Translating Nouzha Fassi Fihri's La Baroudeuse: A Case Study in ...

More documents

Recommendations

Info

invade the text in nonliterary ways. You can also probably tell my attitude from the introduction. I felt it was really important to talk about the history of Egyptian women writing short stories. That introduction was really a short research paper (not one I had done, but one I did specially for the collection!). I felt it was important to document a prehistory, to tell people both that these writers felt they were working alone and that there was/is a history to what they were doing. Describe some of the decisions you made in which you felt the influence of, sought to impose your influence on or otherwise anticipated the responses of your audience. Jean, I want to go back to the text for this one (I haven't read it since I taught it years ago--it is always excruciating to reread a translation!) I will print it out to remind myself to think about it and respond in the next few days. [. . . ] Definitely in writing the introduction--providing a historical background that people seem to lack, and trying to link Arab female writers' historical memory and sense of situation to that of other female writers in other societies. Perhaps in providing fuller notes than I might now--I really dislike having 'notes' to fictional texts, but felt there was a lot to explain in some of these stories, and though I wanted the readers to "work" I thought it fair to explain certain colloquial usages, place names, etc. Leafing through the book now, though, I don't really feel that I made particular compromises or was influenced by a sense of audience in terms of the language I chose to use. I think I was trying hardest to satisfy myself. I worked very hard to convey individual literary voices, but again, I felt that was an imperative for myself and as a matter of sincerity toward the authors. And, as I said earlier, in terms of choosing stories, I really chose the ones that I liked best and felt were literarily the finest. 269
References Abouzeid, Leila. Year of the Elephant, A Moroccan Woman's Journey Toward Independence and other stories. Trans. Barbara Parmenter. Austin, Texas: Center for Middle Eastern Studies, 1989. al-Shaykh, Hanan. Women of Sand and Myrrh. Trans. Catherine Cobham. New York: Anchor Books, 1992. The American Heritage College Dictionary, 4 th ed. New York: Houghton Mifflin, 2002. Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin. The Empire Writes Back, theory and practice in post-colonial literatures. New York: Routledge, 1989. Attieh, Aman Mahmoud, ed. and trans. Short Fiction by Saudi Arabian Women Writers. Ed. Michael Craig Hillmann. Austin, Texas: Literature East and West, Department of Middle Eastern Languages and Cultures, 1999. Bakhtin, Mikhail. "Discourse in the Novel." The Dialogic Imagination. Trans. and ed. Michael Holquist. Austin: U of Texas P, 1981. Bakr, Salwa. The Wiles of Men and Other Stories. Trans. Denys Johnson-Davies. Austin: U of Texas P, 1992. Barthes, Roland.S/Z, An Essay. Trans. Richard Miller. New York: Hill and Wang, 1974. Bhabha, Homi. Introduction. The Location of Culture. London: Routledge, 1994. 1- 18. Booth, Marilyn, ed. and trans. My Grandmother's Cactus, Stories by Egyptian Women. London: Quartet Books, 1991. Booth, Marilyn. E-mail to the author. 7 and 8 January 2004. Chaudhuri, Sukanta. Translation and Understanding. New Delhi: Oxford UP, 1999. Cobham, Catherine. E-mail to the author, 3 November 2003. Cobham, Catherine. Notes for a talk on translating. Edinburgh, 16 July 2001. 270
Page 1 and 2:
Copyright by Jean Laurie Love El Ha
Page 3 and 4:
Translating Nouzha Fassi Fihri's La
Page 5 and 6:
Acknowledgements I sincerely thank
