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Le Giornate del Cinema Muto 2005 Sommario / Contents

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1.THE MECHANIZED EYE: Experiments in Technique and<br />

Form<br />

5 film Edison sull’esposizione di Parigi <strong>del</strong> 1900 / Paris Exposition of<br />

1900 – 5 Edison films:<br />

EIFFEL TOWER FROM TROCADERO PALACE; PALACE OF<br />

ELECTRICITY; CHAMPS DE MARS; PANORAMA OF<br />

EIFFEL TOWER; SCENE FROM THE ELEVATOR<br />

ASCENDING EIFFEL TOWER (Edison, US 1900), prod. (+ f./ph.?):<br />

James H.White; mus: EB.<br />

LA CARTOMANCIENNE [The Fortune Teller] (US 1932), re./dir.,<br />

mus: Jerome Hill.<br />

TRAVEL NOTES (US 1932), re./dir: Walker Evans; mus: EB.<br />

OIL:A SYMPHONY IN MOTION (Artkino, US 1930-33), re./dir:<br />

Jean D. Michelson, M.G. MacPherson; mus: EB.<br />

POEM 8 (US 1932-33), Emlen Etting; mus: EB.<br />

2.THE DEVIL’S PLAYTHING:American Surrealism<br />

THE IMPOSSIBLE CONVICTS (Biograph, US 1905), f./ph: G.W.<br />

“Billy” Bitzer; mus: EB.<br />

WHEN THE CLOUDS ROLL BY (Douglas Fairbanks Pictures<br />

Corp., US 1919) (estratto/excerpt), re./dir: Victor Fleming; mus: EB.<br />

BEGGAR ON HORSEBACK (US 1925) (estratto/excerpt), re./dir:<br />

James Cruze; mus: DS.<br />

TOMATOS ANOTHER DAY (US 1930/1933), J.S. Watson, Jr. &<br />

Alec Wilder.<br />

“The Enigmatic World of Joseph Cornell”:<br />

UNREAL NEWS REELS (Weiss Artclass Comedies, US, c.1926)<br />

(estratto/excerpt), re./dir: ? ; mus: RI.<br />

THE CHILDREN’S JURY (US, c.1938), [Joseph Cornell]; mus: EB.<br />

THIMBLE THEATER (US, c.1938), Joseph Cornell; mus: VR.<br />

CAROUSEL:ANIMAL OPERA (US, c.1938), Joseph Cornell; mus:<br />

VR, selezione di/selected by Cornell.<br />

JACK’S DREAM (US, c.1938), Joseph Cornell; mus: VR, selezione<br />

di/selected by Cornell.<br />

3. LIGHT RHYTHMS: Music and Abstraction<br />

BALLET MÉCANIQUE (FR 1923-24), re./dir: Fernand Léger &<br />

Dudley Murphy, con partitura originale sincronizzata di/with original<br />

synchronized score by George Antheil, realizzata da/realized by Paul<br />

<strong>Le</strong>hrman.<br />

LOONEY LENS:ANAMORPHIC PEOPLE (US 1927),Al Brick;<br />

mus: DS.<br />

THE FURIES (US 1934), re./dir., mont./ed: Slavko Vorkapich; mus: VR<br />

(Beethoven), selezione di/selected by Vorkapich.<br />

SO THIS IS PARIS (Warner Bros., US 1926) (estratto/excerpt),<br />

re./dir: Ernst Lubitsch; mus: EB.<br />

SYNCHROMY NO. 2 (US 1936), Mary Ellen Bute & Ted Nemeth;<br />

mus: VR (Wagner), selezione di/selected by Bute.<br />

GLEN FALLS SEQUENCE (US 1937-46), Douglass Crockwell;<br />

film progettato muto/intentionally silent.<br />

141<br />

ABSTRACT MOVIES (US 1937-47), George L.K. Morris; mus:<br />

Shane Ryan.<br />

MOODS OF THE SEA (US 1940-42), Slavko Vorkapich & John<br />

Hoffman; mus: VR (Men<strong>del</strong>ssohn), selezione di/selected by Vorkapich &<br />

Hoffman.<br />

4. INVERTED NARRATIVES: New Directions in Storytelling<br />

MOONLAND (US, 1923-26), Neil McQuire & William A. O’Connor;<br />

mus: EB.<br />

LITTLE GEEZER (US 1932), re./dir: Theodore Huff; mus: EB.<br />

BLACK LEGION (Nykino, US 1936-7), re./dir: Ralph Steiner &<br />

Willard Van Dyke.<br />

OBJECT LESSON (US 1941), Christopher Young.<br />

“SREDNI VASHTAR” BY SAKI (US 1940-43), re./dir: David<br />

Bradley; mus: VR, selezione di/selected by Bradley.<br />

5. PICTURING A METROPOLIS: New York City Unveiled<br />

DEMOLISHING AND BUILDING THE STAR THEATRE<br />

(Biograph, US 1902), Frederick Armitage; mus: EB.<br />

CONEY ISLAND AT NIGHT (Edison, US 1905), re./dir: Edwin S.<br />

Porter; mus: EB.<br />

INTERIOR NEW YORK SUBWAY 14TH ST. TO 42ND ST.<br />

(Biograph, US 1905), f./ph: G.W.“Billy” Bitzer; mus: EB.<br />

SEEING NEW YORK BY YACHT (Biograph, US 1902), Frederick<br />

Armitage & A.E.Weed; mus: EB.<br />

LOONEY LENS: SPLIT SKYSCRAPERS (US, c.1924), TENTH<br />

AVENUE, NYC (US, c.1924),Al Brick; mus: EB.<br />

FORD EDUCATIONAL WEEKLY (US 1916-24), 4 scenes,<br />

re./dir: ?; mus: EB.<br />

$24 ISLAND (US 1926) (restaurato/restored), re./dir: Robert<br />

Flaherty; mus: DS.<br />

MANHATTAN MEDLEY (US 1931), Bonney Powell; mus: Louis de<br />

Francesco (1931).<br />

FOOTNOTE TO FACT (US 1933), re./dir: <strong>Le</strong>wis Jacobs; mus:<br />

Rodney Sauer.<br />

SEEING THE WORLD, PART ONE:A VISIT TO NEW YORK,<br />

N.Y. (US 1937), re./dir: Rudy Burckhardt.<br />

6. THE AMATEUR AS AUTEUR: Discovering Paradise in<br />

Pictures<br />

WINDY LEDGE FARM (US, 1929-34), Elizabeth Woodman Wright;<br />

mus: RI.<br />

A DAY IN SANTA FE (US 1931), Lynn Riggs & James Hughes; mus:<br />

Neal Kurz.<br />

Dalla /From Joseph Cornell’s “Children’s Trilogy”:<br />

CHILDREN’S PARTY (US 1938), Joseph Cornell; film progettato<br />

senza musica/intentionally silent.<br />

THE MIDNIGHT PARTY (US 1938), Joseph Cornell; film<br />

progettato senza musica / intentionally silent.<br />

FUORI QUADRO<br />

OUT OF FRAME

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