Hrvatski filmski ljetopis, broj 56 (2008) - Hrvatski filmski savez

hfl_56-q6.qxp 2008-12-18 15:22 Page 172
Najslo`eniji zadaci u radu filmskog arhivista odnose se na vrednovanje
filmskoga gradiva. Taj je zadatak u obradi filmskoga gradiva najmanje obra-
|ivan u stru~nim i znanstvenim radovima, pa je ovaj rad upravo prilog tome
podru~ju. Vrednovanju prethodi izrada kriterija koji }e se temeljiti na stajali{tu
cjelovitosti filmskog djela kao dijela filmskog i ukupnog kulturnog
naslije|a. Za utvr|ivanje vrijednosti i kriterija prosudbe filmskoga gradiva
potrebno je, osim temeljitog poznavanja nacionalne kulturne ba{tine, povijesti
i specifi~nosti razvoja hrvatske kinematografije, i temeljito poznavanje
nastanka i razvitka europskog i svjetskog filma, glavnih pravaca i zna~ajki
svjetske knji`evnosti, posebno u 19. i 20 stolje}u, tako|er i likovnih i glazbene
umjetnosti, kao sastavnica u nastajanju filmskog djela.
Filmsko gradivo koje se trajno ~uva u Hrvatskoj kinoteci istodobno je i arhivsko
gradivo te podlije`e i zakonitostima obrade arhivskoga gradiva.
Mnoga antologijska djela hrvatske kinematografije predstavljaju kulturno
dobro najve}e vrijednosti, a hrvatska je filmska ba{tina istodobno sastavni
172
Hrvat. film. ljeto, Zagreb / god 14 (2008), br. 56, str. 167 do 174 Sa`eci / Summaries
prevelike du`ine) te posebni program `urnala Hrvatska u rie~i i slici. Na festivalu
su, uklju~uju}i one iz NDH, prikazani filmovi 14 zemalja: Italije,
Njema~ke, Bugarske, Danske, Finske, Nizozemske, Norve{ke, Portugala,
Rumunjske, [vedske, [vicarske, [panjolske i Ma|arske; festival se odr`avao
od 28. VIII. do 15. IX. 1942. Strani novinari posebno su dobro do~ekali
film Stra`a na Drini; prenose se opse`ni citati iz talijanskih novina. Copa
Mussolini za najbolji njema~ki film dobio je film Veliki kralj (Der Große
König) Veita Harlana; Copa Mussolini za najbolji talijanski film dobio je
film Bengasi Augusta Genine; Coppa Volpi za najbolju glumicu dodijeljena
je Kristini Söderbaum za film Zlatni grad (Die Goldene Stadt) Veita Harlana,
dok je kao najbolji glumac nagra|en Fosco Giachetti za spomenuti Bengasi.
Nagradu Me|unarodne slikopisne komore dobio je Zlatni grad zbog
upotrebe boje, dok je predsjednik Me|unarodne slikopisne komore nagradio
ma|arski film Alfa Tau za monta`u.
No tu nagradama nije bio kraj — medaljama je nagra|ena sekcija dokumentarnih
filmova. U toj je sekciji nagra|ena i Stra`a na Drini. Zna~aj ove nagrade
se od 1942. godine pa do danas znatno preuveli~avao, stoga treba navesti
da je tu medalju uz Stra`u na Drini dobilo jo{ deset drugih filmova.
Nagra|ena je tako Italija za filmove Comachio, Muzika vremena (Musica
del tempo) i Alpinisti i orlovi (Rocciatori e Aquile), Njema~ka za filmove
Morski orao (Der Seeadler), Razne melodije (Bunter Reigen) i Promjene u zemlji
(Erde Aufgewaltmärchen), [vicarska za film Zastava ~ovje~nosti (Le
drapeau de l'humanite), Rumunjska za film Rimska zemlja (Terra di Roma)
te Ma|arska za filmove Mala kukavica (A kis kakuk) i @ivot i smrt Stjepana
Horthya. Me|utim, uz »glavne«, podijeljene su i jo{ neke »nagrade Biennalea«:
Ma|arskoj za film Ljudi na gori (Emberek a havason), Italiji za Mi
`ivi (Noi vivi), Njema~koj za Be~ka krv (Wiener Blut), [panjolskoj za film
Goyesca, Njema~koj za film Velika sjena (Die Grosse Schatten), Portugalu
za film Alla ariba i Rumunjskoj za film Odessa u plamenu (Odessa in fiamme).
Medalje Biennalea podijeljene su [vedskoj za film Strijelci (Snapp Hanar),
Finskoj za film Preko granice (Yli rajan), [panjolskoj za Prokleto selo
(La Aldea maldita) te Ma|arskoj za film Ispa{tanje (Negyediziglen).
