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Memory of the World; 2012 - unesdoc - Unesco

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4th c. 5th c. 6th c. 7th c. 8th c. 9th c. 10th c. 11th c. 12th c. 13th c. 14th c. 15th c. 16th c. 17th c. 18th c. 19th c. 20th c. 21st c.<br />

Châtelet de Paris banner<br />

register from <strong>the</strong><br />

reign <strong>of</strong> Francis I<br />

(National Archives Y9, France)<br />

Inscribed 2011<br />

What is it<br />

The Châtelet banners series dealt with <strong>the</strong> registration<br />

and publication <strong>of</strong> French legislative texts <strong>of</strong> which <strong>the</strong><br />

Y9 register is <strong>the</strong> third volume. Covering <strong>the</strong> period<br />

from 1515 to 1546, it covers <strong>the</strong> reign <strong>of</strong> <strong>the</strong> dynamic<br />

French Renaissance King Francis I.<br />

Why was it inscribed<br />

The register shows in detail <strong>the</strong> extraordinary legislative,<br />

administrative and legal output <strong>of</strong> Francis I, most notably<br />

his decree <strong>of</strong> 1537 requiring printers and booksellers to<br />

deposit a copy <strong>of</strong> <strong>the</strong>ir work in his royal library (and later,<br />

o<strong>the</strong>r state institutions). O<strong>the</strong>r countries later followed<br />

<strong>the</strong> French example in <strong>the</strong> establishment <strong>of</strong> <strong>the</strong> legal<br />

deposit system which helped safeguard <strong>the</strong> preservation<br />

<strong>of</strong> knowledge.<br />

Where is it<br />

Archives Nationales, Paris, France<br />

Like many <strong>of</strong> his royal contemporaries, Francis I was<br />

influenced by <strong>the</strong> ideas <strong>of</strong> <strong>the</strong> Italian Renaissance. A man<br />

<strong>of</strong> great energy, he was a renowned patron <strong>of</strong> <strong>the</strong> arts<br />

and learning who transformed <strong>the</strong> cultural life <strong>of</strong> France<br />

during <strong>the</strong> course <strong>of</strong> his reign.<br />

Francis undertook a large-scale building programme,<br />

constructing several châteaux, all lavishly decorated,<br />

including Fontainebleau and <strong>the</strong> Louvre. His patronage<br />

brought Leonardo da Vinci to France for <strong>the</strong> artist’s final<br />

years, toge<strong>the</strong>r with many <strong>of</strong> his paintings, including <strong>the</strong><br />

Mona Lisa. The art collection Francis ga<strong>the</strong>red became<br />

<strong>the</strong> foundation for <strong>the</strong> French royal art collection, which is<br />

now housed at <strong>the</strong> Louvre. As a Renaissance prince, he also<br />

dabbled in warfare – in which he was less successful – and<br />

encouraged overseas exploration, most notably in Quebec.<br />

He established <strong>the</strong> royal library, made French <strong>the</strong> <strong>of</strong>ficial<br />

language in place <strong>of</strong> Latin and set up a requirement for a<br />

registry <strong>of</strong> births, marriages and deaths in every parish.<br />

� The Archives Nationales in Paris<br />

The energetic output <strong>of</strong> administrative initiatives during<br />

Francis’s reign was recorded in <strong>the</strong> Châtelet de Paris<br />

banners. These registers, dating from 1416 onwards,<br />

recorded <strong>of</strong>ficial administrative decrees and statues<br />

considered worthy <strong>of</strong> publication. Among <strong>the</strong> most<br />

famous <strong>of</strong> <strong>the</strong>se initiatives was <strong>the</strong> king’s 1537 decree<br />

introducing <strong>the</strong> legal requirement for a copy <strong>of</strong> each<br />

book to be deposited in <strong>the</strong> royal library. The printing<br />

<strong>of</strong> books was less than 100 years old and France was <strong>the</strong><br />

first country to introduce this now commonplace practice,<br />

which ensured <strong>the</strong> conservation in a single place <strong>of</strong> every<br />

written and printed work produced in France.<br />

The creation <strong>of</strong> a central repository went beyond Francis’s<br />

renowned patronage <strong>of</strong> <strong>the</strong> arts. The Catholic Francis was<br />

keen to control <strong>the</strong> spread <strong>of</strong> <strong>the</strong> new Protestant ideas. As<br />

no work could be sold until a copy had been deposited in<br />

<strong>the</strong> royal library, <strong>the</strong> content <strong>of</strong> published work could be<br />

scrutinized for heretical ideas and controlled more closely.<br />

The concept <strong>of</strong> legal deposit, by which authors would<br />

eventually be able to register and date <strong>the</strong>ir work, was<br />

also an important stage in <strong>the</strong> development <strong>of</strong> copyright.<br />

184 Châtelet de Paris banner register from <strong>the</strong> reign <strong>of</strong> Francis I (National Archives Y9, France)<br />

King Francis I <strong>of</strong> France �

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