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Memory of the World; 2012 - unesdoc - Unesco

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4th c. 5th c. 6th c. 7th c. 8th c. 9th c. 10th c. 11th c. 12th c. 13th c. 14th c. 15th c. 16th c. 17th c. 18th c. 19th c. 20th c. 21st c.<br />

The Emperor’s collection:<br />

foreign and Brazilian photography<br />

in <strong>the</strong> 19th century<br />

Inscribed 2003<br />

What is it<br />

The collection <strong>of</strong> 21,742 photographs that belonged to<br />

<strong>the</strong> Emperor <strong>of</strong> Brazil, Dom Pedro II (1825–91).<br />

Why was it inscribed<br />

A unique collection <strong>of</strong> 19th-century photographs, it was<br />

assembled by one person throughout his life and is <strong>the</strong><br />

largest collection <strong>of</strong> photographs in Latin America. It<br />

includes works by <strong>the</strong> first photographers in <strong>the</strong> world.<br />

The collection is an accurate portrait <strong>of</strong> <strong>the</strong> 19th century,<br />

reflecting <strong>the</strong> customs and <strong>the</strong> intellectual and industrial<br />

developments at <strong>the</strong> time it was put toge<strong>the</strong>r.<br />

Where is it<br />

Fundação Biblioteca Nacional, Rio de Janeiro, Brazil<br />

In 1839, <strong>the</strong> invention was announced <strong>of</strong> <strong>the</strong><br />

daguerreotype, <strong>the</strong> first commercially viable and reliable<br />

means <strong>of</strong> producing a photographic image. The Emperor<br />

Dom Pedro II was just 14 years old and in 1840, having<br />

seen a demonstration <strong>of</strong> <strong>the</strong> process, he acquired<br />

daguerreotype equipment. He was <strong>the</strong> first Brazilian<br />

to make a photograph, and <strong>the</strong> first monarch anywhere in<br />

<strong>the</strong> world to do so.<br />

This proved <strong>the</strong> start <strong>of</strong> a lifelong interest in photography.<br />

At home and through agents abroad, he bought and<br />

acquired items that interested him. He ga<strong>the</strong>red<br />

photographs while on travels throughout his empire and<br />

abroad to North America, Europe, Russia, Turkey, <strong>the</strong> Holy<br />

Land, <strong>the</strong> Middle East and Africa. All <strong>the</strong> photographs<br />

collected on <strong>the</strong>se travels give <strong>the</strong> collection an international<br />

interest. Annotations made on <strong>the</strong> photos are sometimes in<br />

<strong>the</strong> emperor’s hand.<br />

The emperor’s collection <strong>of</strong> photographs includes <strong>the</strong> work<br />

<strong>of</strong> some <strong>of</strong> <strong>the</strong> most famous photographers in <strong>the</strong> world <strong>of</strong><br />

<strong>the</strong>ir day. The new photographic techniques were used for<br />

different uses including documentation, representation and<br />

expression, in different types and formats, and <strong>the</strong> collection<br />

reflects all <strong>of</strong> <strong>the</strong>se. In its comprehensive cover <strong>of</strong> <strong>the</strong> first<br />

half-century <strong>of</strong> photography, <strong>the</strong> collection is unique and<br />

irreplaceable.<br />

358 The Emperor’s collection<br />

� Emperor Dom Pedro II and his family visiting Egypt<br />

Daguerreotype camera �

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