A Dictionary of Cont..
A Dictionary of Cont..
A Dictionary of Cont..
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caught 88<br />
mittee <strong>of</strong> a political party exercising a certain<br />
control over its affairs or actions.<br />
caught. See catch.<br />
causative verbs. Many English verbs that name a<br />
particular action, such as he walked and he<br />
swam across the river, can also be used to mean<br />
“cause something to perform that action,” as in<br />
he walked the dog, he swam his horse across the<br />
river. Sometimes we use cause, make, or have to<br />
express this idea, as in I had him swim across<br />
the river. Sometimes we use the syllable en to<br />
form verbs meaning “cause to be,” as in blacken<br />
and enfeeble. Verbs <strong>of</strong> this kind are called<br />
causatives.<br />
At one time English had a great many pairs<br />
<strong>of</strong> verbs, each having a different form, one <strong>of</strong><br />
which was a causative and one <strong>of</strong> which was<br />
not. Today we are more likely to use one verb<br />
in both senses, as is the case with walk and<br />
swim. Some <strong>of</strong> the old pairs are now felt to be<br />
completely unrelated verbs, for examplle drench<br />
which was the causative <strong>of</strong> drink, and fell, the<br />
causative <strong>of</strong> fall, as in he felled the tree. Others<br />
have survived into the modern period as pairs.<br />
Three <strong>of</strong> these, lay and lie, set and sit, raise and<br />
rise, are confusing to many people. As a matter<br />
<strong>of</strong> fact, they are no longer the simple pairs they<br />
once were. For a discussion <strong>of</strong> when one <strong>of</strong> these<br />
forms is to be used and when the other, see the<br />
causatives lay, set, raise. In addition, some irregular<br />
verbs, such as shine, shone, have parallel<br />
regular forms, such as shine, shined, that are<br />
causatives, as the light shone on the water and<br />
he shined the light on the water. All such verbs<br />
are listed in this dictionary. As a rule the usual<br />
form <strong>of</strong> the verb, in this case shone, may also be<br />
used as a causative, as in he shone the light on<br />
the water. Some grammarians object to this<br />
practice, but it is acceptable to most people.<br />
cause. When used as a verb, this word may be followed<br />
by an infinitive, as in it caused me to go.<br />
It may also be followed by the -ing form <strong>of</strong> a<br />
verb, as in it caused my going, but the infinitive<br />
construction is preferred. Formerly cause might<br />
be followed by the simple form <strong>of</strong> a verb, as in<br />
I have caused him kill a virtuous queen. This<br />
is no longer natural Engiish, and a to- infinitive<br />
is now required here.<br />
cause. See source.<br />
cavalry; Calvary. It would seem ludicrous to point<br />
out that these words have different meanings,<br />
were it not that they are frequently confused<br />
(In New York City there is exactly one good<br />
cop. . . . He’s in Cavalry Cemetery-facetiously<br />
quoted in The World, The Flesh, and H. Allen<br />
Smith, 1954). Cavalry is mounted soldiers collectively.<br />
Calvary is the place where Jesus Christ<br />
was crucified, though the name is sometimes<br />
applied to an open-air representation <strong>of</strong> the<br />
Crucifixion.<br />
caviar to the general. Hamlet, speaking to the<br />
players at Elsinore, recollects a play that was<br />
never acted or, if acted, only once, for the play<br />
. . . pleas’d not the million, ‘twas caviar to the<br />
general. That is, it was like caviar (a strange<br />
delicacy for which a taste must be acquired),<br />
esteemed by epicures but repugnant to the generality,<br />
to what is now called “the masses.”<br />
This is a cliche <strong>of</strong> the literary. It is intended,<br />
presumably, to show that they lcnow Hamlet,<br />
that they know the true meaning <strong>of</strong> a passage<br />
which the uneducated would misunderstand, and<br />
it implies that they, too, are members <strong>of</strong> a discriminating<br />
minority. Actually, its use marks<br />
them as unoriginal and pretentious.<br />
Incidentally, such fragments as we have <strong>of</strong> the<br />
play that Prince Hamlet so esteemed are incredibly<br />
bad.<br />
cay. See quay.<br />
cease. This word may be followed by an infinitive,<br />
as in he ceased to go there, or by the -ing form<br />
<strong>of</strong> a verb, as in he ceased going there. The -ing<br />
construction is heard more <strong>of</strong>ten than the infinitive.<br />
See end and stop.<br />
cedilla. See diacritical mark.<br />
ceiling is an overhead interior lining <strong>of</strong> a room<br />
(The chandelier was suspended from the ceiling).<br />
The word has recently been used metaphorically<br />
(perhaps through its aeronautical<br />
application where the ceiling is the distance<br />
between the earth and the base <strong>of</strong> the lowest<br />
cloud bank, or, sometimes, the maximum height<br />
to which a specific aircraft can rise) to mean<br />
the top limit (A new ceiling has been fixed on<br />
rents).<br />
In America this metaphorical usage has become<br />
so common that it must be accepted as<br />
standard. But like all vogue words it is being<br />
overworked and like all metaphors is liable to<br />
ludicrous application and misuse. Sir Ernest<br />
Cowers quotes an <strong>of</strong>ficial document in which it<br />
is said that under certain circumstances a fixed<br />
ceiling will be “waived.” But you can’t waive a<br />
ceiling and the term is too near to its literal<br />
sense to be so completely detached from it. He<br />
quotes another document in which a ceiling on<br />
floor space is established in a certain construction<br />
project. Limit would certainly have been a<br />
happier word.<br />
celebrant; celebrator. To celebrate is to make<br />
known, to glorify, honor, praise (For the grave<br />
cannot praise thee, death cannot celebrate thee).<br />
A celebrated beauty is one whose beauty has<br />
gained wide renown. Among the ways <strong>of</strong> glorifying<br />
is to commemorate, with demonstrations<br />
<strong>of</strong> joy or sorrow or respect. Thus we celebrate<br />
birthdays, wedding anniversaries, the Sabbath,<br />
and so on. Among the most solemn <strong>of</strong> glorifications<br />
is the performance <strong>of</strong> religious rites and<br />
ceremonies. The Mass is celebrated. Marriages<br />
and funerals are celebrated.<br />
Because <strong>of</strong> the gaiety attendant upon most<br />
minor commemorations, celebrate has come, in<br />
its most common contemporary sense, to mean<br />
to be gay and lively and boisterous, <strong>of</strong>ten to<br />
drink and to revel. One who is so enjoying himself<br />
is a celebrator or a celebrater. Celebrant is<br />
usually reserved for an <strong>of</strong>ficiating priest in the<br />
celebration <strong>of</strong> the Eucharist or a participant in<br />
some public religious rite. Such statements as