19.01.2013 Views

Theological Origins of Modernity

Theological Origins of Modernity

Theological Origins of Modernity

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

156 chapter five<br />

While many <strong>of</strong> Luther’s critics have come to the conclusion that it is<br />

not Christian but Manichean, there is crucial diff erence between Luther’s<br />

position and that <strong>of</strong> the Manicheans. For the Manicheans there is an actual<br />

struggle between good and evil, the outcome <strong>of</strong> which is in doubt. In<br />

Luther’s case God triumphs instantly. 87 Th ere are thus not two quasi-equal<br />

Gods but one who manages the whole show. Here we see the continuing<br />

impact <strong>of</strong> the nominalist notion <strong>of</strong> omnipotence. Hans Blumenberg has<br />

suggested that divine omnipotence became a problem for late medieval<br />

and early modern thought because <strong>of</strong> the inadequacy <strong>of</strong> Augustine’s solution<br />

to the problem <strong>of</strong> Gnosticism. 88 Th is conclusion, however, is incorrect.<br />

Th e problem is not the recurrence <strong>of</strong> divine dualism and a cosmological<br />

struggle <strong>of</strong> good and evil. In fact, there is no cosmological struggle at all.<br />

God’s absolute power makes that an impossibility. Th ere appears to be a<br />

confl ict only from the perspective <strong>of</strong> individual human beings. Luther’s<br />

notion is thus not Manichean but closer to the Stoic notion <strong>of</strong> a divine<br />

logos or fate that determines all things. Th ere is nothing that can be done<br />

to change this, and the only hope for individual human beings is that God<br />

will tear them away from Satan and unite them with this logos and this<br />

fate, making it their logos and their fate, thus liberating them from their<br />

slavery. 89<br />

Th e absolute supremacy <strong>of</strong> God, however, opens up a deeper and more<br />

disturbing problem, for it turns the confl ict <strong>of</strong> good and evil, <strong>of</strong> God and<br />

Satan, that is so central for Luther, into a sham, for Satan himself is clearly<br />

a creature <strong>of</strong> God and therefore subordinate to his will. God is both good<br />

and evil, and Christians therefore cannot become children <strong>of</strong> the light<br />

without also becoming children <strong>of</strong> darkness. Th e Christian who like the<br />

Stoic sage becomes one with the divine logos thus does not simply become<br />

good but also evil. Th is is not, <strong>of</strong> course, what Luther asserts but it is the<br />

concealed corollary <strong>of</strong> his argument.<br />

As we discussed in the last chapter, divine omnipotence in this way<br />

leads Luther to the notion <strong>of</strong> the deus absconditus or hidden God. Luther<br />

recognized quite clearly that his understanding <strong>of</strong> divine power leaves no<br />

possibility for any cause except God himself. Hence, while the great struggle<br />

<strong>of</strong> good and evil that is won by Christ on the cross seems quite real, it is<br />

also a deus ex machina, for as Luther himself recognized there is a divine<br />

puppeteer behind the scene who brings the stage and all its characters into<br />

being and moves them about as he wills. Th e source <strong>of</strong> all good and all evil<br />

for Luther is and can only be God himself. Luther, however, believes that it<br />

is crucial that this divine puppeteer remain concealed, and that Christians<br />

focus not on him but on the speeches presented on his behalf by the puppets<br />

on the stage. Th us, he argues:

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!