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Diversity of Journalisms. Proceedings of <strong>ECREA</strong>/CICOM Conference, Pamplona, 4-5 July 2011<br />

We have applied <strong>the</strong> tab to <strong>the</strong> following main news: The reveal of Guantanamo files<br />

(25 th April), Fatah and Hamas agreement (27 th April), Attack in Morocco (28 th April),<br />

Bin Laden’s death (2 nd May) and so on.<br />

Here we present results obtained according to elements of analysis and classification<br />

criteria collected in <strong>the</strong> publication Online Journalism: Research methodology in<br />

comparative perspective (Díaz Noci, J.; Palacios, M. (Coords.), 2009: 30-38).<br />

Rhetorical criteria<br />

Criteria of rethorical classification<br />

Topoi<br />

Narrative genres<br />

Interpretative genres<br />

Dialogic genres<br />

Argumentative genres<br />

Parts of discourse<br />

Inventio: Multilineality and polyacroasis<br />

Dispositio: Hypertextual structures<br />

Actio: Interactivity<br />

Elocutio: Multimedia re -sources<br />

Díaz Noci, J.; Palacios, M. (2009: 30).<br />

Memoria: Memory<br />

All news analyzed started from a narrative and informative genre and stayed <strong>the</strong>re all<br />

along <strong>the</strong> day; just <strong>the</strong> one about Bin Laden’s death end in an interpretative one<br />

reaching <strong>the</strong> chronicle and, in some cases, <strong>the</strong> report (in special processing). Those<br />

changes would be appreciated through language and content developed, mainly<br />

textual in all cases.<br />

Pictures, graphics and videos used to be secondary elements with a complement<br />

function except when some of <strong>the</strong>m, <strong>the</strong> case of Rtve.es and Cnn.com, employed a<br />

video that consist on news from a newscast of its TV channel. That is <strong>the</strong> main<br />

difference observed between online media coming whe<strong>the</strong>r from a newspaper, a TV,<br />

a radio or an agency.<br />

Hypertextuality<br />

Regarding hypertext structure, we have observed a variety that ranges from simple<br />

axial ones -with just a couple of links to news related- to more complex ones<br />

combining parallel structures on <strong>the</strong> basis of an arboreal axis. Relationship<br />

established between hypertextual structure and genres conclude that <strong>the</strong> general<br />

343

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