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Bruno Latour, Aramis, or the Love of Technology, PDF - Dss-edit.com

Bruno Latour, Aramis, or the Love of Technology, PDF - Dss-edit.com

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gers impatient to show up at Bercy are f<strong>or</strong>ming on <strong>the</strong> boulevard Vict<strong>or</strong>;"<strong>Aramis</strong>, " <strong>the</strong>y whisper, "is almost ready." So it's difficult to go back onone's w<strong>or</strong>d and announce, "Move along! There's nothing to see hereexcept research projects." F<strong>or</strong> <strong>the</strong> announcers' responsibility is on <strong>the</strong> line;<strong>the</strong>y can no longer retreat. With <strong>the</strong> "pressure" <strong>of</strong> <strong>the</strong> technologists whoadd <strong>the</strong>ir power to <strong>the</strong> missile that's rolling down <strong>the</strong> hill, have we returnedto <strong>the</strong> physical model? No, because <strong>the</strong>ir pressure <strong>or</strong>iginates in <strong>Aramis</strong>'"seductiveness." Technologists are enam<strong>or</strong>ed <strong>of</strong> <strong>the</strong> "merger technology"and even m<strong>or</strong>e so <strong>of</strong> <strong>the</strong> "nonmaterial couplings" that attach <strong>the</strong>m to <strong>the</strong>irproject. So here's a real monster. A f<strong>or</strong>ce that is both physical and am<strong>or</strong>ous-atrue Minotaur. But <strong>the</strong> interviewee doesn't stop <strong>the</strong>re. He moveson to anthropology. How could someone who has already "snuffed out"so many innovative projects have <strong>the</strong> nerve to assassinate <strong>the</strong> latest one,tender and charming as it is? Wouldn't he be immobilized by shame? All<strong>the</strong> m<strong>or</strong>e so because <strong>Aramis</strong> can be "seen" by <strong>the</strong> public; it can beinaugurated. What model is implied here? A good model <strong>of</strong> political vanity:we love those who solemnly inaugurate what <strong>the</strong>y have done with ourmoney, in our name, and f<strong>or</strong> our benefit. But this model <strong>of</strong> visibility is inturn interpreted thanks to <strong>the</strong> application <strong>of</strong> a <strong>com</strong>mercial interpretation to<strong>the</strong> political w<strong>or</strong>ld: "An innovation that <strong>the</strong> public can't see won't sell."Let's calculate <strong>the</strong> sum <strong>of</strong> f<strong>or</strong>ces-using this expression to designateboth <strong>the</strong> w<strong>or</strong>k all <strong>the</strong> act<strong>or</strong>s do to sum up and <strong>the</strong> diversity <strong>of</strong> <strong>the</strong> ontologicalmodels <strong>the</strong>y use. Let's add <strong>the</strong> thrusts <strong>of</strong> human lab<strong>or</strong>, <strong>the</strong> fall <strong>of</strong> ballisticmissiles, <strong>the</strong> responsibility <strong>of</strong> promises, am<strong>or</strong>ous seduction, <strong>the</strong> shame <strong>of</strong>m<strong>or</strong>e killing, vanity, business---everything that makes <strong>Aramis</strong> impossible tosuspend. Yes, it's definitely a strange monster, a strange physics. It's <strong>the</strong>Minotaur, plus <strong>the</strong> labyrinth, plus Ariadne and her thread, plus Daedalus,who is condemned to die in it and who dreams <strong>of</strong> escaping. They're reallyfun, those people who write books in which <strong>the</strong>y think <strong>the</strong>y're castigatingtechnology with adjectives like smooth, cold, pr<strong>of</strong>itable, efficient, inhuman,irreversible, autonomous! These insults are qualities with which <strong>the</strong> engineerswould be delighted indeed to endow <strong>the</strong>ir hybrid beings. They rarelysucceed in doing so.[INTERVIEW EXCERPTS]M. Gontran again, after a long reflective pause:"Matra's strategy? I think it was pretty simple.Till 1984 DECISION

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