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translation studies. retrospective and prospective views

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kisses./[...]/There, under steep shores,/The face of the sea got<br />

shadowy;/There, sleepy waves/ Moan under granite shores.) (193),<br />

Hero <strong>and</strong> Le<strong>and</strong>er’s legend, or the party song, slightly moving<br />

towards bitter meditation, in the last canto of the poem.<br />

In its own way, Bolintineanu’s poem highlights the existence of<br />

some strengths of the Byronic model in the Balkan spirit of the<br />

Romanian literature – the Ottoman <strong>and</strong> Hellenic Orient, Bosporus,<br />

the harem, the oriental-stemming hedonistic attitude, the fatal erotic<br />

passion <strong>and</strong> the appetite for the fabulous as well as the sum total of<br />

states <strong>and</strong> attitudes which make up the so-called Byronism: the<br />

indefinite melancholy, the nocturnal meditation by the graves, the<br />

feeling of humankind futility, the fascination stirred by a legendary<br />

past <strong>and</strong> egocentrism as a measure of all things.<br />

References<br />

Bolintineanu, D. (1984). Poezii alese, Bucureşti: Minerva.<br />

Călin, V. (1955). Romantismul, Bucureşti: Univers.<br />

Constantinescu, V. S. (1998). Exotismul în literatura română, Iaşi: Editura<br />

Universităţii “Al. I. Cuza”.<br />

Negoiţescu, I. (1991). Istoria literaturii române, Bucureşti: Minerva.<br />

Negoiţescu, I. (1966). Scriitori moderni, Bucureşti: Editura pentru Literatură.<br />

Petrescu, I. Em. (1983). Configuraţii, Cluj-Napoca: Dacia.<br />

Regman, C. (1966). Confluenţe literare, Bucureşti: Editura pentru Literatură.<br />

Simion, E. (1998), Dimineaţa poeţilor, Bucureşti: Univers Enciclopedic.<br />

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