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A Dictionary of Cont..

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caught 88<br />

mittee <strong>of</strong> a political party exercising a certain<br />

control over its affairs or actions.<br />

caught. See catch.<br />

causative verbs. Many English verbs that name a<br />

particular action, such as he walked and he<br />

swam across the river, can also be used to mean<br />

“cause something to perform that action,” as in<br />

he walked the dog, he swam his horse across the<br />

river. Sometimes we use cause, make, or have to<br />

express this idea, as in I had him swim across<br />

the river. Sometimes we use the syllable en to<br />

form verbs meaning “cause to be,” as in blacken<br />

and enfeeble. Verbs <strong>of</strong> this kind are called<br />

causatives.<br />

At one time English had a great many pairs<br />

<strong>of</strong> verbs, each having a different form, one <strong>of</strong><br />

which was a causative and one <strong>of</strong> which was<br />

not. Today we are more likely to use one verb<br />

in both senses, as is the case with walk and<br />

swim. Some <strong>of</strong> the old pairs are now felt to be<br />

completely unrelated verbs, for examplle drench<br />

which was the causative <strong>of</strong> drink, and fell, the<br />

causative <strong>of</strong> fall, as in he felled the tree. Others<br />

have survived into the modern period as pairs.<br />

Three <strong>of</strong> these, lay and lie, set and sit, raise and<br />

rise, are confusing to many people. As a matter<br />

<strong>of</strong> fact, they are no longer the simple pairs they<br />

once were. For a discussion <strong>of</strong> when one <strong>of</strong> these<br />

forms is to be used and when the other, see the<br />

causatives lay, set, raise. In addition, some irregular<br />

verbs, such as shine, shone, have parallel<br />

regular forms, such as shine, shined, that are<br />

causatives, as the light shone on the water and<br />

he shined the light on the water. All such verbs<br />

are listed in this dictionary. As a rule the usual<br />

form <strong>of</strong> the verb, in this case shone, may also be<br />

used as a causative, as in he shone the light on<br />

the water. Some grammarians object to this<br />

practice, but it is acceptable to most people.<br />

cause. When used as a verb, this word may be followed<br />

by an infinitive, as in it caused me to go.<br />

It may also be followed by the -ing form <strong>of</strong> a<br />

verb, as in it caused my going, but the infinitive<br />

construction is preferred. Formerly cause might<br />

be followed by the simple form <strong>of</strong> a verb, as in<br />

I have caused him kill a virtuous queen. This<br />

is no longer natural Engiish, and a to- infinitive<br />

is now required here.<br />

cause. See source.<br />

cavalry; Calvary. It would seem ludicrous to point<br />

out that these words have different meanings,<br />

were it not that they are frequently confused<br />

(In New York City there is exactly one good<br />

cop. . . . He’s in Cavalry Cemetery-facetiously<br />

quoted in The World, The Flesh, and H. Allen<br />

Smith, 1954). Cavalry is mounted soldiers collectively.<br />

Calvary is the place where Jesus Christ<br />

was crucified, though the name is sometimes<br />

applied to an open-air representation <strong>of</strong> the<br />

Crucifixion.<br />

caviar to the general. Hamlet, speaking to the<br />

players at Elsinore, recollects a play that was<br />

never acted or, if acted, only once, for the play<br />

. . . pleas’d not the million, ‘twas caviar to the<br />

general. That is, it was like caviar (a strange<br />

delicacy for which a taste must be acquired),<br />

esteemed by epicures but repugnant to the generality,<br />

to what is now called “the masses.”<br />

This is a cliche <strong>of</strong> the literary. It is intended,<br />

presumably, to show that they lcnow Hamlet,<br />

that they know the true meaning <strong>of</strong> a passage<br />

which the uneducated would misunderstand, and<br />

it implies that they, too, are members <strong>of</strong> a discriminating<br />

minority. Actually, its use marks<br />

them as unoriginal and pretentious.<br />

Incidentally, such fragments as we have <strong>of</strong> the<br />

play that Prince Hamlet so esteemed are incredibly<br />

bad.<br />

cay. See quay.<br />

cease. This word may be followed by an infinitive,<br />

as in he ceased to go there, or by the -ing form<br />

<strong>of</strong> a verb, as in he ceased going there. The -ing<br />

construction is heard more <strong>of</strong>ten than the infinitive.<br />

See end and stop.<br />

cedilla. See diacritical mark.<br />

ceiling is an overhead interior lining <strong>of</strong> a room<br />

(The chandelier was suspended from the ceiling).<br />

The word has recently been used metaphorically<br />

(perhaps through its aeronautical<br />

application where the ceiling is the distance<br />

between the earth and the base <strong>of</strong> the lowest<br />

cloud bank, or, sometimes, the maximum height<br />

to which a specific aircraft can rise) to mean<br />

the top limit (A new ceiling has been fixed on<br />

rents).<br />

In America this metaphorical usage has become<br />

so common that it must be accepted as<br />

standard. But like all vogue words it is being<br />

overworked and like all metaphors is liable to<br />

ludicrous application and misuse. Sir Ernest<br />

Cowers quotes an <strong>of</strong>ficial document in which it<br />

is said that under certain circumstances a fixed<br />

ceiling will be “waived.” But you can’t waive a<br />

ceiling and the term is too near to its literal<br />

sense to be so completely detached from it. He<br />

quotes another document in which a ceiling on<br />

floor space is established in a certain construction<br />

project. Limit would certainly have been a<br />

happier word.<br />

celebrant; celebrator. To celebrate is to make<br />

known, to glorify, honor, praise (For the grave<br />

cannot praise thee, death cannot celebrate thee).<br />

A celebrated beauty is one whose beauty has<br />

gained wide renown. Among the ways <strong>of</strong> glorifying<br />

is to commemorate, with demonstrations<br />

<strong>of</strong> joy or sorrow or respect. Thus we celebrate<br />

birthdays, wedding anniversaries, the Sabbath,<br />

and so on. Among the most solemn <strong>of</strong> glorifications<br />

is the performance <strong>of</strong> religious rites and<br />

ceremonies. The Mass is celebrated. Marriages<br />

and funerals are celebrated.<br />

Because <strong>of</strong> the gaiety attendant upon most<br />

minor commemorations, celebrate has come, in<br />

its most common contemporary sense, to mean<br />

to be gay and lively and boisterous, <strong>of</strong>ten to<br />

drink and to revel. One who is so enjoying himself<br />

is a celebrator or a celebrater. Celebrant is<br />

usually reserved for an <strong>of</strong>ficiating priest in the<br />

celebration <strong>of</strong> the Eucharist or a participant in<br />

some public religious rite. Such statements as

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