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The life and work of St. Paul

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PAUL AT KPHESUS. 357<br />

finished, Mithridates stood on its summit <strong>and</strong> declared that the right <strong>of</strong> asylum<br />

Bliould extend in a circle round it as far as he could shoot an arrow, <strong>and</strong> the<br />

arrow miraculously flew a furlong's distance. <strong>The</strong> consequence was that<br />

Ephosus, vitiated by the influences which affect all great sea-side commercial<br />

1<br />

cities, had within herself a special source <strong>of</strong> danger <strong>and</strong> contagion. Ionia had<br />

been the corruptress <strong>of</strong> Greece, 4<br />

Ephesus was the corruptress <strong>of</strong> Ionia the<br />

faYourite scene <strong>of</strong> her most voluptuous love-tales, the lighted theatre <strong>of</strong> her<br />

most ostentatious sins.<br />

Tho temple, which was the chief glory <strong>of</strong> the city <strong>and</strong> one <strong>of</strong> the wonders<br />

<strong>of</strong> the world, 3 stood in fall view <strong>of</strong> the crowded haven. Ephesus was the most<br />

magnificent <strong>of</strong> what Ovid calls " the magnificent cities <strong>of</strong> Asia," 4 <strong>and</strong> the<br />

temple was its most splendid ornament. <strong>The</strong> ancient temple had been burnt<br />

down by Herostratus an Ephssiau fanatic who wished his name to be<br />

recorded in history on the nigut <strong>of</strong> the birth <strong>of</strong> Alex<strong>and</strong>er the Great. It had<br />

been rebuilt with ungrudging magnificence out <strong>of</strong> contributions furnished by<br />

all Asia the very women contributing to it their jewels, as the Jewish womei*<br />

had done <strong>of</strong> old for the Tabernacle <strong>of</strong> the Wilderness. To avoid the danger<br />

<strong>of</strong> earthquakes, its foundation* were built at vast cost on artificial foundations<br />

<strong>of</strong> skin aud charcoal laid over the marsh.* It gleamed far <strong>of</strong>f with a star-like<br />

radiance. 6<br />

Its peristyle consisted <strong>of</strong> one hundred <strong>and</strong> twenty pillars <strong>of</strong> tho<br />

Ionic order hewn out <strong>of</strong> Parian marble. Its doors <strong>of</strong> carved cypress-wocd<br />

were surmounted by transoms so vast <strong>and</strong> solid that the aid <strong>of</strong> miracles was<br />

invoked to account for their elevation. <strong>The</strong> staircase which led to the ro<strong>of</strong><br />

was said to have been cut out <strong>of</strong> a single vine <strong>of</strong> Cyprus. Some <strong>of</strong> the pillars<br />

were carved with designs <strong>of</strong> exquisite beauty. 7 Within were the masterpieces<br />

<strong>of</strong> Praxiteles <strong>and</strong> Phidias, <strong>and</strong> Scopas <strong>and</strong> Polycletus. Paintings by the<br />

greatest <strong>of</strong> Greek artists, <strong>of</strong> which one the likeness <strong>of</strong> Alex<strong>and</strong>er the Great<br />

by Apelles had been bought for a sum said to be equal in value to '5,000<br />

<strong>of</strong> modern money, adorned the inner walls. <strong>The</strong> ro<strong>of</strong> <strong>of</strong> the temple itself was<br />

<strong>of</strong> ccMlar-wood, supported by columns <strong>of</strong> jasper on bases <strong>of</strong> 8<br />

Parian marble.<br />

On these pillars hung gifts <strong>of</strong> priceless value, the votive <strong>of</strong>ferings <strong>of</strong> grateful<br />

superstition. At the end <strong>of</strong> it stood the great altar adorned by the bas-reiiaf<br />

1 This is pointed out by Philostratus in the person <strong>of</strong> Apollonius. He praises them<br />

for their banquets <strong>and</strong> ritual, <strong>and</strong> adds jie^nroi e CTUKHH rj Cs

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