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Memory of the World; 2012 - unesdoc - Unesco

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� Marshall talks with his Ju/’hoan friends as he films <strong>the</strong>ir<br />

daily activities.<br />

A Kalahari Family (2002). His films are widely used in <strong>the</strong><br />

teaching <strong>of</strong> anthropology. The collection, which now holds<br />

this material, reflects <strong>the</strong> evolution <strong>of</strong> anthropological<br />

research from <strong>the</strong> study <strong>of</strong> cultures with little or no<br />

contact with <strong>the</strong> outside world to those undergoing<br />

transformation due to local and global economic and<br />

political pressures. Because <strong>of</strong> <strong>the</strong> long timescale over<br />

which <strong>the</strong> material was made, it also demonstrates <strong>the</strong><br />

evolution <strong>of</strong> film and video technology and its impact on<br />

visually capturing a culture. The associated audio tapes<br />

are an exceptionally valuable collection for <strong>the</strong> study <strong>of</strong><br />

<strong>the</strong> endangered !Kung language group containing three<br />

dialects: Ju/’hoansi; San, whose name is now regarded<br />

by <strong>the</strong> Ju/’hoansi to have negative connotations; and<br />

Bushman, which ironically (given <strong>the</strong> derogatory history<br />

<strong>of</strong> this term) is now preferred by <strong>the</strong> Ju/’hoansi as a term<br />

<strong>of</strong> dignity.<br />

With <strong>the</strong> notebooks and photographs in <strong>the</strong> Bleek<br />

collection at <strong>the</strong> University <strong>of</strong> Cape Town (see page 329),<br />

<strong>the</strong>se two archival holdings represent an astonishing<br />

record <strong>of</strong> Bushman heritage from <strong>the</strong> mid-19th century<br />

to <strong>the</strong> end <strong>of</strong> <strong>the</strong> 20th century.<br />

501

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