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68 Section 2 The Era of Mass Society and Mass Culture<br />

But <strong>mass</strong> society <strong>theory</strong>’s most influential contemporary champion may well be<br />

British social critic, philosopher, and intellectual Roger Scruton. In An Intelligent<br />

Person’s Guide to Modern Culture (2000), he makes clear <strong>mass</strong> society’s elitism<br />

and support of elite culture:<br />

This book presents a <strong>theory</strong> of modern culture, and a defense of culture in its higher<br />

and more critical form. It is impossible to give a convincing defense of high culture to<br />

a person who has none. I shall therefore assume that you, the reader, are both intelligent<br />

and cultivated. You don’t have to be familiar with the entire canon of Western<br />

literature, the full range of musical and artistic masterpieces or the critical reflections<br />

which all these things have prompted. Who is? But it would be useful to have read Les<br />

fleurs du mal by Baudelaire and T. S. Eliot’s Waste Land. I shall also presume some<br />

familiarity with Mozart, Wagner, Manet, Poussin, Tennyson, Schoenberg, George<br />

Herbert, Goethe, Marx, and Nietzsche. (p. x)<br />

Scruton also weighs in on the decline of traditional values: “Something new<br />

seems to be at work in the contemporary world—a process that is eating away the<br />

very heart of social life, not merely by putting salesmanship in place of moral virtue,<br />

but by putting everything—virtue included—on sale” (p. 55).<br />

On popular culture:<br />

Pop culture is … an attempt to provide easy-going forms of social cohesion, without<br />

the costly rites of passage that bring moral and emotional knowledge. It is a culture<br />

which has demoted the aesthetic object, and elevated the advert in its place; it has<br />

replaced imagination by fantasy and feeling by kitsch; and it has destroyed the old<br />

forms of music and dancing, so as to replace them with a repetitious noise, whose<br />

invariant harmonic and rhythmic textures sound all about us, replacing the dialect of<br />

the tribe with the grammarless murmur of the species, and drowning out the unconfident<br />

stutterings of the fathers as they trudge away towards extinction. (p. 121)<br />

And on the failings of higher education:<br />

The gap between the culture acquired spontaneously by the young, and that which …<br />

should be imparted in the university, is so cavernously wide that the teacher is apt to<br />

look ridiculous, as he perches on his theatrical pinnacle and beckons the youth across<br />

to it. Indeed, it is easier to make the passage the other way, to join your young audience<br />

in the enchanted field of popular entertainment, and turn your intellectual guns<br />

on the stately ruin across the chasm. (pp. 121–122)<br />

Beyond the ongoing concern of those who see “traditional values” and average<br />

people jeopardized by new <strong>communication</strong> technologies, two other factors<br />

have given new, albeit weak, life to current rearticulations of <strong>mass</strong> society <strong>theory</strong>.<br />

The first is the phenomenally rapid diffusion of the Internet and the World Wide<br />

Web; the second is changes in the way media companies are structured and<br />

operated.<br />

New forms of media, in this case the Internet and Web, mean new forms of<br />

<strong>communication</strong>, which mean the development of new relationships and the creation<br />

of new centers of power and influence. You’ll recognize this as a near mirror<br />

image of the situation that faced our society during the nineteenth and into the<br />

early twentieth century, the incubation period of <strong>mass</strong> society <strong>theory</strong>. Today, in<br />

many parts of the world, advances in media technology facilitate the formation of<br />

Copyright 2010 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s).<br />

Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it.

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