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Bruno Latour, Aramis, or the Love of Technology, PDF - Dss-edit.com

Bruno Latour, Aramis, or the Love of Technology, PDF - Dss-edit.com

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Girard, who didn't trust us <strong>or</strong> our eff<strong>or</strong>ts to simplify. Yes, we'd accepted that."[no. 21]"You can see what that guy loves and hates. Look, let's draw aline that connects all <strong>the</strong> variations in feeling to each variant <strong>of</strong> <strong>Aramis</strong>:what do we <strong>com</strong>e up with? The Carte de Tendre, <strong>the</strong> Map if <strong>the</strong> Land ?fTenderness* -a new one f<strong>or</strong> <strong>the</strong> century, ours, a map that has beenneglected by novelists and <strong>the</strong> sniveling humanists. Yes, <strong>Aramis</strong> is loved,<strong>Aramis</strong> is hated. It all depends on its changing f<strong>or</strong>ms. Here's <strong>the</strong> Peak<strong>of</strong> Conversion <strong>of</strong> <strong>the</strong> <strong>com</strong>pany head; here's <strong>the</strong> Swamp <strong>of</strong> Cold Feelings;fur<strong>the</strong>r on, <strong>the</strong> Temple <strong>of</strong> Enthusiasm <strong>of</strong> <strong>the</strong> W<strong>or</strong>ld's Fair. Then you find<strong>Love</strong>'s Trickery- ah ! if only we'd called it P<strong>or</strong>thos!-and <strong>the</strong> Go-Between'sHut, and <strong>the</strong> Budget Office Cave, and <strong>the</strong> Pit <strong>of</strong> Disappointments,deeper than <strong>the</strong> Pacific Ocean . . .""And you get to Marriage in <strong>the</strong> end?""Yes, but a marriage <strong>of</strong> reason, a shotgun wedding.""But since it concerns love <strong>of</strong> technology, N<strong>or</strong>bert, we should callit <strong>the</strong> Carte de Dur-<strong>the</strong> Map if <strong>the</strong> Land if Hardness. ""Hey, that's great! Come here, let me give you a hug! A real lovest<strong>or</strong>y. Yes, that's it!" exclaimed my ment<strong>or</strong>. "They fell in love with<strong>Aramis</strong>! If you're actually going to love technology, you have to giveup sentimental slop, novels sprinkled with rose water. All <strong>the</strong>se st<strong>or</strong>ies<strong>of</strong> efficient, pr<strong>of</strong>itable, optimal, functional technologies-it's <strong>the</strong> 'HarlequinRomances!' It's 'The Two <strong>of</strong> Us!' You get paid by <strong>the</strong> w<strong>or</strong>d, andyou sell <strong>the</strong>m by <strong>the</strong> truckload. It's disgusting. The two <strong>of</strong> us, my friend,we're telling real love st<strong>or</strong>ies; we're not naIve romantics."The sh<strong>or</strong>test path between a technological product and its <strong>com</strong>pletionmay be <strong>the</strong> crookedest one.*This map <strong>or</strong>iginally appeared in Madeleine de Scudery's alleg<strong>or</strong>ical novel Cldie(1654). Using <strong>the</strong> conventions <strong>of</strong> what was <strong>the</strong>n <strong>the</strong> new science <strong>of</strong> cartography, <strong>the</strong>map depicted love afIairs as so many traject<strong>or</strong>ies through an imaginary space, whichScudery called <strong>the</strong> "Royaume de Tendre."INTERPHASE

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