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Bruno Latour, Aramis, or the Love of Technology, PDF - Dss-edit.com

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electronically but not physically. That's <strong>the</strong> <strong>Aramis</strong> revolution: a mai<strong>or</strong> weightreduction. We've gone from railroads to automobiles, thanks to nonmaterialcoupling." [no. 15]M. Chalvan, at Aisthom."You never talk about mechanical uncoupling as a solution?""No, it doesn't exist. It's impossible. In any case, not if speed is a fact<strong>or</strong>It's not even an option. It just doesn't <strong>com</strong>e up." [no. 46]How to frame a technological investigation? By sticking to <strong>the</strong> framew<strong>or</strong>kand <strong>the</strong> limits indicated by <strong>the</strong> interviewees <strong>the</strong>mselves.They all say <strong>the</strong> same thing: "At <strong>the</strong> time, <strong>the</strong> w<strong>or</strong>ld was dreaming<strong>of</strong> PRTs; mechanical uncoupling was impossible." F<strong>or</strong> our inf<strong>or</strong>mants, PRTsare no longer <strong>the</strong> invention <strong>of</strong> an isolated engineer, traceable throughprojects, contracts, and mem<strong>or</strong>anda; ra<strong>the</strong>r, <strong>the</strong>y're a collective dream. Thetechnological impossibility <strong>of</strong> uncoupling is not a decision <strong>or</strong> <strong>the</strong> opinion<strong>of</strong> a handful <strong>of</strong> researchers. It's self-evident, obvious to everybody. Goeswithout saying. Doesn't generate <strong>the</strong> slightest controversy. It would take aMartian landing in <strong>the</strong> w<strong>or</strong>ld <strong>of</strong> guided transp<strong>or</strong>tation to open up thatquestion. Our interviewees no longer even manage to recall who mighthave <strong>com</strong>e up with <strong>the</strong> dream <strong>of</strong> PRT. They can't tell you what institutionswere behind its development. They can't <strong>com</strong>e up with <strong>the</strong> names <strong>of</strong> <strong>the</strong>dozen <strong>or</strong> so engineers, journalists, middlemen, and public <strong>of</strong>ficials thatwould allow <strong>the</strong> investigat<strong>or</strong> to replace <strong>the</strong> term "everybody" with a lobby,a school, a netw<strong>or</strong>k. In 1988 <strong>the</strong> Sixties are remote. The <strong>or</strong>igin <strong>of</strong> <strong>the</strong>project (1968, 1969) quickly gets lost in <strong>the</strong> mists <strong>of</strong> time, and like everynarrative <strong>of</strong> <strong>or</strong>igins it takes on <strong>the</strong> mythical characteristics <strong>of</strong> all Mists <strong>of</strong>Time: "Once upon a time; Everybody; No one can resist; Impossible." Ofcourse, a hist<strong>or</strong>ian <strong>of</strong> technology ought to w<strong>or</strong>k back toward that <strong>or</strong>iginand replace it with groups, interests, intentions, events, opinions. She wouldgo to America, to Germany, to Japan. She would visit <strong>the</strong> SNCF; she wouldw<strong>or</strong>k out <strong>the</strong> entire hist<strong>or</strong>y <strong>of</strong> couplings and uncouplings. She would rummagethrough <strong>the</strong> archives. She would sketch <strong>the</strong> en<strong>or</strong>mous fresco <strong>of</strong>guided transp<strong>or</strong>tation. She would reposition <strong>Aramis</strong> "in its hist<strong>or</strong>ical framew<strong>or</strong>k";she would determine its place in <strong>the</strong> entire hist<strong>or</strong>y <strong>of</strong> guided-transp<strong>or</strong>tationsystems. She would go fur<strong>the</strong>r and fur<strong>the</strong>r back in time. But <strong>the</strong>nwe would lose sight <strong>of</strong> <strong>Aramis</strong>, that particular event, that fiction seeking toEXCITING INNOVA TION

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