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translation studies. retrospective and prospective views

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significance <strong>and</strong> help the development of the interpersonal interaction.<br />

Both the status <strong>and</strong> the role of participants have a great importance, as they<br />

determine the interaction rules (in what concerns the beginning,<br />

development <strong>and</strong> ending of the respective interactions).<br />

Participants establish a certain type of relationship between/among<br />

them; it has an asymmetrical character given by the participants` different<br />

status <strong>and</strong> roles <strong>and</strong> the asymmetrical position taxemes: the students`<br />

positioning at their desks <strong>and</strong> the teacher’s position behind the teacher’s<br />

desk.<br />

The teacher controls the whole flux of conversation in the classroom.<br />

He is the one who (as a rule) selects the next speaker in a direct way (using<br />

addressing terms) or in an indirect way (through a frontal question that<br />

gives students the possibility to self-select). Students talk only when they<br />

are asked questions/invited to do it. Their talking time is quantitatively<br />

reduced, in comparison with that of the teacher`s.<br />

Participants also have the possibility of choosing the style <strong>and</strong> the<br />

way of behaviour according to the ritual they are involved in. At the same<br />

time, they have the chance of getting or not getting involved in interactions<br />

(the case of the students who do not know <strong>and</strong> thus do not give an answer<br />

to the teacher’s questions or, who stubbornly refuse to do this).<br />

The ritualized ceremony is based on a script (an unwritten one). On<br />

the one h<strong>and</strong>, the lesson has certain moments/stages that are observed<br />

(greetings, warm-up activities, pre-, while- <strong>and</strong> post- activities); on the<br />

other h<strong>and</strong>, the teacher <strong>and</strong> students` roles constrain their behaviour <strong>and</strong><br />

make them act as actors on a stage, actors who know their parts/moves<br />

<strong>and</strong> their sequencing. Sometimes, through their imagination <strong>and</strong> energy<br />

participants can bring alterations/improvisations, to be noticed at the level<br />

of content <strong>and</strong> conversational chaining.<br />

Participants become, in turns, actors or audience. There are moments<br />

when the teacher is the main actor (he offers input, offers feedback,<br />

evaluates oral or written tasks, <strong>and</strong> establishes activities or types of<br />

groupings) <strong>and</strong> students are members of the audience. Roles are then<br />

changed; students are main actors in front of the teacher <strong>and</strong> their fellows<br />

(the case of individual answers to questions, of students` role-playing,<br />

simulating, solving exercises at the blackboard, reading in front of their<br />

fellows, etc).<br />

In the classroom one can notice the types of rituals as established by<br />

Goffman 11: access rituals, confirmation rituals <strong>and</strong> remedial rituals.<br />

Access rituals mark the participants` “entering” the stage. They are<br />

the ritualistic greetings at the beginning or the end of each class <strong>and</strong> are<br />

quite stereotyped due to the status <strong>and</strong> role of the participants.<br />

Once the “access”ritual is established <strong>and</strong> the relationship put into<br />

144

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