1.THE MECHANIZED EYE: Experiments in Technique and Form 5 film Edison sull’esposizione di Parigi <strong>del</strong> 1900 / Paris Exposition of 1900 – 5 Edison films: EIFFEL TOWER FROM TROCADERO PALACE; PALACE OF ELECTRICITY; CHAMPS DE MARS; PANORAMA OF EIFFEL TOWER; SCENE FROM THE ELEVATOR ASCENDING EIFFEL TOWER (Edison, US 1900), prod. (+ f./ph.?): James H.White; mus: EB. LA CARTOMANCIENNE [The Fortune Teller] (US 1932), re./dir., mus: Jerome Hill. TRAVEL NOTES (US 1932), re./dir: Walker Evans; mus: EB. OIL:A SYMPHONY IN MOTION (Artkino, US 1930-33), re./dir: Jean D. Michelson, M.G. MacPherson; mus: EB. POEM 8 (US 1932-33), Emlen Etting; mus: EB. 2.THE DEVIL’S PLAYTHING:American Surrealism THE IMPOSSIBLE CONVICTS (Biograph, US 1905), f./ph: G.W. “Billy” Bitzer; mus: EB. WHEN THE CLOUDS ROLL BY (Douglas Fairbanks Pictures Corp., US 1919) (estratto/excerpt), re./dir: Victor Fleming; mus: EB. BEGGAR ON HORSEBACK (US 1925) (estratto/excerpt), re./dir: James Cruze; mus: DS. TOMATOS ANOTHER DAY (US 1930/1933), J.S. Watson, Jr. & Alec Wilder. “The Enigmatic World of Joseph Cornell”: UNREAL NEWS REELS (Weiss Artclass Comedies, US, c.1926) (estratto/excerpt), re./dir: ? ; mus: RI. THE CHILDREN’S JURY (US, c.1938), [Joseph Cornell]; mus: EB. THIMBLE THEATER (US, c.1938), Joseph Cornell; mus: VR. CAROUSEL:ANIMAL OPERA (US, c.1938), Joseph Cornell; mus: VR, selezione di/selected by Cornell. JACK’S DREAM (US, c.1938), Joseph Cornell; mus: VR, selezione di/selected by Cornell. 3. LIGHT RHYTHMS: Music and Abstraction BALLET MÉCANIQUE (FR 1923-24), re./dir: Fernand Léger & Dudley Murphy, con partitura originale sincronizzata di/with original synchronized score by George Antheil, realizzata da/realized by Paul <strong>Le</strong>hrman. LOONEY LENS:ANAMORPHIC PEOPLE (US 1927),Al Brick; mus: DS. THE FURIES (US 1934), re./dir., mont./ed: Slavko Vorkapich; mus: VR (Beethoven), selezione di/selected by Vorkapich. SO THIS IS PARIS (Warner Bros., US 1926) (estratto/excerpt), re./dir: Ernst Lubitsch; mus: EB. SYNCHROMY NO. 2 (US 1936), Mary Ellen Bute & Ted Nemeth; mus: VR (Wagner), selezione di/selected by Bute. GLEN FALLS SEQUENCE (US 1937-46), Douglass Crockwell; film progettato muto/intentionally silent. 141 ABSTRACT MOVIES (US 1937-47), George L.K. Morris; mus: Shane Ryan. MOODS OF THE SEA (US 1940-42), Slavko Vorkapich & John Hoffman; mus: VR (Men<strong>del</strong>ssohn), selezione di/selected by Vorkapich & Hoffman. 