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Pagan races of the Malay Peninsula - Sabrizain.org

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1 68 MUSIC, SONGS, AND FEASTS part hi<br />

The songs hi<strong>the</strong>rto given are more or less definite<br />

compositions recognised by all <strong>the</strong> members <strong>of</strong> <strong>the</strong><br />

tribe ^<br />

;<br />

I will now give a specimen <strong>of</strong> what I believe<br />

to have been an actual improvisation, and which<br />

certainly possessed no recognisable metre :<br />

Song <strong>of</strong> <strong>the</strong> Monkey-hunters.<br />

Go now forth into <strong>the</strong> forest,<br />

Taking with you a blowpipe,<br />

A poison-case, and seven darts,<br />

For shooting young coconut-monkeys.<br />

One has been shot, struck to <strong>the</strong> heart,<br />

And has fallen to <strong>the</strong> ground.<br />

Cut a creeper wherewith to bind it.<br />

Bind it on to your back and carry it home.<br />

On reaching home, singe <strong>of</strong>f its fur.<br />

And poke <strong>of</strong>f its skin.<br />

Quarter it and give a portion to everybody.<br />

And go craving for cooked meat no longer.<br />

Put not in <strong>the</strong> ' asam kelubi ' fruits, for <strong>the</strong>y are poisonous.<br />

Put in ' kulim ' leaves, turmeric, ginger,<br />

' Kayu-k'lat ' leaves, and spices, and ' kesom.<br />

Take a rice-spoon and skim <strong>of</strong>f into a palm-leaf.<br />

And let eveiy one eat toge<strong>the</strong>r, each taking a little.<br />

And go craving for <strong>the</strong> coconut-monkey's flesh no longer.<br />

After eating your fill, rise and get cigarettes.<br />

And when you have finished <strong>the</strong>m, lie down and rest.<br />

And when you have rested, sleep.<br />

Mantra.—We are informed by Logan that <strong>the</strong><br />

musical instruments used by <strong>the</strong> Mantra were <strong>the</strong><br />

' salong,' -^<br />

and<br />

<strong>the</strong> bamboo '<br />

guitar<br />

' or ' keranting.' ^<br />

The tambourine (' rebana ') and drum (' gendang ')<br />

were, however, also employed by <strong>the</strong>m, and <strong>the</strong>ir only<br />

were certainly in <strong>the</strong> main a colony from interpolations and omissions, and also<br />

<strong>the</strong> Rio-Lingga (Johor) region, whereas occasionally by alteration in <strong>the</strong> order<br />

<strong>the</strong> N. Sembilan, Naning, and Rembau <strong>of</strong> <strong>the</strong> lines, <strong>the</strong> general tenor and<br />

<strong>Malay</strong>s came over directly from Suma- form <strong>of</strong> <strong>the</strong>se songs does not appreciably<br />

Ira (Menangkabau, etc.). vary.<br />

'Juanda' (retainers) is a Jakun per- - .S'iV=' suling '<br />

version <strong>of</strong> Mai. Beduanda, which is to -^<br />

(?).<br />

On this latter instrument, Mr.<br />

this day <strong>the</strong> name given to <strong>the</strong> mixed Blagden informs me, a special tune<br />

descendants <strong>of</strong> <strong>the</strong> <strong>Malay</strong>s and <strong>the</strong> was played by <strong>the</strong> Mantra <strong>of</strong> Malacca<br />

Jakun in <strong>the</strong> state <strong>of</strong> Rembau, <strong>the</strong> to attract <strong>the</strong>ir game. Similarly <strong>the</strong><br />

tradition being thus ara])ly corrobor- Jew's harp ('rcngoin') was used for<br />

atcd. imitating <strong>the</strong> note <strong>of</strong> <strong>the</strong> ' chcbau<br />

' Although somewhat modified by bird.

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