Le Giornate del Cinema Muto 2005 Sommario / Contents

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Crainquebille as the opening show; while Raymond Alessandrini’s 1984 score for L’Hirondelle et la Mésange closes the 24th festival on 15 October. In all, this year offers an unprecedented eight orchestral shows, with scores composed or arranged by nine musicians, from Italy, France, Britain, the United States, Holland, Japan, Australia, Canada, and Germany (see “Musicians at the Giornate 2005”, pp. 151-156). On Sunday 3 March 1985, one or two of us were present at the Goethe Institute in Trieste for the screening – introduced by Enno Patalas and Frieda Grafe – of Das Weib des Pharao. It was a 16mm print, black and white, running only 80 minutes – yet it represented a remarkable work of resurrecting all that was then believed to remain of Lubitsch’s “Kolossal” production from 1922. Thrilled by what we saw then, we could not have imagined that on another Sunday, twenty years in the future, our own festival would be able to present a magnificent new restoration of this spectacular work, as a world premiere. Running two hours, and with the original colour, it has been made possible by a combination of new discoveries of hitherto unknown material, the most recent technologies, and an admirable collaborative restoration centred on Munich. In addition it will be possible to hear the original musical score composed for the Berlin première by Eduard Künneke (1885-1953). In commemoration of the 112th anniversary of the birth of Lillian Gish, the serata of 14 October (her birthday) is dedicated to a screening of the new restoration of one of her finest but least-seen films, Victor Sjöstöm’s The Scarlet Letter (1926). The world of the romantic novelist Elinor Glyn (for King Vidor, “the most weird person I’ve ever come across”) is explored in the rediscovered and restored (by the Nederlands Filmmuseum) Beyond the Rocks and the Hungarian version of the (for its day) scandalous Three Weeks. We are delighted to welcome a second visit – as friend now, as well as honoured guest – of Diana Serra Cary, recalling her years as Baby Peggy. Never before in the history of the Giornate has a silent movie star contributed catalogue notes for her own films: Diana does so with the unique mixture of critical analysis and intimate personal involvement that has distinguished her books about the Hollywood of 80 years ago. Of the regular features of the festival, the Griffith Project reaches its ninth instalment and the great features, Intolerance, Hearts of the World, and Broken Blossoms. The latest evidence in the rediscovery of the silent films of Hans Steinhoff is a stylish thriller, The Man Who Sold Himself. Eight animated cartoons will perforce mark the farewell appearance in Sacile of Jerry the Troublesome Tyke, since, for Jerry, That’s All, Folks! We hope that “21st Century Silents” will offer a surprise or two. In inviting participants for this year’s Collegium Sacilense we have concentrated on young people working or hoping to work in the archive world, with the aim of discussing the accelerating changes in techniques and politics of film conservation. We anticipate that this series of dialogues will be of wide general interest to a majority of guests. The FilmFair – this year sited closer to the Festival centre – presents the latest film books, along with DVDs, collectors’ items, and memorabilia; and will provide a centre for personal meetings with film authors. We confidently predict that our guests will succumb to exhaustion rather than boredom. We also know that they will join us in reiterating our unceasing gratitude to our friends in FIAF and public and private archives across the world, whose unstinting support alone makes possible the Giornate del Cinema Muto. Livio Jacob, David Robinson 5
Premio Jean Mitry / The Jean Mitry Award Fin dalla loro nascita, avvenuta nel 1982, le Giornate del Cinema Muto hanno prestato una speciale attenzione al tema del restauro e della salvaguardia dei film. Nell’intento di approfondire questa direzione di ricerca, nel 1986 la Provincia di Pordenone ha istituito un premio internazionale che viene assegnato a personalità o istituzioni che si siano distinte per l’opera di recupero e valorizzazione del patrimonio cinematografico muto. Nel 1989 il premio è stato dedicato alla memoria di Jean Mitry, primo presidente onorario delle Giornate. From its beginnings in 1982, the Giornate del Cinema Muto has been committed to supporting and encouraging the safeguard and restoration of our cinema patrimony. With the aim of encouraging work in this field, in 1986 the Province of Pordenone established an international prize, to be awarded annually to individuals or institutions distinguished for their contribution to the reclamation and appreciation of silent cinema. In 1989 the Award was named in memory of Jean Mitry, the Giornate’s first Honorary President. I vincitori dell’edizione 2005 sono / This year’s recipients are HENRI BOUSQUET & YURI TSIVIAN Vincitori delle edizioni precedenti / Previous winners 2004 Marguerite Enberg & Tom Gunning 2003 Elaine Burrows & Renée Lichtig 2002 Hiroshi Komatsu & Donata Pesenti Campagnoni 2001 Pearl Bowser & Martin Sopocy 2000 Gian Piero Brunetta & Rachael Low 1999 Gösta Werner & Arte 1998 Tatjana Derevjanko & Ib Monty 1997 John & William Barnes & Lobster Films 1996 Charles Musser & L’Immagine Ritrovata 1995 Robert Gitt & Einar Lauritzen 1994 David Francis & Naum Kleiman 1993 Jonathan Dennis & David Shepard 1992 Aldo Bernardini & Vittorio Martinelli 1991 Richard Koszarski & Nederlands Filmmuseum 1990 Enno Patalas & Jerzy Toeplitz 1989 Eileen Bowser & Maria Adriana Prolo 1988 Raymond Borde & George C. Pratt 1987 Harold Brown & William K. Everson 1986 Kevin Brownlow & David Gill 6