ARHIVISTI^KI PRILOZI
Mato Kukuljica, Carmen Lhotka
Zoran Lhotka, nakon pet godina
Prilog o `ivotu i radu Zorana Lhotke, majstora zvuka i vode}eg hrvatskog
foley artist-a, koji je svojim radom obilje`io nekoliko desetlje}a hrvatskoga
filma, tj. njegova audiotivnog dijela, kao muzi~ki voditelj, majstor zvuka,
izumitelj, eksperimentator u podru~ju zvu~nih efekata i {umova, te na koncu
kao restaurator zvuka u Hrvatskoj kinoteci od 1980. Prilog donosi biografsku
bilje{ku o njemu, te kompletnu filmografiju njegova rada u filmskoj
industriji.
Mato Kukuljica
Vrednovanje filmskoga gradiva UDK: 791:930.25
NDH was represented by the middle-length documentary Watch on the
Drina, cultural film Baroque in Croatia (Barok u Hrvatskoj), documentary
The Youth of Croatia / Ustasha Youth Work Service (Mladost Hrvatske /
Radna slu`ba Usta{ke mlade`i; withdrawn because of its length) and the special
programme of the newsreel Croatia in Words and Pictures (Hrvatska u
rije~i i slici). The Festival presented films from 14 countries, including those
from NDH: Italy, Germany, Bulgaria, Denmark, Finland, the Netherlands,
Norway, Portugal, Romania, Sweden, Switzerland, Spain and Hungary. The
Festival ran from 28 August to 15 September 1942. Watch on the Drina was
received by foreign journalists especially well; comprehensive citations from
Italian newspapers are presented. The Copa Mussolini Award for best
German Film went to the film The Great King (Der Große König) by Veito
Harlan; the Copa Mussolini Award for best Italian film was granted to the
film Bengasi by August Genina; the Copa Mussolini Award for best actress
went to Kristina Söderbaum for the film by Veito Harlan. Fosco Giachetti
was awarded as the best actor for the film Bengasi. The International Film
Chamber Award was given to The Golden City (Die Goldene Stadt) because
of its use of colour, while the President of the International Film Chamber
awarded the Hungarian film Alfa Tau for editing.
However, there were more awards — the documentary section was awarded
with medals. Watch on the Drina was also awarded as part of this section.
The importance of this award has been significantly exaggerated from 1942
to this date and therefore it should be mentioned that this award was given
to ten other films, besides Watch on the Drina, as well. Italy was awarded for
the films Comachio, Musica del tempo and Rocciatori e Aquile, Germany for
the films Der Seeadler, Bunter Reigen and Erde Aufgewaltmärchen,
Switzerland for the film Le drapeau de l'humanite, Romania for the film
Terra di Roma and Hungary for the films A kis kakuk and Life and Death of
Stjepan Horthy. However, apart from the »principle« awards, the Biennale
Awards have also been granted to: Hungary for the film People on the Alps
(Emberek a havason), Italy for We the Living (Noi vivi), Germany for Vienna
Blood (Wiener Blut), Spain for the film Goyesca, Germany for the film Der
Grosse Schatten, Portugal for the film Alla ariba and Romania for the film
Odessa in Flames (Odessa in fiamme). Biennale Medals were granted to
Sweden for the film Scanian Guerilla (Snapp Hanar), Finland for the film Yli
rajan, Spain for The Cursed Village (La Aldea maldita) and Hungary for the
film To the Fourth Generation (Negyediziglen).
FILM ARCHIVES
Mato Kukuljica, Carmen Lhotka
Zoran Lhotka, five years later
A text on the life and work of Zoran Lhotka, sound designer and editor
and leading Croatian foley artist, who marked several decades of Croatian
film, i.e. its auditory part, as music director, sound designer, inventor,
experimentator in the field of sound effects and noise, and in the end as
sound restorer at the Croatian Cinemateque since 1980. This text contains
biographical notes on Lhotka and a complete filmography of his work in
the film industry.
Mato Kukuljica
Evaluating film material
UDK: 791:930.25
The most complex task in the work of a film archivist is the evaluation of
film material, particularly pieces that have been least analysed in professional
and scientific studies. This article is a contribution to that field of
work. Prior to evaluation it is necessary to establish the criteria which
should be formed from the standpoint of the film as a whole and as part of
the overall film and cultural heritage. In addition to a thorough understanding
and knowledge of national cultural heritage, history and characteristics
of the development of Croatian cinematography, determining the
values and criteria based on which film material is to be judged requires a
thorough understanding of the emergence and development of European
and world film, main trends and characteristics of world literature, especially
of the 19th and 20th century, and of the visual and music arts, as
components in the creation of a film piece.
Film material that is permanently preserved in the Croatian Cinemateque
is at the same time archival material and must be treated as any other
H R V A T S K I F I L M S K I L J E T O P I S 56/2008.