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36 Section 1 Introduction to Mass Communication Theory<br />

THINKING<br />

about<br />

THEORY<br />

failures in their efforts to make meaning using media, and on intended and unintended<br />

consequences. These consequences should be considered both from the<br />

point of view of individuals and from the point of view of society. You can read<br />

about one view of meaning-making <strong>theory</strong> in the box entitled “Semiotic<br />

Democracy.”<br />

SEMIOTIC DEMOCRACY<br />

Interviewed just before the April 2007 broadcast of<br />

his documentary on the media’s performance in the<br />

run-up to the 2003 invasion of Iraq, journalist and<br />

social critic Bill Moyers was asked what gave him<br />

hope that the American media system might better<br />

operate in the service of democracy and its people.<br />

His reply was simple: “What encourages me is the<br />

Internet. Freedom begins the moment you realize<br />

someone else has been writing your story and it’s<br />

time you took the pen from his hand and started<br />

writing it yourself” (“Bill Moyers,” 2007).<br />

Twenty years earlier, British media theorist John<br />

Fiske suggested that <strong>mass</strong> <strong>communication</strong> theorists<br />

take a more culturally centered view of a different<br />

medium, television. He wrote:<br />

The pleasures of television are best understood<br />

not in terms of a homogeneous psychological<br />

model, but rather in those of a heterogeneous,<br />

sociocultural one. In many ways play is a more<br />

productive concept than pleasure because it asserts<br />

its activity, its creativity. Play is active pleasure:<br />

it pushes rules to the limits and explores the<br />

consequences of breaking them; centralized<br />

pleasure is more conformist. Television may well<br />

produce both sorts of pleasure, but its typical one<br />

is the playful pleasure that derives from, and enacts,<br />

that source of all power for the subordinate,<br />

the power to be different. Television’s playfulness<br />

is a sign of its semiotic democracy, bywhichI<br />

mean its delegation of production of meanings<br />

and pleasures to its viewers. (1987, pp. 235–236)<br />

The freedom to make one’s own meaning (Fiske’s<br />

semiotic democracy) and the availability of technology<br />

to investigate, recreate, and disseminate that<br />

meaning (Moyers’ writing one’s own story) are<br />

powerful pieces of evidence that we now reside firmly<br />

in the era of the meaning-making perspective of<br />

<strong>mass</strong> <strong>communication</strong> <strong>theory</strong>. Even Time acknowledged<br />

this reality when it named “YOU” (meaning<br />

“US”) person of the year for 2007. “If the Web’s first<br />

coming was all about grafting old businesses onto<br />

a new medium (pet food! On the Internet!), Web 2.0<br />

is all about empowering individual consumers. It’s<br />

not enough just to find that obscure old movie; now<br />

you can make your own film, distribute it worldwide,<br />

and find out what people think almost instantly,”<br />

wrote the magazine’s Jeff Howe. In today’s <strong>mass</strong><br />

<strong>communication</strong> environment, “You make it…. You<br />

name it…. You work on it…. You find it” (Howe,<br />

2007, p. 60).<br />

Contemporary <strong>mass</strong> <strong>communication</strong> theorists<br />

now confront a <strong>mass</strong> media system that operates in<br />

a social world where individuals and audiences can<br />

create and disseminate their own content and relish<br />

making their own meaning. This means researchers<br />

and theorists must explain, understand, or control a<br />

<strong>mass</strong> <strong>communication</strong> process in which individuals<br />

and audiences can produce their own effects—big<br />

or small, immediate or long-term, sometimes wanted,<br />

sometimes unintended.<br />

There’ll be much more to say about this in<br />

Chapter 11, but for now you should consider these<br />

questions. Can you see a link between media literacy<br />

and semiotic democracy (freedom to make personally<br />

relevant meaning)? Do either Fiske or Moyers give<br />

too much credit to people? That is, do we really enjoy<br />

making our own meaning from media content? Will<br />

we really use the Internet to write our own stories?<br />

Do you find any significance in the fact that Howe<br />

used the phrase “empowering individual consumers”<br />

rather than “empowering individual citizens”? What is<br />

it? Can you find hints of neo-Marxist <strong>theory</strong> in Fiske’s<br />

comments? (Hint: Who constitutes his “subordinate”?)<br />

If so, can you explain how he and Moyers<br />

are making an essentially similar point about modern<br />

<strong>mass</strong> media and their audiences?<br />

semiotic democracy Individuals’ freedom to make their own<br />

meaning from media content<br />

Copyright 2010 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s).<br />

Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it.

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