Le Giornate del Cinema Muto 2005 Sommario / Contents
Le Giornate del Cinema Muto 2005 Sommario / Contents
Le Giornate del Cinema Muto 2005 Sommario / Contents
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1.THE MECHANIZED EYE: Experiments in Technique and<br />
Form<br />
5 film Edison sull’esposizione di Parigi <strong>del</strong> 1900 / Paris Exposition of<br />
1900 – 5 Edison films:<br />
EIFFEL TOWER FROM TROCADERO PALACE; PALACE OF<br />
ELECTRICITY; CHAMPS DE MARS; PANORAMA OF<br />
EIFFEL TOWER; SCENE FROM THE ELEVATOR<br />
ASCENDING EIFFEL TOWER (Edison, US 1900), prod. (+ f./ph.?):<br />
James H.White; mus: EB.<br />
LA CARTOMANCIENNE [The Fortune Teller] (US 1932), re./dir.,<br />
mus: Jerome Hill.<br />
TRAVEL NOTES (US 1932), re./dir: Walker Evans; mus: EB.<br />
OIL:A SYMPHONY IN MOTION (Artkino, US 1930-33), re./dir:<br />
Jean D. Michelson, M.G. MacPherson; mus: EB.<br />
POEM 8 (US 1932-33), Emlen Etting; mus: EB.<br />
2.THE DEVIL’S PLAYTHING:American Surrealism<br />
THE IMPOSSIBLE CONVICTS (Biograph, US 1905), f./ph: G.W.<br />
“Billy” Bitzer; mus: EB.<br />
WHEN THE CLOUDS ROLL BY (Douglas Fairbanks Pictures<br />
Corp., US 1919) (estratto/excerpt), re./dir: Victor Fleming; mus: EB.<br />
BEGGAR ON HORSEBACK (US 1925) (estratto/excerpt), re./dir:<br />
James Cruze; mus: DS.<br />
TOMATOS ANOTHER DAY (US 1930/1933), J.S. Watson, Jr. &<br />
Alec Wilder.<br />
“The Enigmatic World of Joseph Cornell”:<br />
UNREAL NEWS REELS (Weiss Artclass Comedies, US, c.1926)<br />
(estratto/excerpt), re./dir: ? ; mus: RI.<br />
THE CHILDREN’S JURY (US, c.1938), [Joseph Cornell]; mus: EB.<br />
THIMBLE THEATER (US, c.1938), Joseph Cornell; mus: VR.<br />
CAROUSEL:ANIMAL OPERA (US, c.1938), Joseph Cornell; mus:<br />
VR, selezione di/selected by Cornell.<br />
JACK’S DREAM (US, c.1938), Joseph Cornell; mus: VR, selezione<br />
di/selected by Cornell.<br />
3. LIGHT RHYTHMS: Music and Abstraction<br />
BALLET MÉCANIQUE (FR 1923-24), re./dir: Fernand Léger &<br />
Dudley Murphy, con partitura originale sincronizzata di/with original<br />
synchronized score by George Antheil, realizzata da/realized by Paul<br />
<strong>Le</strong>hrman.<br />
LOONEY LENS:ANAMORPHIC PEOPLE (US 1927),Al Brick;<br />
mus: DS.<br />
THE FURIES (US 1934), re./dir., mont./ed: Slavko Vorkapich; mus: VR<br />
(Beethoven), selezione di/selected by Vorkapich.<br />
SO THIS IS PARIS (Warner Bros., US 1926) (estratto/excerpt),<br />
re./dir: Ernst Lubitsch; mus: EB.<br />
SYNCHROMY NO. 2 (US 1936), Mary Ellen Bute & Ted Nemeth;<br />
mus: VR (Wagner), selezione di/selected by Bute.<br />
GLEN FALLS SEQUENCE (US 1937-46), Douglass Crockwell;<br />
film progettato muto/intentionally silent.<br />
141<br />
ABSTRACT MOVIES (US 1937-47), George L.K. Morris; mus:<br />
Shane Ryan.<br />
MOODS OF THE SEA (US 1940-42), Slavko Vorkapich & John<br />
Hoffman; mus: VR (Men<strong>del</strong>ssohn), selezione di/selected by Vorkapich &<br />
Hoffman.<br />
4. INVERTED NARRATIVES: New Directions in Storytelling<br />
MOONLAND (US, 1923-26), Neil McQuire & William A. O’Connor;<br />
mus: EB.<br />
LITTLE GEEZER (US 1932), re./dir: Theodore Huff; mus: EB.<br />
BLACK LEGION (Nykino, US 1936-7), re./dir: Ralph Steiner &<br />
Willard Van Dyke.<br />
OBJECT LESSON (US 1941), Christopher Young.<br />
“SREDNI VASHTAR” BY SAKI (US 1940-43), re./dir: David<br />
Bradley; mus: VR, selezione di/selected by Bradley.<br />
5. PICTURING A METROPOLIS: New York City Unveiled<br />
DEMOLISHING AND BUILDING THE STAR THEATRE<br />
(Biograph, US 1902), Frederick Armitage; mus: EB.<br />
CONEY ISLAND AT NIGHT (Edison, US 1905), re./dir: Edwin S.<br />
Porter; mus: EB.<br />
INTERIOR NEW YORK SUBWAY 14TH ST. TO 42ND ST.<br />
(Biograph, US 1905), f./ph: G.W.“Billy” Bitzer; mus: EB.<br />
SEEING NEW YORK BY YACHT (Biograph, US 1902), Frederick<br />
Armitage & A.E.Weed; mus: EB.<br />
LOONEY LENS: SPLIT SKYSCRAPERS (US, c.1924), TENTH<br />
AVENUE, NYC (US, c.1924),Al Brick; mus: EB.<br />
FORD EDUCATIONAL WEEKLY (US 1916-24), 4 scenes,<br />
re./dir: ?; mus: EB.<br />
$24 ISLAND (US 1926) (restaurato/restored), re./dir: Robert<br />
Flaherty; mus: DS.<br />
MANHATTAN MEDLEY (US 1931), Bonney Powell; mus: Louis de<br />
Francesco (1931).<br />
FOOTNOTE TO FACT (US 1933), re./dir: <strong>Le</strong>wis Jacobs; mus:<br />
Rodney Sauer.<br />
SEEING THE WORLD, PART ONE:A VISIT TO NEW YORK,<br />
N.Y. (US 1937), re./dir: Rudy Burckhardt.<br />
6. THE AMATEUR AS AUTEUR: Discovering Paradise in<br />
Pictures<br />
WINDY LEDGE FARM (US, 1929-34), Elizabeth Woodman Wright;<br />
mus: RI.<br />
A DAY IN SANTA FE (US 1931), Lynn Riggs & James Hughes; mus:<br />
Neal Kurz.<br />
Dalla /From Joseph Cornell’s “Children’s Trilogy”:<br />
CHILDREN’S PARTY (US 1938), Joseph Cornell; film progettato<br />
senza musica/intentionally silent.<br />
THE MIDNIGHT PARTY (US 1938), Joseph Cornell; film<br />
progettato senza musica / intentionally silent.<br />
FUORI QUADRO<br />
OUT OF FRAME