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AUDIENCE THEORIES: FROM SOURCE-DOMINATED<br />

TO ACTIVE-AUDIENCE PERSPECTIVES<br />

uses-andgratifications<br />

approach<br />

Approach to<br />

media study<br />

focusing on the<br />

uses to which<br />

people put media<br />

and the gratifications<br />

they seek<br />

from those uses<br />

fraction of<br />

selection<br />

Schramm’s<br />

graphic description<br />

of how individuals<br />

make<br />

media and content<br />

choices based on<br />

expectation of<br />

reward and effort<br />

required<br />

Chapter 9 Audience Theories: Uses, Reception, and Effects 245<br />

Propaganda theories are concerned with audiences. As we saw in Chapter 4, the<br />

power of propaganda resides in its ability to quickly reach vast audiences and<br />

expose them to the same simple but subversive messages. In these theories, the propagandist<br />

dominates the audience and controls the messages that reach it. The<br />

focus is on how propagandists are able to manipulate audiences using messages<br />

that affect them as the propagandist intends. Most are source-dominated theories.<br />

They center their attention primarily on message sources and content, not on the<br />

audiences the sources want to influence. As media theories have developed, this<br />

focus has gradually shifted. As early as the 1940s, the work of people like Herta<br />

Herzog, Paul Lazarsfeld, and Frank Stanton reflected at least the implicit concern<br />

for studying an active, gratifications-seeking audience. Lazarsfeld and Stanton<br />

(1942) produced a series of books and studies throughout the 1940s that paid<br />

significant attention to how audiences used media to organize their lives and<br />

experiences. For example, they studied the value of early-morning radio reports<br />

to farmers. As part of the Lazarsfeld and Stanton series, Bernard Berelson (1949)<br />

published a classic media-use study of the disruption experienced by readers during<br />

a newspaper strike. He reported convincing evidence that newspapers formed an<br />

important part of many people’s daily routine.<br />

Herta Herzog is often credited as the originator of the uses-and-gratifications<br />

approach, although she most likely did not give it its label. Interested in how and<br />

why people listened to the radio, she studied fans of a popular quiz show (1940)<br />

and soap opera listeners (1944). This latter work, entitled “Motivations and<br />

Gratifications of Daily Serial Listeners,” provides an in-depth examination of<br />

media gratifications. She interviewed one hundred radio soap opera fans and identified<br />

“three major types of gratification.” First, listening was “merely a means<br />

of emotional release”; “a second and commonly recognized form of enjoyment<br />

concerns the opportunities for wishful thinking”; and the “third and commonly<br />

unsuspected form of gratification concerns the advice obtained from listening to<br />

daytime serials.” Herzog wanted to understand why so many housewives were<br />

attracted to radio soap operas. In contrast with the typical effects research conducted<br />

in Lazarsfeld’s shop,herworkdidn’t try to measure the influence that soap operas<br />

had on women. She was satisfied with assessing their reasons and experiences—<br />

their uses and gratifications.<br />

One of the first college <strong>mass</strong> <strong>communication</strong> textbooks, The Process and Effects<br />

of Mass Communication, offered an early active-audience conceptualization. Author<br />

Wilbur Schramm (1954) asked this question, “What determines which offerings of<br />

<strong>mass</strong> <strong>communication</strong> will be selected by a given individual?” (p. 19). The answer<br />

was the fraction of selection:<br />

Expectation of Reward<br />

Effort Required<br />

His point was that people weigh the level of reward (gratification) they expect<br />

from a given medium or message against how much effort they must make to<br />

secure that reward. Review your own news consumption, for example. Of course,<br />

Copyright 2010 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s).<br />

Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it.

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