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A Dictionary of Cont..

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meridian 298<br />

the reward <strong>of</strong> evildoing or used to conceal evildoing.<br />

meridian; meridiem. See a.m.<br />

merriment. See glee.<br />

Merry England is a clich6. When applied to a<br />

place or country, merry originally meant pleasant<br />

or delightful in aspect. A thirteenth century<br />

translation <strong>of</strong> Genesis refers to the Garden <strong>of</strong><br />

Eden as that merry place. When applied to persons,<br />

merry means animatedly joyous, hilarious,<br />

and this meaning has been substituted in the<br />

phrase Merry England for the older meaning.<br />

mesdames. This is the plural <strong>of</strong> madame.<br />

mess as a noun quite properly describes a dirty<br />

or untidy condition, a state <strong>of</strong> disorder (The<br />

whole barracks was in a mess), or a state <strong>of</strong><br />

embarrassing confusion (He left his financial<br />

affairs in a mess). But the word is greatly overused.<br />

There is <strong>of</strong>ten a more precise and vivid<br />

equivalent. As a term for a person who is confused<br />

or disorganized, it is definitely not standard.<br />

As a term for a person who is so covered<br />

with mud or so disarranged in appearance that<br />

his identity is lost in the messiness <strong>of</strong> his appearance,<br />

so that he is part <strong>of</strong> a mess, it is an<br />

exaggeration, apparently acceptable in speaking<br />

to children.<br />

messieurs. This is the plural <strong>of</strong> monsieur.<br />

met. See meet.<br />

metal; mettle. From its primary sense <strong>of</strong> describing<br />

any <strong>of</strong> a class <strong>of</strong> elementary substances, such<br />

as gold, silver, copper, etc., all <strong>of</strong> which are<br />

crystalline when solid and many <strong>of</strong> which are<br />

characterized by opacity, ductility, conductivity,<br />

and a peculiar luster when freshly fractured,<br />

metal has come to mean any formative material,<br />

including the characteristic disposition or temper<br />

(Sir, I am made/ Of the selfsame metal that my<br />

sister is, / And prize me at her worth). However,<br />

for this last meaning, with its derivative<br />

meanings <strong>of</strong> courage and spirit, the variant spelling<br />

mettle has become the established form (The<br />

gruelzing campaign tested his mettle). It is always<br />

a word <strong>of</strong> praise, meaning an ardent or<br />

fiery spirit, high courage and enthusiasm (The<br />

winged courser, like a generous horse,/ Shows<br />

most true mettle when you check his course). To<br />

put a man on his mettle is to put his energy or<br />

courage to the test.<br />

metamorphosis. The plural is metamorphoses.<br />

metaphor. A metaphor is a figure <strong>of</strong> speech in<br />

which a term or phrase is applied to something<br />

to which it is not literally applicable in order<br />

to suggest a resemblance (moonlight sleeping<br />

on a bank. And tear our pleasures with rough<br />

strife/ Through the iron gates <strong>of</strong> life. Man is the<br />

shuttle, to whose winding quest/ And passage<br />

through these looms/ God has ordered motion,<br />

but ordained no rest). It may consist, as the examples<br />

show, <strong>of</strong> a single word or an elaborated<br />

idea. The virtue <strong>of</strong> metaphor is that it permits us<br />

to say a great deal in few words. Furthermore it<br />

sets up in the mind <strong>of</strong> the reader or listener a<br />

creative process that makes him amplify the idea<br />

and come to feel that it is his own and hence to<br />

accept it.<br />

Metaphors do not suggest merely resemblances.<br />

They evoke concomitant images and<br />

<strong>of</strong>ten call up emotions that strengthen or enlarge<br />

upon the intended meaning: Thus when<br />

Macbeth says that he has suuped full with horrors,<br />

the very homeliness oi the metaphor (to<br />

which many eighteenth century critics objected<br />

as being undignified, “unworthy” <strong>of</strong> poetry)<br />

heightens the effect; it is as if Macbeth had<br />

come to accept horror as his everyday food.<br />

And so when Hamlet, considering the effect <strong>of</strong><br />

his “mousetrap” on his uncle’s conscience, says:<br />

If his occulted guilt<br />

Do not itself unkennel in one speech,<br />

It is a damned ghost that we have seen,<br />

And my imaginations are as foul<br />

As Vulcan’s stithy<br />

he has employed two good metaphors. His uncle’s<br />

guilt has been likened to a skulking dog<br />

and his own mind to a stithy or an anvil. The<br />

latter is particularly good because it suggests not<br />

only the dirt, the foulness <strong>of</strong> his imaginations,<br />

but the ceaseless, metallic hammering <strong>of</strong> them in<br />

his brain.<br />

A metaphor is effective if it conveys the desired<br />

comparison. It is good ins<strong>of</strong>ar as the<br />

details and associative comparisons <strong>of</strong> the primary<br />

comparison enhance the desired effect<br />

and bad ins<strong>of</strong>ar as they call up opposing or<br />

incongruous suggestions. (See allegory, mixed<br />

metaphor, simile and metaphor, and such individual<br />

entries as lay it on with a trowel, literally,<br />

ceiling, bottleneck, and so on.)<br />

metathesis. The plural is metatheses.<br />

metempsychosis. The plural is metempsychoses.<br />

meteorologist is one pr<strong>of</strong>icient in the science <strong>of</strong><br />

the atmosphere and its phenomena, especially as<br />

they relate to the weather. One who studied<br />

meteors would be an astronomer.<br />

method; methodology. Mefhod is the orderly regulation<br />

<strong>of</strong> procedure in order to carry out a<br />

definite purpose. Methodology is a branch <strong>of</strong><br />

logic that seeks to show how the abstract principles<br />

<strong>of</strong> a science may be used to gain knowledge.<br />

A method may thus be a specific application<br />

<strong>of</strong> methodology, but method and methodology<br />

are no more the same thing than a blow is<br />

a club. The use <strong>of</strong> methodology for method is<br />

common among social scientists, many <strong>of</strong> whom<br />

seem to have a great love <strong>of</strong> redundant syllables.<br />

meticulous; scrupulous; punctilious. Meticulous is<br />

derived from a Latin word meaning fearful or<br />

timid and kept this meaning in English up until<br />

the end <strong>of</strong> the seventeenth century. In 1535 a<br />

Scotch chronicler wrote Zf thou be meticulous<br />

and dare not see blood drawn. . . . By the beginning<br />

<strong>of</strong> the nineteenth century, however, it had<br />

become fixed as the designation <strong>of</strong> a particular<br />

manifestation <strong>of</strong> timidity: solicitude about minute<br />

details, minute and finical carefulness (He<br />

was meticulous about the appearance <strong>of</strong> his men,<br />

insisting that the very bows <strong>of</strong> their shoelaces<br />

should be <strong>of</strong> even length). It has now become<br />

a vogue word (“What strange charm,” Fowler<br />

demands, “makes this wicked word irresist-

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