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180 Section 3 From Limited-Effects to Critical Cultural Theories: Ferment in the Field<br />

<strong>mass</strong> entertainment<br />

<strong>theory</strong><br />

Theory asserting<br />

that television<br />

and other <strong>mass</strong><br />

media, because<br />

they relax or<br />

otherwise entertain<br />

average people,<br />

perform a<br />

vital social<br />

function<br />

for fifteen months, were conducted in fourteen cities, and featured more than eight<br />

hundred witnesses, researchers found that average Americans thought that nothing<br />

could be done to combat organized crime. These findings were disturbing because<br />

they suggested that even when media are effective at surveying the environment<br />

and calling attention to societal problems (a manifest function), the public may react<br />

by doing nothing. Instead of activating people to demand solutions to problems,<br />

media coverage might “narcotize” them so that they become apathetic and<br />

decide that they are powerless to do anything (a latent dysfunction). But what<br />

would account for this narcotizing effect? Researchers argued that members of the<br />

public will be narcotized when they are exposed day after day to dramatic negative<br />

news coverage dwelling on the threats posed by a problem and emphasizing the<br />

difficulty of dealing with it. This research was one of the first studies to suggest<br />

that media can fail to perform an important function even when practitioners do<br />

what their profession defines as the socially responsible thing to do.<br />

In general, functional analysis tends to produce conclusions that largely legitimize<br />

or rationalize the status quo. A classic example of how functional analysis<br />

leads to status quo conclusions is found in the work of Harold Mendelsohn<br />

(1966). He was concerned that people widely misunderstood the influence of television,<br />

the powerful new medium of his era. He blamed elite critics of media (mostly<br />

<strong>mass</strong> society theorists) for fostering misconceptions about television’s entertainment<br />

function. He charged that these critics were protecting their own self-interests and<br />

ignoring empirical research findings, dismissing most criticisms as prejudiced speculation<br />

inconsistent with empirical data.<br />

According to Mendelsohn, <strong>mass</strong> society critics were paternalistic and elitist.<br />

They were upset because television entertainment attracted people away from the<br />

boring forms of education, politics, or religion that they themselves wanted to promote.<br />

Mendelsohn argued that people needed the relaxation and harmless escapism<br />

that television offered. If this entertainment weren’t available, people would find<br />

other releases from the tensions of daily life. Television simply served these needs<br />

more easily, powerfully, and efficiently than alternatives.<br />

Instead of condemning television, Mendelsohn argued that critics should acknowledge<br />

that it performs its function very well and at extremely low cost. He was<br />

concerned that critics had greatly exaggerated the importance and long-term consequences<br />

of television entertainment, and he asserted that it had a limited and ultimately<br />

quite minor social role. Television entertainment did not disrupt or debase<br />

high culture; it merely gave average people a more attractive alternative to high-brow<br />

entertainment like operas and symphony concerts. It did not distract people from important<br />

activities like religion, politics, or family life; rather, it helped them relax so<br />

that they could later engage in these activities with renewed interest and energy.<br />

Mendelsohn cited numerous psychological studies to support his <strong>mass</strong> entertainment<br />

<strong>theory</strong>. He admitted that a small number of people might suffer because<br />

they became addicted to television entertainment. These same people, however,<br />

would most likely have become addicted to something else if television weren’t<br />

available. Chronic couch potatoes might otherwise become lounge lizards or fans<br />

of romance novels. Mendelsohn viewed addiction to television as rather benign<br />

compared to other alternatives: It didn’t hurt other people and viewing might even<br />

be slightly educational.<br />

Copyright 2010 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s).<br />

Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it.

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