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popper-logic-scientific-discovery

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450<br />

new appendices<br />

indirect proof. Indeed, an indirect proof may well be put thus: ‘Conceive<br />

that a is true. Then we should have to admit that b is true. But we<br />

know that b is absurd. Thus it is inconceivable that a is true.’ It is clear<br />

that although this use of ‘conceivable’ and ‘inconceivable’ is a little<br />

vague and ambiguous, it would be misleading to say that this way of<br />

arguing must be invalid since the truth of a cannot be inconceivable,<br />

considering that we did start by conceiving, precisely, the truth of a.<br />

Thus ‘inconceivable’ in <strong>logic</strong> and mathematics is simply another<br />

word for ‘leading to an obvious contradiction’. Logically possible or<br />

‘conceivable’ is everything that does not lead to an obvious contradiction,<br />

and <strong>logic</strong>ally impossible or ‘inconceivable’ is everything that<br />

does. When Kneale says that the contradictory of a theorem may be<br />

‘conceivable’, he uses the word in another sense—and in a very good<br />

sense too.<br />

(9) Thus an assumption is <strong>logic</strong>ally possible if it is not selfcontradictory;<br />

it is physically possible if it does not contradict the laws<br />

of nature. The two meanings of ‘possible’ have enough in common to<br />

explain why we use the same word; but to gloss over their difference<br />

can only lead to confusion.<br />

Compared with <strong>logic</strong>al tautologies, laws of nature have a contingent,<br />

an accidental character. This is clearly recognized by Leibniz who<br />

teaches (cf. Philos. Schriften, Gerhardt, 7, p. 390) that the world is the work<br />

of God, in a sense somewhat similar to that in which a sonnet, or a<br />

rondeau, or a sonata, or a fugue, is the work of an artist. The artist may<br />

freely choose a certain form, voluntarily restricting his freedom by this<br />

choice: he imposes certain principles of impossibility upon his creation,<br />

for example upon his rhythm, and, to a lesser extent, his words<br />

which, as compared to the rhythm, may appear contingent, accidental.<br />

But this does not mean that his choice of form, or of rhythm, was not<br />

contingent also. For another form or rhythm could have been chosen.<br />

Similarly with natural laws. They restrict the (<strong>logic</strong>ally) possible<br />

choice of singular facts. They are thus principles of impossibility with<br />

respect to these singular facts; and the singular facts seem highly contingent<br />

as compared with the natural laws. But the natural laws, though<br />

necessary as compared with singular facts, are contingent as compared<br />

with <strong>logic</strong>al tautologies. For there may be structurally different worlds—<br />

worlds with different natural laws.

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