4. INVERTED NARRATIVES: New Directions in Storytelling MOONLAND (US, 1923-26), Neil McQuire & William A. O’Connor; mus: EB. LITTLE GEEZER (US 1932), re./dir: Theodore Huff; mus: EB. BLACK LEGION (Nykino, US 1936-7), re./dir: Ralph Steiner & Willard Van Dyke. OBJECT LESSON (US 1941), Christopher Young. “SREDNI VASHTAR” BY SAKI (US 1940-43), re./dir: David Bradley; mus: VR, selezione di/selected by Bradley. 5. PICTURING A METROPOLIS: New York City Unveiled DEMOLISHING AND BUILDING THE STAR THEATRE (Biograph, US 1902), Frederick Armitage; mus: EB. CONEY ISLAND AT NIGHT (Edison, US 1905), re./dir: Edwin S. Porter; mus: EB. INTERIOR NEW YORK SUBWAY 14TH ST. TO 42ND ST. (Biograph, US 1905), f./ph: G.W.“Billy” Bitzer; mus: EB. SEEING NEW YORK BY YACHT (Biograph, US 1902), Frederick Armitage & A.E.Weed; mus: EB. LOONEY LENS: SPLIT SKYSCRAPERS (US, c.1924), TENTH AVENUE, NYC (US, c.1924),Al Brick; mus: EB. FORD EDUCATIONAL WEEKLY (US 1916-24), 4 scenes, re./dir: ?; mus: EB. $24 ISLAND (US 1926) (restaurato/restored), re./dir: Robert Flaherty; mus: DS. MANHATTAN MEDLEY (US 1931), Bonney Powell; mus: Louis de Francesco (1931). FOOTNOTE TO FACT (US 1933), re./dir: <strong>Le</strong>wis Jacobs; mus: Rodney Sauer. SEEING THE WORLD, PART ONE:A VISIT TO NEW YORK, N.Y. (US 1937), re./dir: Rudy Burckhardt. 6. THE AMATEUR AS AUTEUR: Discovering Paradise in Pictures WINDY LEDGE FARM (US, 1929-34), Elizabeth Woodman Wright; mus: RI. A DAY IN SANTA FE (US 1931), Lynn Riggs & James Hughes; mus: Neal Kurz. Dalla /From Joseph Cornell’s “Children’s Trilogy”: CHILDREN’S PARTY (US 1938), Joseph Cornell; film progettato senza musica/intentionally silent. THE MIDNIGHT PARTY (US 1938), Joseph Cornell; film progettato senza musica / intentionally silent. FUORI QUADRO OUT OF FRAME
7.VIVA LA DANCE:The Beginnings of Cine-Dance [ANNABELLE DANCES AND DANCES] (Edison, US, 1894- 97),W.K.L. Dickson,William Heise, James H.White; compilation di/by Bruce Posner & David Shepard (<strong>2005</strong>); mus: Neal Kurz. “Early Superimpositions” – 3 films di/by Frederick Armitage (Biograph, US 1900): DAVY JONES LOCKER; NEPTUNE’S DAUGHTERS; A NYMPH OF THE WAVES; mus: EB. THE SOUL OF THE CYPRESS (US 1920), Dudley Murphy; mus: VR (Debussy). MECHANICAL PRINCIPLES (US 1930), Ralph Steiner; mus: EB. 142 MISS TILLY LOSCH IN HER DANCE OF THE HANDS (US, c.1930-33), Norman Bel Geddes; mus: Rodney Sauer. HANDS (US 1934), re./dir: Willard Van Dyke & Ralph Steiner; mus: EB. AN OPTICAL POEM (US 1938), re./dir: Oskar Fischinger. DANSE MACABRE (US 1922), re./dir: Dudley Murphy & Francis Bruguière; mus: VR (Saint-Saëns). PEER GYNT (US 1941) (estratto/excerpt), re./dir: David Bradley; cast: Charlton Heston; mus: VR (Grieg), selezione di/selected by Bradley.
