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Diversity of Journalisms. Proceedings of <strong>ECREA</strong>/CICOM Conference, Pamplona, 4-5 July 2011<br />

emerging camera or editing professionals to work on such a format than to film<br />

and edit o<strong>the</strong>r programs.<br />

Discussion<br />

The findings have shown that nrwision programming is produced mainly by<br />

ordinary citizens who are guided by and receive feedback from professional<br />

journalists. This way <strong>the</strong> channel combines democratic access with <strong>the</strong> aim of<br />

developing <strong>the</strong> producers’ media competence and guaranteeing a certain<br />

program quality. In this respect, this participatory TV project goes beyond what<br />

is possible in <strong>the</strong> social web today. In addition, this project embeds audience<br />

participation in a structure while many offerings in <strong>the</strong> social web are<br />

fragmented and do not reach a significant public (“long tail”). At nrwision, in<br />

contrast, <strong>the</strong> professional journalists even try to establish a network between<br />

<strong>the</strong> amateur producers and to give suggestions for joint topics. For example,<br />

just recently, a whole week was dedicated to <strong>the</strong> broad topic “luck”, and more<br />

than 40 programs were produced just on this subject.<br />

Fur<strong>the</strong>rmore, analysis of <strong>the</strong> topics has revealed that <strong>the</strong> programming was<br />

diverse with foci on cultural as well as on entertaining and local topics. The last<br />

one goes in hand with <strong>the</strong> fact that amateur reporters are usually more engaged<br />

in topics that affect <strong>the</strong>se producers’ immediate surroundings or daily life and<br />

<strong>the</strong>y have experience with (e.g. Kopp & Schönhagen, 2008, p. 86). Especially<br />

on TV, where <strong>the</strong>re are only a few windows for local reporting, <strong>the</strong> programming<br />

enriches <strong>the</strong> professional reporting in this respect.<br />

To analyze <strong>the</strong> diversity of reporting, <strong>the</strong> diversity of <strong>the</strong> producers and topics<br />

are important indicators. However, additional indicators have to be taken into<br />

account to measure diversity, and those require a deeper look at <strong>the</strong> material.<br />

For example, actors, praise and criticism or opinions have to be analyzed in a<br />

more detailed analysis in <strong>the</strong> next step. Beyond that, <strong>the</strong> next steps will be to<br />

analyze <strong>the</strong> overall quality of <strong>the</strong> citizens’ productions and <strong>the</strong> cooperation<br />

between <strong>the</strong>m and <strong>the</strong> professional journalists organizing and guiding this<br />

participatory project. While <strong>the</strong> preliminary results focus on <strong>the</strong> micro-level of<br />

diversity <strong>the</strong> final aim will be analyze how this participatory TV channel can add<br />

to diversity also at <strong>the</strong> meso-level and even at <strong>the</strong> macro-level.<br />

References<br />

Arbeitsgemeinschaft der Landesmedienanstalten in der Bundesrepublik Deutschland<br />

(ALM) (Ed.). (2008). ALM Jahrbuch 2008. Landesmedienanstalten und privater<br />

Rundfunk in Deutschland. Berlin: Vistas Verlag.<br />

324

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