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The life and work of St. Paul

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746 APPENDIX.<br />

<strong>Paul</strong> is still the writer. <strong>The</strong>re are Sashes <strong>of</strong> the deepest feeling, outbursts <strong>of</strong> the most<br />

intense expression. <strong>The</strong>re is rhythmic movement <strong>and</strong> excellent majesty in the doxo-<br />

1<br />

logics, <strong>and</strong> the ideal <strong>of</strong> a Christian pastor is drawn not only with an unfaltering h<strong>and</strong>, but<br />

'with a beauty, fulness, <strong>and</strong> simplicity, which a thous<strong>and</strong> years <strong>of</strong> subsequent experience<br />

have enabled no one to equal, much less to surpass. In these Epistles direct logical<br />

controversy is to a great extent neglected as needless. All that the Apostle had to say<br />

In the way <strong>of</strong> such reasoning had probably been said to his correspondents, in one form<br />

or other, again <strong>and</strong> again. For them, as entrusted with the supervision <strong>of</strong> important<br />

Christian communities, it was needless to develop doctrines with which they were<br />

familiar. It was far more necessary to warn them respecting the fatal moral tendencies<br />

in which heresies originated, <strong>and</strong> the fatal moral aberrations in which they too <strong>of</strong>ten<br />

issued.<br />

And while we are on this subject <strong>of</strong> style, how much is there which we must at once<br />

see to be favourable to the authenticity <strong>of</strong> these writings I Take the First Epistle to<br />

Timothy alone, which is more seriously attacked than the other two, <strong>and</strong> which is<br />

supposed to drag down its companions by the evidence <strong>of</strong> its spuriousness. Do we not<br />

find in it abundant traces <strong>of</strong> a familiar style ? Is it even conceivable that a forger would<br />

have actually begun with an anakolutlwn or unfinished construction? Such sentences<br />

abound in the style <strong>of</strong> <strong>St</strong>. <strong>Paul</strong>, <strong>and</strong> to imitate them with perfect naturalness would be<br />

no easy task. But even supposing the possibility <strong>of</strong> imitation, would a forger have<br />

started <strong>of</strong>f with one ? Again, it would be very easy to caricature or clumsily imitate the<br />

digressive manner which we have attributed to familiarity <strong>and</strong> age ; but to reproduce it<br />

so simply <strong>and</strong> naturally as it here appears would require supreme literary accomplishment.<br />

Would an imitator have purposely diverged from <strong>St</strong>. <strong>Paul</strong>'s invariable salutation<br />

by the insertion <strong>of</strong> " mercy" between " grace " <strong>and</strong> " peace " ? It is easy to underst<strong>and</strong><br />

on psychological grounds that <strong>St</strong>. <strong>Paul</strong> might call himself " the chief <strong>of</strong> sinners " (i. 15) ;<br />

but would a devoted follower have thus written <strong>of</strong> him ? Would he purposely <strong>and</strong> con-<br />

, tinuatty have lost the main thread <strong>of</strong> his subject as at ii. 3, 7 ? A writer with a firm grasp<br />

'<br />

<strong>of</strong> truths which he knows to be complementary to each other would never hesitate at any<br />

merely apparent contradiction <strong>of</strong> his previous opinions ; still less would he hesitate to<br />

modify those opinions in accordance with circumstances ; but would a forger have been<br />

so bold as apparently to contradict in ii. 15 what <strong>St</strong>. <strong>Paul</strong> had taught in 1 Cor. vii. ?<br />

Would he be skilful enough to imitate the simple <strong>and</strong> natural manner in which, more<br />

than once, the Apostle has resumed his Epistle after seeming to be on the point <strong>of</strong> ending<br />

it, as at iii. 14, 15 ? <strong>St</strong>. <strong>Paul</strong>, like most supremely noble writers, is quite indifferent to<br />

confusion <strong>of</strong> metaphors ; but would an imitator be likely to follow him with such lordly<br />

indifference as at vi. 19 ? In writing to familiar friends, nothing is more natural than the<br />

perfectly casual introduction <strong>of</strong> minute <strong>and</strong> unimportant particulars. <strong>The</strong>re is nothing<br />

like this in <strong>St</strong>. <strong>Paul</strong>'s other letters, not even in that to Philemon, <strong>and</strong> therefore a forger<br />

would have had no model to copy. How great a literary artist, then, must have been the<br />

forger who writing with some theory <strong>of</strong> inspiration, <strong>and</strong> under the shadow <strong>of</strong> a great<br />

name, <strong>and</strong> with special objects in view could furnish accidental minutiae so natural, sa<br />

interesting, <strong>and</strong> even so pathetic as that in 1 Tim. v. 23, or introduce, by way <strong>of</strong> precaution,<br />

such particulars "unexampled in the Apostle's other writings, founded on no incident,<br />

tending to no result" as the direction to Timothy to bring with him to Rome "the<br />

cloak which I left at Troas with Carpus, <strong>and</strong> the books, especially the parchments." It<br />

eems to me that forgery, even under the dominant influence <strong>of</strong> one impressive personality<br />

<strong>and</strong> one supreme idea, is by no means the extraordinarily easy <strong>and</strong> simple thing which it<br />

appears to be to the adherents <strong>of</strong> the Tubingen criticism. It is a comparatively simple<br />

matter to pass <strong>of</strong>f imitations <strong>of</strong> a Clemens Komanus or an Ignatius, but it is hardly likely<br />

that the world would be long deceived by writings palmed <strong>of</strong>f upon it as those <strong>of</strong> a Milton<br />

till less <strong>of</strong> a <strong>St</strong>. <strong>Paul</strong>.

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