A Dictionary of Cont..
A Dictionary of Cont..
A Dictionary of Cont..
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devote 134<br />
visor. That number by which the divid.end is<br />
divided is the divisor.<br />
devote may be followed by the -ing form <strong>of</strong> a verb<br />
with the preposition to, as in he devoted himself<br />
to earning a living, but not by an in:6nitive<br />
or a clause.<br />
devoted. See addicted.<br />
dexterous; dextrous. Both forms, meaning adroit,<br />
are correct. Dexterous has the advantage <strong>of</strong><br />
being more clearly related to dexterity. Dextrous<br />
has the advantage <strong>of</strong> being shorter.<br />
diabolical rage differs, apparently, from ordinary<br />
rage in the malevolence <strong>of</strong> its fury and the<br />
menace <strong>of</strong> its hostility. The Devil was thought<br />
to be given to special tantrums at the thought<br />
<strong>of</strong> lost bliss and the sight <strong>of</strong> man’s inrmcence<br />
and expectations <strong>of</strong> felicity to come. But people<br />
-at least not many <strong>of</strong> those who employ fivesyllable<br />
words-no longer believe in a literal<br />
devil who gnashes actual teeth and stamps and<br />
screams in ill temper. The term has become a<br />
cliche and is generally to be avoided. (So also<br />
with diabolical skill and diabolical cunnhg.)<br />
diacritical mark is a mark, point, or sign added<br />
or attached to a letter or character to distinguish<br />
it from another <strong>of</strong> similar form, to give it a<br />
particular phonetic value, to indicate stress, etc.<br />
The chief diacritical marks are the dieresis<br />
(or diaeresis) in English (the sign * * placed over<br />
the second <strong>of</strong> two adjacent vowels to indicate<br />
separate pronunciation, as in cooperate), the<br />
tilde in Spanish [see tilde], the cedilla in French<br />
and Portuguese (a mark placed under c before<br />
a, o, or I(, as in facade, to show it has the sound<br />
<strong>of</strong> s), the umlaut in German [see umlaut] and<br />
various accent marks (‘, ‘, h, “, etc.) used to<br />
indicate pronunciation and stress.<br />
diagnosis. The plural is diagnosises or diagnoses.<br />
dialect. See vernacular.<br />
dialectal; dialectical. Dialectal means <strong>of</strong> a dialect<br />
or characteristic <strong>of</strong> a dialect (A dialectal peculiarity<br />
<strong>of</strong> Scotch is the pronunciation as 0% <strong>of</strong> the<br />
sound that appears in English as ou, in house or<br />
mouse).<br />
Dialectical or dialectic means <strong>of</strong> or per’taining<br />
to the nature <strong>of</strong> logical argumentation (Pure<br />
reason is always dialectical. His subtle intellect<br />
concerned itself more and more excl(usively<br />
with the dialectical splitting <strong>of</strong> dogmatical<br />
hairs). Dialectical is <strong>of</strong>ten used for dialectal, so<br />
<strong>of</strong>ten that this use is now standard. But dialectal<br />
cannot be used for dialectical.<br />
dialogue; duologue; monologue; soliloquy; conversation;<br />
talk. A dialogue is a conversation between<br />
two or more persons, especially in a play<br />
or a novel (The action was good but the dialogue<br />
was forced). Duologue is a conversation<br />
between two persons only. The only use it has,<br />
and that is rare, is as a special name for a dramatic<br />
piece in the form <strong>of</strong> a dialogue limlited to<br />
two speakers. A monologue is a prolonged talk<br />
or discourse by a single speaker, a composition<br />
in which a person speaks alone, or a form <strong>of</strong><br />
dramatic entertainment by a single speaker<br />
(Browning was a master <strong>of</strong> the dramatic monologue.<br />
Bea Lillie’s monologues are incompar-<br />
able). Some insist that a monologue cannot be<br />
a soliloquy (that is, talking when alone), that it<br />
may consist <strong>of</strong> one person speaking but someone<br />
else must be present, as in Browning’s famous<br />
dramatic monologues. But in America today, it<br />
is used a great deal <strong>of</strong> one person speaking alone,<br />
used more that way, indeed, than in its earlier<br />
sense, in standard speech and writing. Conversation<br />
is an exchange <strong>of</strong> thoughts in spoken<br />
words. If more than two persons take part, it<br />
may be called a colloquy and if it is extraordinarily<br />
stuffy and pompous it may be called a<br />
colloquium. A conversation is informal but not<br />
quite so familiar as talk. When Samuel Johnson,<br />
one <strong>of</strong> the greatest <strong>of</strong> conversationalists, said<br />
Yes, sir, we had good talk, he meant that the<br />
conversation had been particularly easy and<br />
relaxed, lively, interesting, rapid and gay. The<br />
spellings dialog, duolog, and monolog are acceptable.<br />
dialysis. The plural is dialyses.<br />
diamond in the rough. To say <strong>of</strong> someone <strong>of</strong><br />
sterling worth but uncouth manners or exterior<br />
that he is a diamond in the rough or a rough<br />
diamond is to employ a cliche. Do so if you wish,<br />
but know that you are doing so.<br />
dice. The singular and the plural are both dice.<br />
Originally dice was the plural <strong>of</strong> die, which<br />
meant one <strong>of</strong> the cubes used in games <strong>of</strong> chance.<br />
In this sense one has very little occasion to use<br />
the word in the singular. But when the occasion<br />
does arise the form dice is now used in place <strong>of</strong><br />
the old singular die, as in he did not touch Q<br />
dice. Dice is also the form used as the first element<br />
in a compound, as in dice playing and<br />
dice box. The plural dices has been in existence<br />
for several centuries but has never become<br />
standard.<br />
Today the old singular die is used only in the<br />
derived sense <strong>of</strong> a stamp or mold, and in this<br />
sense it has a regular plural dies. The expression<br />
the die is cast originally meant the dice have<br />
been thrown. Most Americans today hear this<br />
in the new sense <strong>of</strong> die, as if it meant the mold<br />
has been formed. Either metaphor accounts for<br />
the sense <strong>of</strong> the expression, which is that it is<br />
now too late to change one’s mind. As a way <strong>of</strong><br />
saying that a decision has been irrevocably<br />
made, the die is cast is a cliche.<br />
dickens is employed in many contexts for devil<br />
(What the dickens do you mean? Who the<br />
dickens is that? I’ll give him the very dickens<br />
when Z see him). It is now <strong>of</strong>ten thought to be<br />
a euphemistic substitution <strong>of</strong> the last name <strong>of</strong><br />
the author, Charles Dickens, employed simply<br />
for alliteration. This is not so, however. The<br />
word was so employed centuries before Charles<br />
Dickens was born (I cannot tell what the dickens<br />
his name is-Shakespeare, The Merry Wives <strong>of</strong><br />
Windsor). It has been suggested that it is a form<br />
<strong>of</strong> devilkin, or little devil, but there is no pro<strong>of</strong>.<br />
diction is the element <strong>of</strong> style which depends on<br />
choice <strong>of</strong> words, as distinguished from sentence<br />
structure or arrangement <strong>of</strong> material. Good<br />
diction conveys ideas with clarity and precision<br />
<strong>of</strong> effect, whatever the style may be.