- Page 1 and 2:
CATALOGO CATALOGUE LE GIORNATE DEL
- Page 3 and 4:
Davide Turconi, Prophet of the Sile
- Page 5 and 6:
Introduzioni e note di / Introducti
- Page 7 and 8:
esplorato in due pellicole: il risc
- Page 9 and 10:
Premio Jean Mitry / The Jean Mitry
- Page 12 and 13:
Eventi musicali / Musical Events EV
- Page 14 and 15:
THE MUSIC OF COMEDY LIBERTY (Hal Ro
- Page 16 and 17:
Laurel & Hardy silents routinely fe
- Page 18 and 19:
SHOCHIKU 110 - NARUSE 100 ZANJIN ZA
- Page 20 and 21:
al film, vendendo le copie a 16mm a
- Page 22:
EVENTO FINALE / CLOSING EVENT L’H
- Page 25 and 26:
Quando la Garbo ricevette il copion
- Page 27 and 28:
discreto. La rifacevo un tre-quattr
- Page 29 and 30:
26 PRIMA MONDIALE / A WORLD PREMIER
- Page 31 and 32:
tedesca. Pur lodato come un capolav
- Page 33 and 34:
cooperation with George Eastman Hou
- Page 35 and 36:
pellicole, padre Bamberger, e David
- Page 37 and 38:
macchina da presa rimane sempre fis
- Page 40 and 41:
La luce dell’oriente: omaggio al
- Page 42 and 43:
Prog. 2 ASAHI WA KAGAYAKU [L’ “
- Page 44 and 45:
sequenza iniziale, con Omitsu che e
- Page 46 and 47:
and the happy ex-convicts who enjoy
- Page 48 and 49:
Giappone anche per la serie del “
- Page 50 and 51:
JP 1932) Re./dir: Hotei Nomura; sog
- Page 52 and 53:
di montaggio e alla costruzione deg
- Page 54 and 55:
Antoine cineasta e il realismo fran
- Page 56 and 57:
compreso quello del realismo nel ci
- Page 58 and 59:
which the action is played without
- Page 60 and 61:
of actions caught in flagrante, as
- Page 62 and 63:
scaturita dal restauro diretto da P
- Page 64 and 65:
Française celebrity Maxime Desjard
- Page 66 and 67:
Cineteca Nazionale. In 1973 a black
- Page 68 and 69:
The peasant films in particular doc
- Page 70 and 71:
L’Hirondelle et la Mésange, whic
- Page 72 and 73:
For one thing, L’Atre refuses the
- Page 74 and 75:
second film, that more accurately d
- Page 76 and 77:
dimostrazione il modo con cui il fi
- Page 78:
oscura la tragica sorte dello zio B
- Page 81 and 82:
Prog. 1 INTOLERANCE (Intolerance) (
- Page 83 and 84:
stampa locale, quella di categoria
- Page 85 and 86:
Behind the scenes, assistant direct
- Page 87 and 88:
Perhaps the most Griffithian moment
- Page 89 and 90:
HEARTS OF THE WORLD (D.W. Griffith,
- Page 91 and 92:
In tal senso, è di esemplare inten
- Page 93 and 94: the right half of the frame, the em
- Page 95 and 96: Fino a questi primi titoli Artcraft
- Page 97 and 98: accompanied the release that neithe
- Page 99 and 100: UNA TRADITRICE”, ma solo una patr
- Page 101 and 102: con efficace vivacità lo spirito d
- Page 103 and 104: struggle of powerless people caught
- Page 105 and 106: amatissimo da Griffith - viene rove
- Page 107 and 108: 104
- Page 109 and 110: film. After a number of unbilled pe
- Page 111 and 112: An illustrated title card in the su
- Page 113 and 114: this time disguised as wearing a lo
- Page 115 and 116: Identical twin girls, about one yea
- Page 117 and 118: in a Turkish Bath, at the 2002 Gior
- Page 119 and 120: HÁROM HÉT (Seelige drei Wochen) [
- Page 121 and 122: esemplare su un film che già andav
- Page 123 and 124: Hausmann), composizioni e registraz
- Page 125 and 126: Serie/Series: JERRY THE TROUBLESOME
- Page 127 and 128: (Catherine Palmerston), Hugh O’Co
- Page 129 and 130: fantasia, in particolare dal critic
- Page 131 and 132: others, Alexander Shorin, who inven
- Page 133 and 134: At the turn of the 19th and 20th ce
- Page 135 and 136: spessore atmosferico, quell’evide
- Page 137 and 138: La storia della scoperta del framme
- Page 139 and 140: murder took place, and shoots Jean
- Page 141 and 142: serbo. Considerato che il produttor
- Page 143: it would be welcomed by the George
- Page 147 and 148: Antoine) but in the selection of co
- Page 149 and 150: The activities of the Forum already
- Page 151 and 152: ANTONIO COPPOLA Avvicinatsoi giovan
- Page 153 and 154: MAURO COLOMBIS Di formazione classi
- Page 155 and 156: four musicians, and a huge stylisti
- Page 157 and 158: INTOLERANCE (ABRIDGED), 87; 13 R IS
- Page 159: 156