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Memory of the World; 2012 - unesdoc - Unesco

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The Book <strong>of</strong> Kells<br />

Inscribed 2011<br />

What is it<br />

The Book <strong>of</strong> Kells, dating from around AD 800, contains<br />

a copy in Latin <strong>of</strong> <strong>the</strong> four Gospels <strong>of</strong> <strong>the</strong> life <strong>of</strong> Jesus<br />

Christ, along with ancillary texts. Its fame rests principally<br />

on <strong>the</strong> extent and artistry <strong>of</strong> its lavish decoration.<br />

Why was it inscribed<br />

The Book <strong>of</strong> Kells is widely regarded as Ireland’s greatest<br />

historical treasure, and is one <strong>of</strong> <strong>the</strong> most spectacular<br />

examples <strong>of</strong> medieval Christian art in <strong>the</strong> world.<br />

Where is it<br />

Trinity College Library, Dublin, Ireland<br />

Christianity came to Ireland in <strong>the</strong> 5th century and spread<br />

rapidly. Gospel books and psalters were produced in large<br />

numbers from this time. The Book <strong>of</strong> Kells is <strong>the</strong> greatest<br />

example <strong>of</strong> a decorated manuscript Gospel book from <strong>the</strong><br />

54<br />

4th c. 5th c. 6th c. 7th c. 8th c. 9th c. 10th c. 11th c. 12th c. 13th c. 14th c. 15th c. 16th c. 17th c. 18th c. 19th c. 20th c. 21st c.<br />

The Book <strong>of</strong> Kells<br />

7th to <strong>the</strong> 9th centuries, <strong>the</strong> period known as <strong>the</strong> ‘Golden<br />

Age’ <strong>of</strong> Irish art.<br />

The Book <strong>of</strong> Kells is widely believed to date from<br />

around AD 800. The principal foundation <strong>of</strong> <strong>the</strong> great<br />

Irish missionary and scribe St Colum Cille (died 597) was<br />

on <strong>the</strong> small island <strong>of</strong> Iona, <strong>of</strong>f <strong>the</strong> west coast <strong>of</strong> what is<br />

now Scotland. Following <strong>the</strong> sack <strong>of</strong> <strong>the</strong> island by Vikings<br />

in <strong>the</strong> year 806, and <strong>the</strong> killing <strong>of</strong> sixty-eight <strong>of</strong> <strong>the</strong><br />

community, <strong>the</strong> building <strong>of</strong> a new and less vulnerable<br />

house was begun <strong>the</strong> next year at Kells in county Meath,<br />

about 60 km north-west <strong>of</strong> Dublin, and completed in 814.<br />

It was traditionally believed that <strong>the</strong> Book <strong>of</strong> Kells was <strong>the</strong><br />

work <strong>of</strong> St Colum Cille himself, a tradition which persisted<br />

well into <strong>the</strong> 19th century. There has been considerable<br />

academic debate on whe<strong>the</strong>r it was executed in its entirety<br />

at Iona or at Kells, or whe<strong>the</strong>r it was begun at Iona and<br />

completed at Kells; and so whe<strong>the</strong>r it was produced<br />

before or after 806 or whe<strong>the</strong>r, indeed, it was written in<br />

Northumbria or even Pictland.<br />

Its lavish and complex decoration diff erentiates <strong>the</strong><br />

Book <strong>of</strong> Kells from o<strong>the</strong>r manuscripts <strong>of</strong> <strong>the</strong> period. This<br />

text is decorated and at <strong>the</strong> same time elucidated with<br />

images <strong>of</strong> great iconographic subtlety. Important words<br />

and phrases are emphasized and <strong>the</strong> text is enlivened<br />

by an endlessly inventive range <strong>of</strong> decorated initials and<br />

interlinear drawings. The greatly decorated pages, upon<br />

which <strong>the</strong> book’s celebrity mainly rests, comprise symbols<br />

and portraits <strong>of</strong> <strong>the</strong> evangelists, introducing <strong>the</strong> Gospels;<br />

portraits <strong>of</strong> Christ and <strong>the</strong> Virgin and Child; illustrations<br />

<strong>of</strong> <strong>the</strong> temptation and <strong>the</strong> arrest <strong>of</strong> Christ; and decorations<br />

based on initial letters and Christian symbols. No o<strong>the</strong>r<br />

Gospel manuscript <strong>of</strong> <strong>the</strong> period was planned or executed<br />

with such an elaborate decorative scheme. Little is known<br />

for certain about <strong>the</strong> circumstances <strong>of</strong> production <strong>of</strong> <strong>the</strong><br />

Book <strong>of</strong> Kells and we do not know <strong>the</strong> names <strong>of</strong> its scribes<br />

or artists.<br />

The Book <strong>of</strong> Kells is a large manuscript now<br />

containing 340 folios (680 pages), measuring in <strong>the</strong><br />

region <strong>of</strong> 330 x 255 mm. Originally, <strong>the</strong> leaves probably<br />

� A page from <strong>the</strong> Gospel <strong>of</strong> Mat<strong>the</strong>w, showing <strong>the</strong> wealth<br />

<strong>of</strong> decoration used to enliven a page <strong>of</strong> text.<br />

A portrait <strong>of</strong> Christ from <strong>the</strong> Book <strong>of</strong> Kells. A cross is<br />

placed above Christ’s head and he is flanked by angels<br />

and by two peacocks standing behind two chalices. �

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