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Diversity of Journalisms. Proceedings of <strong>ECREA</strong>/CICOM Conference, Pamplona, 4-5 July 2011<br />

Car/traffic 07:10:06 2.30% 15<br />

O<strong>the</strong>r 06:00:43 2.00% 18<br />

O<strong>the</strong>r entertainment 05:06:48 1.70% 7<br />

Medicine/health 04:41:57 1.50% 21<br />

Religion 04:30:45 1.50% 11<br />

Economics/social/finance/law – from<br />

private perspective<br />

04:22:03 1.40% 18<br />

Politics/current affairs – international 03:41:26 1.20% 8<br />

Sport 03:23:41 1.10% 7<br />

Bizarre 03:21:38 1.10% 11<br />

Economics/social/finance/law –<br />

unspecific<br />

02:41:00 0.90% 7<br />

Science/technology 02:47:53 0.90% 8<br />

Politics/current affairs – domestic 02:26:41 0.80% 10<br />

Ecology/environment 01:27:18 0.50% 17<br />

Erotics/sexuality 01:11:59 0.40% 6<br />

Politics/current affairs – regional 00:35:59 0.20% 4<br />

Economics/social/finance/law – from<br />

public perspective<br />

00:31:03 0.20% 4<br />

Total 305:58:08 100.00% 801<br />

Table 1: Percentage of total broadcasting time 2010 by topics<br />

Topics per group of producers<br />

If one compares which group of deliverers produced what kind of content, it<br />

becomes clear that some topics were exclusively produced by ordinary citizens:<br />

for example, <strong>the</strong> aforementioned comedy programs (100%, n=83) and music<br />

programs (100%, n=71) and a few o<strong>the</strong>rs with fewer than ten programs in total<br />

(see Table 4 in <strong>the</strong> appendix). Fur<strong>the</strong>rmore, topics mainly produced by ordinary<br />

citizens were “traveling/holidays” (96.2%, n=26), “local politics/current affairs”<br />

(96.0%, n=75), “nature” (93.8%, n=16), “car/traffic” (93.3%, n=15) and “religion”<br />

(90.9%, n=11). In contrast, <strong>the</strong> young people in on-<strong>the</strong>-job-training or university<br />

project teams focused more on special topics such as “ecology/environment”<br />

(88.2%, n=17) or “studies/university” (57.1%, n=70) that were linked to <strong>the</strong>ir<br />

studies. The last one made up a little less than a third of all student productions.<br />

Finally, <strong>the</strong> emerging media professionals concentrated especially on “feature<br />

film/short film”. They produced 39.3% of those programs (n=84), which add up<br />

to about a third of all <strong>the</strong>ir productions. Obviously, it is more challenging for<br />

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