Page 7 and 8:
complete, final version of "The Fig
Page 9 and 10:
Chapter Four: The Fighter..........
Page 11 and 12:
challenged and reformed in ways tha
Page 13 and 14:
night. She plans and carries out hi
Page 15 and 16:
soumis, de bien bon, de bien con" [
Page 17 and 18:
Unlike her daughters who submit to
Page 19 and 20:
Les fleurs, comme une fantaisie de
Page 21 and 22:
The shifts from past to future tens
Page 23 and 24:
it rather than through the bias of
Page 25 and 26:
Arab women, few have more precise i
Page 27 and 28:
in our audiences, the novel and the
Page 29 and 30:
Fassi Fihri was in a position to ra
Page 31 and 32:
and in these cases the translator t
Page 33 and 34:
2002 edition of The American Herita
Page 35 and 36:
nonetheless an outsider whose persp
Page 37 and 38:
emphasizes universally recognizable
Page 39 and 40:
questions of translation approach a
Page 41 and 42:
Translators Analysis of these trans
Page 43 and 44:
To find out more about how these tr
Page 45 and 46:
sentences" and to recreate the aest
Page 47 and 48:
She further explains that "people w
Page 49 and 50:
paratextual explanations has change
Page 51 and 52:
participated intellectually in poli
Page 53 and 54:
community. Having the characters--m
Page 55 and 56:
If you were a ring, my finger would
Page 57 and 58:
Arrivée face à sa nièce, elle ta
Page 59 and 60:
Chapter Two: A Critical Analysis of
Page 61 and 62:
eaders' expectations, thereby augme
Page 63 and 64:
Theorists such as Edward Said and M
Page 65 and 66:
translation. However, in accordance
Page 67 and 68:
attitude toward the original author
Page 69 and 70:
the target audience and its expecta
Page 71 and 72:
literature tends to reflect the cul
Page 73 and 74:
Alternate solutions were judged and
Page 75 and 76:
Others, however, deplore the effect
Page 77 and 78:
This translation sought to challeng
Page 79 and 80:
influence. The language, cultural c
Page 81 and 82:
in with the literary traditions of
Page 83 and 84:
QUANTITATIVE VARIATION ANALYSIS Alt
Page 85 and 86:
tolerance and moderation. This pass
Page 87 and 88:
media. Consequently, most Anglophon
Page 89 and 90:
CONSTRAINTS ON NOVELISTIC PROSE The
Page 91 and 92:
family union through new blood ties
Page 93 and 94:
original journalistic tone was main
Page 95 and 96:
14 o: Les persiennes laissaient dev
Page 97 and 98:
special occasions; when the cooking
Page 99 and 100:
variation in the treatment of trans
Page 101 and 102:
The culturally specific exclamation
Page 103 and 104:
en cadeau à sa fille pour une prem
Page 105 and 106:
translator's perception and applica
Page 107 and 108:
" . . . and chickens with almonds--
Page 109 and 110:
patios, polish the tea trays, and s
Page 111 and 112:
They were children, and they remain
Page 113 and 114:
ut he was more so, and he had total
Page 115 and 116:
The three old people raised their h
Page 117 and 118:
Mina, his younger sister, intervene
Page 119 and 120:
He was already there, sitting on th
Page 121 and 122:
She ran away from home one morning,
Page 123 and 124:
"Let's not get upset," he intervene
Page 125 and 126:
Sometimes her mother came to visit,
Page 127 and 128:
sharif, in spite of his material po
Page 129 and 130:
"I was on a business trip in Madrid
Page 131 and 132:
ambergris, your smile sweet as a su
Page 133 and 134:
eliefs, and trampled our traditions
Page 135 and 136:
eturn. Most of them only knew of hi
Page 137 and 138:
In the side alleyways, one could se
Page 139 and 140:
lack ears," as they called the Sene
Page 141 and 142:
"What's new?" Sharif asked the arti
Page 143 and 144:
him with a pumice stone, anoint him
Page 145 and 146:
Kenza had inherited her father's ga
Page 147 and 148:
Oh, rosy cheeks, red rose of Sidjil
