26.02.2015 Views

Download the eBook (8.25 MB) - ECREA Thematic Sections

Download the eBook (8.25 MB) - ECREA Thematic Sections

Download the eBook (8.25 MB) - ECREA Thematic Sections

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Diversity of Journalisms. Proceedings of <strong>ECREA</strong>/CICOM Conference, Pamplona, 4-5 July 2011<br />

How AFP adapts to <strong>the</strong> web<br />

In <strong>the</strong> Internet era, what are <strong>the</strong> strategies of Agence France-Presse? How have <strong>the</strong>se<br />

responded to recent major online actors, such as Google and Twitter? to <strong>the</strong> practices<br />

of amateurs? Different stages or phases characterise AFP responses to <strong>the</strong> web.<br />

International news agencies, as well as most traditional media professionals did not<br />

expect <strong>the</strong>ir leading position to disappear. It took <strong>the</strong>m time to realise how such a<br />

technology would endanger <strong>the</strong>ir position and force <strong>the</strong>m to transform practices and<br />

strategies. This could be compared to <strong>the</strong> well-known Kübler-Ross model (1969): « The<br />

Five Stages of Grief ». At first, at <strong>the</strong> turn of <strong>the</strong> cenury, AFP and o<strong>the</strong>rs were ‘in<br />

denial’: <strong>the</strong>y strongly believed Internet in no way heralded <strong>the</strong> end of <strong>the</strong>ir ‘model’. In<br />

France, similarly, <strong>the</strong> idea that Internet would endanger <strong>the</strong> French videotext or ‘Minitel’<br />

was likewise hard to accept. Meanwhile, private telecommunication operators and <strong>the</strong><br />

State sought to equip <strong>the</strong> country with <strong>the</strong> news ‘state-of-<strong>the</strong>-art’ technology and to<br />

reduce <strong>the</strong> cost of Internet access both for companies and for individual users.<br />

Then in 2003-04, by <strong>the</strong> time France reached broadband access to Internet, managers<br />

and journalists at Agence France-Presse felt hostile towards new key actors: this was<br />

<strong>the</strong> stage of ‘anger’. One instance of this lied in heated discussions of copyright issues<br />

and <strong>the</strong> measures <strong>the</strong> agency took against Google. Several articles and photos<br />

produced by AFP were published in ‘Google News’ (launched in 2002, but <strong>the</strong> French<br />

version ‘Google Actualités’ started in 2006). The agency accused <strong>the</strong> leading agregator<br />

of copyright violation and started suing it in 2005, requiring $ 17.5 million in damages.<br />

Obviously, <strong>the</strong> next step was <strong>the</strong> one of negotiation or, as Kübler-Ross writes,<br />

‘bargaining’. In 2007, a final agreement was indeed signed, stating :<br />

« AFP and Google have signed a licensing agreement that will enable <strong>the</strong> use of AFP’s<br />

newswire content in innovative, new ways that will dramatically improve <strong>the</strong> way users<br />

experience newswire content on <strong>the</strong> Internet. It will also help highlight original<br />

journalism, giving credit to <strong>the</strong> newswire journalists who worked hard to break <strong>the</strong> news.<br />

The new collaboration will ensure that AFP’s original journalism and breaking news are<br />

easily discoverable on Google services and in particular on Google News. »<br />

Never<strong>the</strong>less, this did not prevent <strong>the</strong> French agency from entering <strong>the</strong> Kübler-Ross<br />

stage of ‘depression’ or, at least, as Michael Palmer (2009) puts it, of ‘self-doubt’. In<br />

2007-09, AFP did not join in <strong>the</strong> first wave of social networks. It lost some customers<br />

and it realised it suffered competition not only in <strong>the</strong> range of its geographic coverage<br />

of news, but above all in <strong>the</strong> speed with which it transmitted news. Mobile telephonetransmission<br />

and <strong>the</strong> development of modes of acces such as Twitter have overtaken<br />

news agencies as <strong>the</strong> fastest providers of news, although <strong>the</strong> quality and reliability of<br />

<strong>the</strong> content delivered by such actors can be questioned.<br />

The final stage is <strong>the</strong> one <strong>the</strong> agency is presently in: ‘acceptance’. AFP is not hesitant<br />

about <strong>the</strong> Internet any longer. And it has taken aboard <strong>the</strong> existence of competitors of a<br />

new kind. The implementation of key decisions in this regard will take time to bear fruit.<br />

The specific ‘semi-public’ status of <strong>the</strong> agency and <strong>the</strong> high costs involved complicate<br />

matters.But AFP appears now to have developed <strong>the</strong> necessary Internet strategy.<br />

Three examples suggest this. First is <strong>the</strong> major increase of multimodal content,<br />

including video: in <strong>the</strong>ir study covering <strong>the</strong> period 2005-10, <strong>the</strong> Swedish researchers<br />

Christer Clerwall and Michael Carlsson (2010) noted how similar strategies were<br />

257

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!