A Dictionary of Cont..
A Dictionary of Cont..
A Dictionary of Cont..
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meridian 298<br />
the reward <strong>of</strong> evildoing or used to conceal evildoing.<br />
meridian; meridiem. See a.m.<br />
merriment. See glee.<br />
Merry England is a clich6. When applied to a<br />
place or country, merry originally meant pleasant<br />
or delightful in aspect. A thirteenth century<br />
translation <strong>of</strong> Genesis refers to the Garden <strong>of</strong><br />
Eden as that merry place. When applied to persons,<br />
merry means animatedly joyous, hilarious,<br />
and this meaning has been substituted in the<br />
phrase Merry England for the older meaning.<br />
mesdames. This is the plural <strong>of</strong> madame.<br />
mess as a noun quite properly describes a dirty<br />
or untidy condition, a state <strong>of</strong> disorder (The<br />
whole barracks was in a mess), or a state <strong>of</strong><br />
embarrassing confusion (He left his financial<br />
affairs in a mess). But the word is greatly overused.<br />
There is <strong>of</strong>ten a more precise and vivid<br />
equivalent. As a term for a person who is confused<br />
or disorganized, it is definitely not standard.<br />
As a term for a person who is so covered<br />
with mud or so disarranged in appearance that<br />
his identity is lost in the messiness <strong>of</strong> his appearance,<br />
so that he is part <strong>of</strong> a mess, it is an<br />
exaggeration, apparently acceptable in speaking<br />
to children.<br />
messieurs. This is the plural <strong>of</strong> monsieur.<br />
met. See meet.<br />
metal; mettle. From its primary sense <strong>of</strong> describing<br />
any <strong>of</strong> a class <strong>of</strong> elementary substances, such<br />
as gold, silver, copper, etc., all <strong>of</strong> which are<br />
crystalline when solid and many <strong>of</strong> which are<br />
characterized by opacity, ductility, conductivity,<br />
and a peculiar luster when freshly fractured,<br />
metal has come to mean any formative material,<br />
including the characteristic disposition or temper<br />
(Sir, I am made/ Of the selfsame metal that my<br />
sister is, / And prize me at her worth). However,<br />
for this last meaning, with its derivative<br />
meanings <strong>of</strong> courage and spirit, the variant spelling<br />
mettle has become the established form (The<br />
gruelzing campaign tested his mettle). It is always<br />
a word <strong>of</strong> praise, meaning an ardent or<br />
fiery spirit, high courage and enthusiasm (The<br />
winged courser, like a generous horse,/ Shows<br />
most true mettle when you check his course). To<br />
put a man on his mettle is to put his energy or<br />
courage to the test.<br />
metamorphosis. The plural is metamorphoses.<br />
metaphor. A metaphor is a figure <strong>of</strong> speech in<br />
which a term or phrase is applied to something<br />
to which it is not literally applicable in order<br />
to suggest a resemblance (moonlight sleeping<br />
on a bank. And tear our pleasures with rough<br />
strife/ Through the iron gates <strong>of</strong> life. Man is the<br />
shuttle, to whose winding quest/ And passage<br />
through these looms/ God has ordered motion,<br />
but ordained no rest). It may consist, as the examples<br />
show, <strong>of</strong> a single word or an elaborated<br />
idea. The virtue <strong>of</strong> metaphor is that it permits us<br />
to say a great deal in few words. Furthermore it<br />
sets up in the mind <strong>of</strong> the reader or listener a<br />
creative process that makes him amplify the idea<br />
and come to feel that it is his own and hence to<br />
accept it.<br />
Metaphors do not suggest merely resemblances.<br />
They evoke concomitant images and<br />
<strong>of</strong>ten call up emotions that strengthen or enlarge<br />
upon the intended meaning: Thus when<br />
Macbeth says that he has suuped full with horrors,<br />
the very homeliness oi the metaphor (to<br />
which many eighteenth century critics objected<br />
as being undignified, “unworthy” <strong>of</strong> poetry)<br />
heightens the effect; it is as if Macbeth had<br />
come to accept horror as his everyday food.<br />
And so when Hamlet, considering the effect <strong>of</strong><br />
his “mousetrap” on his uncle’s conscience, says:<br />
If his occulted guilt<br />
Do not itself unkennel in one speech,<br />
It is a damned ghost that we have seen,<br />
And my imaginations are as foul<br />
As Vulcan’s stithy<br />
he has employed two good metaphors. His uncle’s<br />
guilt has been likened to a skulking dog<br />
and his own mind to a stithy or an anvil. The<br />
latter is particularly good because it suggests not<br />
only the dirt, the foulness <strong>of</strong> his imaginations,<br />
but the ceaseless, metallic hammering <strong>of</strong> them in<br />
his brain.<br />
A metaphor is effective if it conveys the desired<br />
comparison. It is good ins<strong>of</strong>ar as the<br />
details and associative comparisons <strong>of</strong> the primary<br />
comparison enhance the desired effect<br />
and bad ins<strong>of</strong>ar as they call up opposing or<br />
incongruous suggestions. (See allegory, mixed<br />
metaphor, simile and metaphor, and such individual<br />
entries as lay it on with a trowel, literally,<br />
ceiling, bottleneck, and so on.)<br />
metathesis. The plural is metatheses.<br />
metempsychosis. The plural is metempsychoses.<br />
meteorologist is one pr<strong>of</strong>icient in the science <strong>of</strong><br />
the atmosphere and its phenomena, especially as<br />
they relate to the weather. One who studied<br />
meteors would be an astronomer.<br />
method; methodology. Mefhod is the orderly regulation<br />
<strong>of</strong> procedure in order to carry out a<br />
definite purpose. Methodology is a branch <strong>of</strong><br />
logic that seeks to show how the abstract principles<br />
<strong>of</strong> a science may be used to gain knowledge.<br />
A method may thus be a specific application<br />
<strong>of</strong> methodology, but method and methodology<br />
are no more the same thing than a blow is<br />
a club. The use <strong>of</strong> methodology for method is<br />
common among social scientists, many <strong>of</strong> whom<br />
seem to have a great love <strong>of</strong> redundant syllables.<br />
meticulous; scrupulous; punctilious. Meticulous is<br />
derived from a Latin word meaning fearful or<br />
timid and kept this meaning in English up until<br />
the end <strong>of</strong> the seventeenth century. In 1535 a<br />
Scotch chronicler wrote Zf thou be meticulous<br />
and dare not see blood drawn. . . . By the beginning<br />
<strong>of</strong> the nineteenth century, however, it had<br />
become fixed as the designation <strong>of</strong> a particular<br />
manifestation <strong>of</strong> timidity: solicitude about minute<br />
details, minute and finical carefulness (He<br />
was meticulous about the appearance <strong>of</strong> his men,<br />
insisting that the very bows <strong>of</strong> their shoelaces<br />
should be <strong>of</strong> even length). It has now become<br />
a vogue word (“What strange charm,” Fowler<br />
demands, “makes this wicked word irresist-