Page 149 and 150:
Kenza contemplated her girls for wh
Page 151 and 152:
The family gathered around a cousco
Page 153 and 154:
"We'll force them!" "We are a free
Page 155 and 156:
future. But can you prevent the you
Page 157 and 158:
Tayeb, was under house arrest and f
Page 159 and 160:
mules loaded with produce were turn
Page 161 and 162:
one another on makeshift platforms,
Page 163 and 164:
these young men as solid as rock. I
Page 165 and 166:
nonexistence? The suicide of dreams
Page 167 and 168:
He began to decipher the sky for he
Page 169 and 170:
violence. They were peaceable citiz
Page 171 and 172:
temper. The neighbor men and women
Page 173 and 174:
Carrying his slippers--he wanted to
Page 175 and 176:
Great," which Sharif took as a welc
Page 177 and 178:
obstinate character. She is stubbor
Page 179 and 180:
Who was this hero who came so late
Page 181 and 182:
humanity. It is the third monotheis
Page 183 and 184:
egular army. We simply meant to sho
Page 185 and 186:
drowned in the gurgle of the wall f
Page 187 and 188:
man had come. They went down slopin
Page 189 and 190:
Walking around the exposed bodies,
Page 191 and 192:
"'France was no longer the invincib
Page 193 and 194:
Finally, they saw a faint light and
Page 195 and 196:
looking like scarecrows set up to k
Page 197 and 198:
with suddenly dies, you get caught
Page 199 and 200:
"Now he is dead, and I still have t
Page 201 and 202:
athes and warms new chicks. So I be
Page 203 and 204:
You have left me like one who cooks
Page 205 and 206:
the men who stood there looking at
Page 207 and 208:
Another used a ladle to fill bucket
Page 209 and 210:
"exclude them from their own cultur
Page 211 and 212:
They were still forced to help him,
Page 213 and 214:
they neglected their old father. He
Page 215 and 216:
wondering eyes of a dada who was ba
Page 217 and 218:
Their love was not guilty. They lov
Page 219 and 220:
acelets of the leader.' I even had
Page 221 and 222:
"I want her to be free like the ant
Page 223 and 224:
adolescents. Lalla Kenza's father h
Page 225 and 226:
Never had anyone seen a vicarious p
Page 227 and 228: The two women went forward, one wit
Page 229 and 230: When questioned, the woman who was
Page 231 and 232: Then he reached out and grabbed the
Page 233 and 234: Her dada held a silver platter with
Page 235 and 236: to rest his head on his beloved's c
Page 237 and 238: "He who claims to be strong dies of
Page 239 and 240: slave who still has tree bark stuck
Page 241 and 242: "It has not satisfied my thirst!" "
Page 243 and 244: people, so vulnerable and ancient,
Page 245 and 246: "Don't worry about it. I had my sha
Page 247 and 248: conjures images, brings them alive
Page 249 and 250: The young men arrived exhausted and
Page 251 and 252: calculations. However, the revenue
Page 253 and 254: Everything went as she had wished.
Page 255 and 256: ut beneath her nobly arched forehea
Page 257 and 258: Kenza left the world and its confli
Page 259 and 260: Fassi Native of Fez. Filali A famil
Page 261 and 262: Traditions of the Prophet Refers to
Page 263 and 264: Oui, l'histoire de Le Ressac, l'his
Page 265 and 266: littérature et de la poésie en pa
Page 267 and 268: the household. She is a second moth
Page 269 and 270: Appendix B: Marjolijn de Jager's e-
Page 271 and 272: that right. I wanted it to be a kin
Page 273 and 274: Appendix D: Catherine Cobham's e-ma
Page 275 and 276: Appendix E: Marilyn Booth's e-mail
Page 277: the most important aspect or result
Page 281 and 282: Johnson-Davies, Denys. E-mail to th
Page 283 and 284: Walker, Alice. The Color Purple. Sa
show all

Translating Nouzha Fassi Fihri's La Baroudeuse: A Case Study in ...

Create successful ePaper yourself

Delete template?

Save as template?