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Memory of the World; 2012 - unesdoc - Unesco

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4th c. 5th c. 6th c. 7th c. 8th c. 9th c. 10th c. 11th c. 12th c. 13th c. 14th c. 15th c. 16th c. 17th c. 18th c. 19th c. 20th c. 21st c.<br />

Collection <strong>of</strong> Gothic<br />

architectural drawings<br />

Inscribed 2005<br />

What is it<br />

A unique collection <strong>of</strong> 425 drawings that are<br />

indispensable for <strong>the</strong> study <strong>of</strong> buildings <strong>of</strong> <strong>the</strong><br />

Gothic period. These drawings date from 1400 to<br />

1550 and are among <strong>the</strong> world’s oldest surviving<br />

architectural drawings.<br />

Why was it inscribed<br />

These architectural drawings bear testimony to <strong>the</strong> epoch<br />

in European history when major construction projects<br />

began to be undertaken on <strong>the</strong> basis <strong>of</strong> <strong>the</strong> advance<br />

planning <strong>of</strong> every detail.<br />

Where is it<br />

Academy <strong>of</strong> Fine Arts Vienna, Vienna, Austria<br />

The architecture <strong>of</strong> <strong>the</strong> Gothic period (c.1150–1550) belongs<br />

to one <strong>of</strong> <strong>the</strong> most significant manifestations <strong>of</strong> European<br />

culture. With 425 drawings (representing over 85 percent <strong>of</strong><br />

all architectural drawings from this period), this collection<br />

is <strong>of</strong> central importance for <strong>the</strong> study <strong>of</strong> Gothic architecture<br />

and is not confined to <strong>the</strong> national architectural heritage<br />

<strong>of</strong> a single country. The genre <strong>of</strong> architectural drawings<br />

on paper or parchment came into being only in <strong>the</strong><br />

Gothic period, but as nearly all <strong>the</strong> Gothic architectural<br />

drawings in France and England are lost, those in <strong>the</strong><br />

Viennese collection are <strong>the</strong> only major collection before<br />

<strong>the</strong> 16th century that document <strong>the</strong> emergence and<br />

development <strong>of</strong> a planning mechanism without which<br />

modern architecture would have been impossible.<br />

With material related to ca<strong>the</strong>drals in Vienna<br />

(Austria), Prague (Czech Republic), Regensburg, Ulm<br />

and Augsburg (Germany) and Strasbourg (France), <strong>the</strong><br />

collection demonstrates <strong>the</strong> close interrelation and<br />

exchange that existed in <strong>the</strong> late Middle Ages between<br />

ca<strong>the</strong>dral lodges <strong>of</strong> masons. Since important single<br />

drawings were exchanged between different places, it<br />

shows how a consistency and internationality <strong>of</strong> style<br />

could develop and contribute to an emerging common<br />

European architectural language.<br />

A large portion <strong>of</strong> <strong>the</strong> drawings is attributable to some<br />

<strong>of</strong> <strong>the</strong> most outstanding architects <strong>of</strong> <strong>the</strong> Middle Ages,<br />

134 Collection <strong>of</strong> Gothic architectural drawings<br />

� Gothic sculpture on Strasbourg Ca<strong>the</strong>dral.<br />

St Stephen’s Ca<strong>the</strong>dral in Vienna, one <strong>of</strong> <strong>the</strong> many Gothic<br />

buildings featured in this collection <strong>of</strong> architectural drawings. �<br />

including Jodocus Dotzinger (Strasbourg) and Laurenz<br />

Spenning (Vienna), who organized <strong>the</strong> first conference <strong>of</strong><br />

architects and stonemasons held in 1459 in Regensburg.<br />

The bulk <strong>of</strong> <strong>the</strong> drawings is devoted to ecclesiastical<br />

architecture in all its variations. The more spectacular<br />

drawings show <strong>the</strong> ground plans or <strong>the</strong> elevations<br />

<strong>of</strong> Gothic ca<strong>the</strong>drals, notably tower projects <strong>of</strong> unsurpassed<br />

height that attracted most interest at that time. O<strong>the</strong>rs<br />

deal with Gothic designs for specific parts <strong>of</strong> buildings<br />

such as window tracery, vaults, galleries and furnishings,<br />

while by far <strong>the</strong> largest number <strong>of</strong> <strong>the</strong> drawings shows<br />

details <strong>of</strong> many kinds, including geometrical devices <strong>of</strong><br />

a more <strong>the</strong>oretical nature, demonstrating <strong>the</strong> high level<br />

<strong>of</strong> ma<strong>the</strong>matical knowledge available. The rediscovery <strong>of</strong><br />

<strong>the</strong>se drawings in <strong>the</strong> 19th century also had an important<br />

impact on <strong>the</strong> development <strong>of</strong> <strong>the</strong> Neogothic architecture<br />

that dominated <strong>the</strong> Western world in that period.

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