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Memory of the World; 2012 - unesdoc - Unesco

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Los Olvidados<br />

Inscribed 2003<br />

What is it<br />

The original negative in cellulose nitrate in 35 mm black<br />

and white <strong>of</strong> Los Olvidados, <strong>the</strong> film made in Mexico City<br />

in 1950 by Spanish-Mexican filmmaker Luis Buñuel. The<br />

film depicts <strong>the</strong> nihilism and poverty <strong>of</strong> life in <strong>the</strong> slums<br />

<strong>of</strong> <strong>the</strong> city.<br />

Why was it inscribed<br />

Los Olvidados is an acknowledged classic <strong>of</strong> world<br />

cinema and <strong>the</strong> inscription relates to <strong>the</strong> original<br />

negative <strong>of</strong> <strong>the</strong> film. Although shot in Mexico City,<br />

its <strong>the</strong>mes are universally relevant.<br />

Where is it<br />

Filmoteca de la UNAM, Mexico City, Mexico<br />

The film was made in 1950 at a time <strong>of</strong> optimism in<br />

Mexico. The country had its first civilian president and<br />

<strong>the</strong> Mexican film industry was still experiencing <strong>the</strong> later<br />

stages <strong>of</strong> an acknowledged golden age. The films produced<br />

494 Los Olvidados<br />

in Mexico reflected this national feeling <strong>of</strong> optimism, and<br />

Los Olvidados stood in stark contrast.<br />

Los Olvidados translates into English as ‘The Forgotten<br />

Ones’, although it was released in <strong>the</strong> USA under <strong>the</strong> name<br />

‘The Young and <strong>the</strong> Damned’. It depicts <strong>the</strong> child and adult<br />

inhabitants <strong>of</strong> a Mexico City slum where, devoid <strong>of</strong> hope<br />

or purpose, <strong>the</strong>ir lives are followed out to brutal and<br />

pointless ends.<br />

Shot in black and white, <strong>the</strong> film showed many<br />

influences – Italian neorealism, British documentary,<br />

French poetic realism and surrealism – and itself was<br />

influential in various realist cinematic movements that<br />

followed, including new Latin American cinema, French<br />

new wave cinema as well as several remarkable Indian,<br />

Spanish and Italian directors such as Pier Paolo Pasolini.<br />

It was <strong>the</strong> third film Luis Buñuel had made in Mexico<br />

where he had lived since 1946 and it took him two years to<br />

research and write. His career had stalled since his selfimposed<br />

exile from Spain and his best work was assumed<br />

to be past.<br />

Los Olvidados was filmed mostly on <strong>the</strong> streets <strong>of</strong> Mexico<br />

City in only 21 days and edited in three. Its <strong>the</strong>mes were<br />

considered so controversial that several <strong>of</strong> his collaborators

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