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A Dictionary of Cont..

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evolution, or complete or marked change (He<br />

introduced revolutionary techniques irr the<br />

teaching <strong>of</strong> languages). It also means subversive<br />

to established procedure or principles<br />

(Dostoevsky was arrested on charges <strong>of</strong> having<br />

plotted revolutionary activity) and has the still<br />

further meaning, not <strong>of</strong>ten used in common<br />

speech or writing, <strong>of</strong> revolving (His eyes<br />

glittered as they followed the revolutionary<br />

course <strong>of</strong> the roulette wheel).<br />

Though revolutionary may be used in<br />

America as a noun to describe one who advocates<br />

or takes part in a revolution, the more<br />

common term is revolutionist. This term is<br />

almost always reserved, however, for those<br />

engaged in or advocating political revolutions<br />

in other countries (The Mexican revolutifonists<br />

were soon brought under control by the government<br />

forces). Those who advocate any such<br />

changes in America are most commonly<br />

referred to now as subversives, for any word<br />

deriving from the word revolution sugge:sts to<br />

Americans the American Revolutionary War<br />

and hence creates considerable moral confusion.<br />

See also radical.<br />

rhetoric in the United States still means primarily<br />

the art or science <strong>of</strong> the specially literary uses<br />

<strong>of</strong> language, in prose or verse, or the art <strong>of</strong><br />

prose as opposed to verse. In England it is a<br />

disparaging term (Rhetoric is the harlot <strong>of</strong> the<br />

arts--Stanley Baldwin) meaning the ux <strong>of</strong><br />

exaggeration or display, in an unfavorable<br />

sense. This meaning is known and employed in<br />

America, but it is a secondary meaning.<br />

rhinoceros. The plural is rhinoceroses or rhinoceros<br />

or rhinocerotes, but not rhinoceri.<br />

rhyme and rime may both be used as noum and<br />

verbs to describe agreement in terminal sounds<br />

<strong>of</strong> lines or verse, or <strong>of</strong> words. Of the two, rime<br />

is the older, but since the seventeenth century<br />

rhyme has been more common. Rime, however,<br />

has never dropped out <strong>of</strong> use (Coleridge, The<br />

Rime <strong>of</strong> the Ancient Mariner) and recently it<br />

has been used in the title <strong>of</strong> an important discussion<br />

<strong>of</strong> modem prosody (Karl Shapiro, An<br />

Essay on Rime).<br />

rhyme; rhythm. Rhythm is a pattern <strong>of</strong> recurrence.<br />

Rhyme is <strong>of</strong>ten an element in the rh,ythm<br />

<strong>of</strong> English poetry, but there can be rh,ythm<br />

without rhyme and there is <strong>of</strong>ten rhyme with<br />

imperfect or no perceptible rhythm.<br />

Rhyme means agreement in the terminal<br />

sounds <strong>of</strong> lines in verse, or <strong>of</strong> words (In the<br />

heroic couplet the rhymes are paired: “The<br />

hungry judges soon the sentence sign,/ And<br />

wretches hung that jurymen may dine”). It may<br />

also mean verse or poetry having such correspondence<br />

in the terminal sounds <strong>of</strong> the lines<br />

(Sometimes he expressed his thoughts in prose,<br />

at other times in rhyme) or a poem or a piece<br />

<strong>of</strong> verse having such correspondence I( The<br />

children were very fond <strong>of</strong> one particular<br />

nursery rhyme).<br />

Rhythm is a much broader term. It may be<br />

used <strong>of</strong> more types <strong>of</strong> literature and may be<br />

425 riches<br />

applied to forms <strong>of</strong> art other than verse. Basically<br />

it means movement or procedure with<br />

uniform recurrence <strong>of</strong> a beat, accent, or the<br />

like (In the human body there is rhythm in<br />

breathing, in the pulse, and in other subtler<br />

vital processes). It can describe any measured<br />

movement, as in dancing (A highly developed<br />

sense <strong>of</strong> rhythm is essential to a tennis player).<br />

In music, rhythm means the pattern <strong>of</strong> regular<br />

or irregular pulses caused by the occurrence <strong>of</strong><br />

strong and weak melodic and harmonic beats<br />

(It was written in an ordinary 4/4 rhythm). In<br />

prosody, rhythm means metrical or rhythmical<br />

form, meter (The basic rhythm in English<br />

poetry is iambic; that is, an unstressed syllable<br />

is followed by a stressed syllable). In art.<br />

rhithm means- a proper relation aid interde:<br />

pendence <strong>of</strong> parts with reference to one another<br />

and to an artistic whole (The paintings <strong>of</strong> Piero<br />

della Francesca have rhythm, while the imita-<br />

tive work <strong>of</strong> Kenyon Cox does not).<br />

rich; wealthy; opulent; affluent. All <strong>of</strong> these<br />

words indicate abundance in possessions. Rich<br />

is the general word, a word having many senses<br />

in addition to the primary one (as a rich tone<br />

or a rich color or a rich dessert). Often rich<br />

carries the implication <strong>of</strong> newly acquired possession<br />

(Texas is not as full <strong>of</strong> rich oil men as the<br />

newsmagazines and television jokes assume).<br />

Wealthy suggests permanence, stability, and<br />

appropriate surroundings (The DuPonts are u<br />

powerful and wealthy family). Both rich and<br />

wealthy may apply to a person, a family, a<br />

society, or a nation. Opulent and afluent are<br />

largely applicable to persons. Opulent suggests<br />

display <strong>of</strong> luxuriousness, outward signs <strong>of</strong> being<br />

rich (Gatsby was opulent in his lavish villa, his<br />

yellow car, his pink suits). Afluent, now slightly<br />

archaic, connotes a handsome income and a<br />

free expenditure <strong>of</strong> resources.<br />

rich as Croesos, as. Croesus, king <strong>of</strong> Lydia (560<br />

-c.540 B.C.), was famed among the Greeks<br />

for almost incredible wealth. His name became<br />

a proverb for riches, but few who use the<br />

hackneyed simile have now any knowledge <strong>of</strong><br />

him.<br />

rich beyond the dreams <strong>of</strong> avarice. When Dr.<br />

Johnson, bustling about in his capacity as an<br />

executor at the sale <strong>of</strong> Thrale’s brewery in<br />

1781, said We are not here to sell a parcel <strong>of</strong><br />

boilers and vats, but the potenGaliry <strong>of</strong> growing<br />

rich beyond the dreams <strong>of</strong> avarice, he was quoting<br />

from The Gamester, a tragedy by Edward<br />

Moore ( 1753 j. Moore’s uhrase was imaginative<br />

. I<br />

and Johnson’s use <strong>of</strong> it ielicitous. But icis now<br />

exhausted by repetition and those who use it<br />

show neither imagination nor felicity.<br />

Richard Roe. See John Doe.<br />

riches was originally a singular word ending in<br />

an s sound, similar to finesse, and meant<br />

wealth. It is now treated as a plural, as in your<br />

riches are corrupted and your garments are<br />

moth-eaten, but there is no singular form a rich<br />

and<br />

_.<br />

the plural form cannot be used with a word<br />

implying number.

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