Page 1 and 2: CATALOGO CATALOGUE LE GIORNATE DEL
Page 3 and 4: Davide Turconi, Prophet of the Sile
Page 5 and 6: Introduzioni e note di / Introducti
Page 7: esplorato in due pellicole: il risc
Page 12 and 13: Eventi musicali / Musical Events EV
Page 14 and 15: THE MUSIC OF COMEDY LIBERTY (Hal Ro
Page 16 and 17: Laurel & Hardy silents routinely fe
Page 18 and 19: SHOCHIKU 110 - NARUSE 100 ZANJIN ZA
Page 20 and 21: al film, vendendo le copie a 16mm a
Page 22: EVENTO FINALE / CLOSING EVENT L’H
Page 25 and 26: Quando la Garbo ricevette il copion
Page 27 and 28: discreto. La rifacevo un tre-quattr
Page 29 and 30: 26 PRIMA MONDIALE / A WORLD PREMIER
Page 31 and 32: tedesca. Pur lodato come un capolav
Page 33 and 34: cooperation with George Eastman Hou
Page 35 and 36: pellicole, padre Bamberger, e David
Page 37 and 38: macchina da presa rimane sempre fis
Page 40 and 41: La luce dell’oriente: omaggio al
Page 42 and 43: Prog. 2 ASAHI WA KAGAYAKU [L’ “
Page 44 and 45: sequenza iniziale, con Omitsu che e
Page 46 and 47: and the happy ex-convicts who enjoy
Page 48 and 49: Giappone anche per la serie del “
Page 50 and 51: JP 1932) Re./dir: Hotei Nomura; sog
Page 52 and 53: di montaggio e alla costruzione deg
Page 54 and 55: Antoine cineasta e il realismo fran
Page 56 and 57: compreso quello del realismo nel ci
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which the action is played without
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of actions caught in flagrante, as
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scaturita dal restauro diretto da P
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Française celebrity Maxime Desjard
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Cineteca Nazionale. In 1973 a black
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The peasant films in particular doc
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L’Hirondelle et la Mésange, whic
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For one thing, L’Atre refuses the
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second film, that more accurately d
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dimostrazione il modo con cui il fi
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oscura la tragica sorte dello zio B
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Prog. 1 INTOLERANCE (Intolerance) (
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stampa locale, quella di categoria
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Behind the scenes, assistant direct
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Perhaps the most Griffithian moment
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HEARTS OF THE WORLD (D.W. Griffith,
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In tal senso, è di esemplare inten
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the right half of the frame, the em
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Fino a questi primi titoli Artcraft
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accompanied the release that neithe
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UNA TRADITRICE”, ma solo una patr
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con efficace vivacità lo spirito d
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struggle of powerless people caught
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amatissimo da Griffith - viene rove
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104
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film. After a number of unbilled pe
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An illustrated title card in the su
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this time disguised as wearing a lo
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Identical twin girls, about one yea
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in a Turkish Bath, at the 2002 Gior
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HÁROM HÉT (Seelige drei Wochen) [
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esemplare su un film che già andav
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Hausmann), composizioni e registraz
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Serie/Series: JERRY THE TROUBLESOME
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(Catherine Palmerston), Hugh O’Co
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fantasia, in particolare dal critic
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others, Alexander Shorin, who inven
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At the turn of the 19th and 20th ce
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spessore atmosferico, quell’evide
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La storia della scoperta del framme
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murder took place, and shoots Jean
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serbo. Considerato che il produttor
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it would be welcomed by the George
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7.VIVA LA DANCE:The Beginnings of C
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Antoine) but in the selection of co
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The activities of the Forum already
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ANTONIO COPPOLA Avvicinatsoi giovan
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MAURO COLOMBIS Di formazione classi
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four musicians, and a huge stylisti
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INTOLERANCE (ABRIDGED), 87; 13 R IS
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156
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