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Memory of the World; 2012 - unesdoc - Unesco

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4th c. 5th c. 6th c. 7th c. 8th c. 9th c. 10th c. 11th c. 12th c. 13th c. 14th c. 15th c. 16th c. 17th c. 18th c. 19th c. 20th c. 21st c.<br />

Russian posters <strong>of</strong> <strong>the</strong> end<br />

<strong>of</strong> <strong>the</strong> 19th and early<br />

20th centuries<br />

Inscribed 1997<br />

What is it<br />

A collection <strong>of</strong> Russian posters from <strong>the</strong> second half<br />

<strong>of</strong> <strong>the</strong> 19th and <strong>the</strong> early 20th centuries.<br />

Why was it inscribed<br />

The largest single collection <strong>of</strong> Russian posters in <strong>the</strong><br />

world, <strong>the</strong>se are considered <strong>of</strong> central importance in <strong>the</strong><br />

study <strong>of</strong> Russian art, culture and history <strong>of</strong> <strong>the</strong> period.<br />

Where is it<br />

Russian State Library, Moscow, Russia<br />

The collection <strong>of</strong> posters in <strong>the</strong> Russian State Library is<br />

part <strong>of</strong> <strong>the</strong> library’s graphic collection and is a central<br />

resource for <strong>the</strong> study <strong>of</strong> Russian art, culture and history.<br />

The collection was begun in <strong>the</strong> mid 19th century when<br />

Count N.P. Rumyantsev, <strong>the</strong> Russian chancellor, gifted<br />

his collection <strong>of</strong> books, manuscripts and o<strong>the</strong>r materials<br />

to <strong>the</strong> state; this compendium formed <strong>the</strong> basis <strong>of</strong> <strong>the</strong><br />

Russian State Library. In subsequent years, <strong>the</strong> library<br />

also acquired posters by legal deposit, by purchase and<br />

by bequest.<br />

The later 19th century was a period <strong>of</strong> growth in poster<br />

art across Europe as a whole, thanks to developments in<br />

chromolithography and colour printing. The poster was an<br />

art form in Russia since that time, so <strong>the</strong> library’s collection<br />

covers <strong>the</strong> genre from its beginnings.<br />

412 Russian posters <strong>of</strong> <strong>the</strong> end <strong>of</strong> <strong>the</strong> 19th and early 20th centuries<br />

With <strong>the</strong>ir origins in placards and shop signs, posters<br />

were used in Russia as a way <strong>of</strong> advertising business,<br />

services and announcements. However, during <strong>the</strong> first<br />

Russian revolution in 1905, posters and o<strong>the</strong>r graphic<br />

art forms became campaigning vehicles, expressing<br />

<strong>the</strong> immediacy <strong>of</strong> contemporary political ideas.<br />

The First <strong>World</strong> War brought a new subject matter in<br />

1914, with advertisements for <strong>the</strong> sale <strong>of</strong> war bonds. But<br />

<strong>the</strong> February Revolution <strong>of</strong> 1917 was a catalyst for an<br />

explosion <strong>of</strong> artistic output and <strong>the</strong> work <strong>of</strong> <strong>the</strong> poster<br />

artists, with <strong>the</strong>ir ability quickly to capture and display<br />

fast-moving ideas and events, became a main means <strong>of</strong><br />

expressing <strong>the</strong> central political, social and artistic questions<br />

<strong>of</strong> <strong>the</strong> day.<br />

Political campaigning with posters was seized on by<br />

<strong>the</strong> new Bolshevik revolutionary government which was<br />

fighting a civil war that lasted for three years. The Russian<br />

Telegraph Agency (Rosta) was <strong>the</strong> government’s news<br />

agency from 1918 to 1935. Between 1919 and 1921, Rosta’s<br />

own poster department began producing posters known as<br />

‘Rosta Windows’, initially for display in <strong>the</strong> shop windows<br />

<strong>of</strong> Moscow, although <strong>the</strong>y later spread to o<strong>the</strong>r centres.<br />

These provided a government slant on current affairs and<br />

demonized and satirized <strong>the</strong> Bolsheviks’ opponents. The<br />

Rosta Windows drew on <strong>the</strong> popular Russian graphic art<br />

form <strong>of</strong> <strong>the</strong> lubok, with powerful coloured illustrations<br />

overshadowing <strong>the</strong> text.<br />

The period after <strong>the</strong> civil war once more brought a<br />

change in poster material as <strong>the</strong> government recognized<br />

its value as a vehicle for communication and propaganda.<br />

� Russian posters from <strong>the</strong> late 19th and early<br />

20th centuries. � �

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