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Download the eBook (8.25 MB) - ECREA Thematic Sections

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Diversity of Journalisms. Proceedings of <strong>ECREA</strong>/CICOM Conference, Pamplona, 4-5 July 2011<br />

The project traces <strong>the</strong> history of both women representation and of gender issues in<br />

portuguese parliament since <strong>the</strong> democratic period starting with <strong>the</strong> 25th April<br />

Revolution and throughout three political cycles of <strong>the</strong> portuguese democracy,<br />

spanning from 1975 to 2002.<br />

We than aim at characterizing jornalistic mediation of women deputies and gender<br />

issues on five major newspapers during <strong>the</strong> oulined periods drawing an analisys of<br />

both text and images used by <strong>the</strong> press.<br />

This particular paper will concentrate on photojornalistic coverage of women MP’s<br />

comparing two different periods of our corpus: <strong>the</strong> PREC period, immediatly after <strong>the</strong><br />

democratic revolution, when gender issues were part of both political and media<br />

agendas as <strong>the</strong> democratic rigths were at stake in <strong>the</strong> discussions conducing to <strong>the</strong><br />

new democratic Constitution; and <strong>the</strong> mediatization of The Paritary Parliament that<br />

received major press coverage during <strong>the</strong> right wing liberal government conducted by<br />

Cavaco Silva (<strong>the</strong> Paritary Parliament took place on January 1994).<br />

Our analisys will show that women MP’s increased <strong>the</strong>ir political representation but<br />

<strong>the</strong>ir “invisibility” (Tuckman, 1969) persisted in <strong>the</strong> media, including <strong>the</strong><br />

photojornalistic coverage where women MP’s, when appeared, were portrayed mostly<br />

in a traditional frame as a “diligent domestic woman”, focusing on <strong>the</strong>ir social<br />

interpersonal skills and rarely on <strong>the</strong>ir professional skills as members of <strong>the</strong><br />

paliament.<br />

Today’s News Diversity and <strong>the</strong> Public Sphere<br />

Mitu, Bianca-Marina<br />

PHD Student in Communication Sciences, Faculty of Journalism and Communication<br />

Sciences, University of Bucharest, Bucharest, Romania<br />

The purpose of this paper is to analyze today’s construction of news, and to see <strong>the</strong><br />

way that media present today’s life diversity. We started with <strong>the</strong> <strong>the</strong>oretical<br />

background and we analyzed <strong>the</strong> Tv news discourse, <strong>the</strong> storytelling forms.<br />

Television has <strong>the</strong> greatest influence on <strong>the</strong> general public. Today television<br />

privileges <strong>the</strong> events with <strong>the</strong> strongest impact on viewers' sensibility. The purpose of<br />

this paper is to analyze today’s construction of news content, and to see <strong>the</strong> way that<br />

media emphasis <strong>the</strong> live political events, events that have a great impact on <strong>the</strong><br />

public sphere and on <strong>the</strong> civil society. News is becoming an element of spectacle that<br />

has to attract, to shock <strong>the</strong> viewers. The main content of <strong>the</strong> news is not <strong>the</strong> story<br />

itself, but <strong>the</strong> show. The selection of <strong>the</strong> TV news and formats have political effects.<br />

News reception processes are driven by partially personal knowledge and political<br />

motivations. Differences in interpretive complexity should be related to <strong>the</strong> subject<br />

matter reported in <strong>the</strong> news. Most analysts who dedicated <strong>the</strong>ir studies to news<br />

<strong>the</strong>ory seem to favor ei<strong>the</strong>r an informational modle or a cultural one, some of <strong>the</strong>m<br />

have a critical perspective, o<strong>the</strong>rs praise <strong>the</strong> media, but all of <strong>the</strong>m seem to agree<br />

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