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Diversity of Journalisms. Proceedings of <strong>ECREA</strong>/CICOM Conference, Pamplona, 4-5 July 2011<br />

Like Radio Nacional, Onda Cero also shows greater correspondence between <strong>the</strong> top<br />

three news stories in terms of on-air and online broadcasts, at least for <strong>the</strong> samples<br />

taken on 24 April 2009. In addition to <strong>the</strong> headline news story 11 , <strong>the</strong>re was a direct link to<br />

<strong>the</strong> o<strong>the</strong>r two main news stories. In contrast, only <strong>the</strong> first news stories in <strong>the</strong> 12:00<br />

bulletin and on <strong>the</strong> main news program on 26 March 2010 were matched by those on<br />

<strong>the</strong> webpage.<br />

Finally, <strong>the</strong> informational synergy between Punto Radio’s on-air and online formats first<br />

emerged in <strong>the</strong> 2009–2010 season, when <strong>the</strong> radio station linked up with <strong>the</strong> news<br />

published on abc.es, a newspaper that also belongs to <strong>the</strong> Vocento media group. The<br />

samples taken on 24 April 2009 differ from those taken 26 March 2010 insofar as<br />

listeners were offered <strong>the</strong> same headline story both on-air and online, and <strong>the</strong>re was a<br />

greater overlap in terms of information regarding to unemployment figures and related<br />

commentary.<br />

The narrative development of news stories<br />

From a narrative perspective, online information is presented in expressive texts – in<br />

particular, <strong>the</strong> news story. By contrast, on-air broadcasting enables <strong>the</strong> presentation of<br />

descriptive, narrative and argumentative texts, such as reports, commentaries and, in<br />

some cases, interviews. Thus, on-air broadcasting encompasses a wider variety of<br />

radio genres, whereas <strong>the</strong> online format is limited to <strong>the</strong> genre of news story, which is<br />

conditioned by <strong>the</strong> features of written journalism texts.<br />

The use of audio is much more prevalent in on-air broadcasting; <strong>the</strong> use of sound-files<br />

on radio station webpages is much more selective, and <strong>the</strong>y are generally updated<br />

much less frequently. The 2009–2010 season saw a slight rise in <strong>the</strong> use of<br />

photographs and videos on radio station websites, but such resources remain relatively<br />

untapped because radio stations have not yet established production procedures<br />

involving such elements.<br />

Each radio station has adapted <strong>the</strong> developments outlined above in different ways.<br />

All <strong>the</strong> samples from Cadena SER exhibit <strong>the</strong> use of a wide variety of information<br />

genres as well as <strong>the</strong> inclusion of sound resources. The news story and <strong>the</strong> news<br />

report are <strong>the</strong> most common genres in <strong>the</strong> 12:00 bulletin. The 13:00 and 14:00 bulletins<br />

were introduced with a commentary because <strong>the</strong> newsreader at those times is <strong>the</strong><br />

producer of <strong>the</strong> main midday news program. An increase in <strong>the</strong> use of audio-files was<br />

observed in <strong>the</strong> 2009–2010 season. Over <strong>the</strong> course of <strong>the</strong> morning, live news reports<br />

are added to sound-bites and o<strong>the</strong>r recordings. At 12:00 and 13:00, sound is included<br />

on <strong>the</strong> basis of topicality and <strong>the</strong> pacing of newsroom production; whereas, given <strong>the</strong><br />

nature of <strong>the</strong> news program, <strong>the</strong> sound-files are re-broadcast at 14:00 in a<br />

contextualized compilation of <strong>the</strong> main news stories of <strong>the</strong> day.<br />

11 The official figures for unemployment and <strong>the</strong>ir assessment.<br />

19

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