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A Dictionary of Cont..

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extort 170<br />

surface <strong>of</strong> the pumpkin is smooth and hard.<br />

The exterior decorations <strong>of</strong> the building were<br />

not in keeping with its dignity). External is the<br />

opposite <strong>of</strong> internal. It is the outer part <strong>of</strong> something,<br />

as contrasted with its inner part, not<br />

merely the outer surface, and it is that which<br />

is apart from something else by being outside <strong>of</strong><br />

it (The external structure <strong>of</strong> the building did<br />

not prepare one for the inner arrangement <strong>of</strong> its<br />

space. External influences affect the child far<br />

less the first three years <strong>of</strong> its life than, <strong>of</strong><br />

course, they will later).<br />

extort. See elicit.<br />

extract. See elicit.<br />

extraneons; extrinsic. That is extraneous which<br />

does not belong to a thing but has been introduced<br />

or has come in from the outside. Fossils<br />

were once called extraneous shells because it<br />

was felt that they could not naturally belong<br />

in the rocks in which they were found but must<br />

have been introduced in some mysterious manner.<br />

An extraneous consideration is a thought<br />

brought into a discussion that has no real place<br />

in it, that did not arise in the course <strong>of</strong> the<br />

discussion.<br />

Extrinsic exists now wholly as an antithesis to<br />

intrinsic. It means something operating or coming<br />

from the outside. Intrinsic merit is inherent<br />

virtue; extrinsic merit would be some virtue or<br />

fabrication. See fiction.<br />

fabulous, which originally meant told about in<br />

fables (the fabulous voyage <strong>of</strong> Ulysses) and<br />

known only through myths and legends (the<br />

fabulous Golden Age in Greece), has come to<br />

mean, chiefly, almost incredible (My dear, she<br />

paid a simply fabulous price for it). As such it<br />

it a vogue word, overworked and weakened<br />

from overwork, and should be allowed to rest.<br />

face; countenance; physiognomy. The face is the<br />

front part <strong>of</strong> the head, from the forehead to<br />

the chin, with special reference to its composite<br />

features (But Lancelot mused a little<br />

space./ He said, “She hath a lovely face”). The<br />

countenance is the face with special reference<br />

to its expression (God made your features, but<br />

you made your countenance. His countenance<br />

fell at the news). The verb to countenance,<br />

meaning to support, to regard with favor (I beseech<br />

you sir,/ To countenance William Visor<br />

<strong>of</strong> Wonscott, against Clement Perkes <strong>of</strong> the<br />

hill) is derived from turning a favorable countenance<br />

upon.<br />

Physiognomy, when used seriously, refers to<br />

the face as an index <strong>of</strong> character (His physiognomy<br />

reflected great benevolence). However,<br />

since many believe that “there is no art to find<br />

F<br />

evaluation imposed from without, unrelated to<br />

an inner merit. The intrinsic value <strong>of</strong> a certain<br />

cancelled stamp might be inestimably small,<br />

whatever so little a piece <strong>of</strong> old paper was worth;<br />

but its extrinsic value, if it were a rare item,<br />

might be enormous.<br />

eyeglasses. Until recently, the word eyeglasses<br />

meant spectacles that did not have side pieces<br />

going over the ears. In the United States today<br />

these things are called eyeglasses so long as the<br />

frames have a modern design, ear pieces or no<br />

ear pieces. The word spectacles suggests the very<br />

old. The singular eyeglass means one lens and is<br />

used in this way when speaking <strong>of</strong> a scientific<br />

instrument, such as a telescope. The pair <strong>of</strong><br />

lenses ordinarily worn for reading is treated as<br />

a plural, as in these eyeglasses are too strong.<br />

In order to treat this object as a singular or to<br />

speak <strong>of</strong> more than one <strong>of</strong> them, it is necessary<br />

to say this pair <strong>of</strong> eyeglasses is too strong or<br />

three pairs <strong>of</strong> eyeglasses.<br />

Theoretically, the singular form eyeglass<br />

should be used as the first element in a compound,<br />

even when referring to reading glasses,<br />

as in an eyeglass case. But in actual practice,<br />

the word is always shortened to glasses and this<br />

form is used in compounds, as in my glasses<br />

case.<br />

the mind’s construction in the face,” it should<br />

be used seriously with caution. Facetiously used,<br />

it is ponderous and tedious.<br />

face the music, as a term for standing up to<br />

trouble, accepting punishment, is a cliche, and,<br />

as in many cliches, the figure is not certain.<br />

Some think it refers to a singer’s facing the<br />

orchestra as he or she faces the audience. But<br />

this is not entirely satisfactory, since very few<br />

performers regard facing the music in this way<br />

as trouble or punishment. Some think it has to<br />

do with being drummed out <strong>of</strong> a regiment in<br />

disgrace.<br />

facies has the same form in the singular as in the<br />

plural and may be used with either a singular<br />

or a plural verb.<br />

facile; easy. As a synonym for easy, facile has a<br />

disparaging sense (With no facile labor did I<br />

gather these materials). There is a feeling that<br />

since “nothing great is lightly won,” that which<br />

is done facilely is not much worth the doing. A<br />

facile pen is the counterpart <strong>of</strong> a glib tongue.<br />

facility; faculty. A facility is something which<br />

makes possible the easier performance <strong>of</strong> an<br />

action, freedom from difficulty, ease, opportunities<br />

or conditions which make an easier performance<br />

possible (Every facility was placed at

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