the time when the Persians defeated Rome in the year 260. This<br />

again corresponds to the victorious Sasanian soldiers depicted at the upper<br />

edge of the image; one of these is proclaiming the victory by blowing his<br />

trumpet. As a whole it reveals how the Sasanians saw themselves – and<br />

claimed to be perceived from the outside – in other words, how the events<br />

were interpreted from an ‘Eastern perspective’.<br />

In the West the motif of the victorious Sasanian king, who had defeated<br />

the Roman emperor, was also transmitted and passed into European cultural<br />

memory. Although much later in time, in 1521 the German painter Hans<br />

Holbein captured Valerian’s humiliation in a pen-and-ink drawing (fig. 9).<br />

Among other scenes from antiquity and representations of the virtues,<br />

the drawing complemented the programme of murals for the Great Council<br />

Chamber of Basle Town Hall. The setting is contemporary and the names<br />

of the main characters are given as inscriptions (Valerianus Imp./Sapor Rex<br />

Persarum). ˇ Sāpūr uses the emperor as a stool to mount his horse. The scene<br />

probably served to remind councillors of the quick reversal of fate and to<br />

warn them not to abuse their power.<br />

6: Galerius defeats Narsē in the year 298<br />

Lactantius, De mortibus persecutorum 9.5–8<br />

(5) Spurred on by the example of his grandfather ˇ Sāpūr (I), the Persian king Narsē<br />

attempted to conquer the East with a great force. (6) At the time, Diocletian, who<br />

tended to respond to any unrest with fear and pessimism and who was also afraid<br />

that he could share Valerian’s fate, did not dare to oppose the king but instead sent<br />

him [Galerius] via Armenia while he himself halted in the East and waited to see<br />

how matters developed. (7) The former trapped the barbarians, who customarily<br />

went to war together with their whole family and were therefore impeded by<br />

their numbers and occupied with their luggage, 48 and overcame them without<br />

difficulties. After Galerius had put King Narsē to flight he returned with plunder<br />

and immense booty and with this brought for himself ‘pride’, for Diocletian ‘fear’.<br />

(8) For after this victory he became so arrogant that he even despised the title<br />

48 Several ancient authors agree that the Romans took a large number of members of the royal family<br />

as prisoners; cf. e.g. Eutrop. ix.25; Festus 14.5 and 25.2–3; Oros. vii.25.11; only Malal. 12.6–24 (p. 308)<br />

mentions that the Persian queen Arsane was taken to Daphne near Antioch on the Orontes.

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