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Current version - Indiana University South Bend

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ERNESTINE M. RACLIN SCHOOL OF THE ARTS4GRADUATE DEGREES 4221<br />

Final Writing Project<br />

The student must complete a final writing project prior<br />

to the graduate recital. This project may take one of<br />

three forms: a thesis, extended program notes, or a<br />

performance-lecture. Each is explained in detail below.<br />

Students must present a proposal for their project by<br />

October 1 for completion in the spring semester and by<br />

March 1 for completion in the fall semester. Proposals<br />

should include the student’s name, degree program, a<br />

working title for the project, a 1-2 page single-spaced<br />

narrative providing background and significance of the<br />

project, and the semester in which the project will be<br />

completed.<br />

Master’s Thesis<br />

The master’s thesis is an extended research paper on<br />

a subject in music history or music theory chosen in<br />

consultation with and under the direction of a member<br />

of the academic faculty. The thesis must present an<br />

original idea and argument that is supported by extensive<br />

research in a document generally 50-75 pages in length.<br />

Extended Program Notes<br />

With this option, the student will prepare extended,<br />

comprehensive program notes that address the repertoire<br />

chosen for the student’s graduate recital. The notes must<br />

be based on substantive research in order to provide<br />

contextualization and analysis for each piece on the<br />

program. This project has two parts: extended program<br />

notes for review by the advisor (approximately 15 pages)<br />

and condensed program notes for printing in the recital<br />

program (approximately 5 pages).<br />

Lecture-Recital<br />

The student will prepare a 45-60 minute performance<br />

lecture that will be given immediately before the recital<br />

program. During the lecture, the student should provide<br />

the audience with historical contextualization and<br />

analysis of the pieces to be performed and demonstrate<br />

musical examples where appropriate.<br />

Graduate Qualifying Examinations<br />

Students must pass final examinations in music history,<br />

theory, and major area before the graduate recital. A<br />

student may attempt the examinations at any time during<br />

the degree program but must successfully complete<br />

each segment within a maximum of two attempts or be<br />

dismissed from the program.<br />

• Each oral examination will be about 50 minutes.<br />

• There will be a committee of three faculty members<br />

—including the studio teacher—and at least one<br />

academic faculty member.<br />

• Two questions will be asked four weeks prior to the<br />

oral examination. One question will relate specifically<br />

to the area of study, and one question will relate to the<br />

final writing project, with a focus on music history and<br />

music theory. The student will prepare a 15 minute<br />

answer for each question, with additional time allotted<br />

for follow-up.<br />

Sample question:<br />

Composers often engage with political and social issues<br />

through their music. Choose two pieces, one choral and<br />

one symphonic, by two different American composers<br />

and compare and contrast the ways in which each<br />

addresses a specific contemporary problem. Be prepared<br />

to discuss and cite relevant scholarly literature.<br />

The Diploma Programs<br />

The Performer Diploma<br />

The Performer Diploma Program is a special curriculum for<br />

outstanding students in performance who show promise of<br />

becoming concert artists and who do not wish to pursue<br />

study leading to an academic degree. The purpose of the<br />

program is to provide concentrated study in solo and<br />

chamber music literature.<br />

Prerequisites<br />

• A high school diploma or its demonstrated equivalent<br />

• Demonstrated proficiency in musical performance at<br />

a very high level of technical and musical proficiency<br />

Admission<br />

On the basis of auditions and dossier, applicants must be<br />

accepted by the appropriate faculty committee and the<br />

studio teacher.<br />

Language Study<br />

Students whose native language is not English must<br />

take an English language examination at IU <strong>South</strong><br />

<strong>Bend</strong>. Depending on the level achieved, they may need<br />

to register for any deficiency courses prescribed by the<br />

advisor.<br />

Curriculum<br />

Applied Music<br />

• Four semesters of studio study; a minimum of 12<br />

credit hours must be earned<br />

• Two recitals (2 cr.) or equivalent public performances<br />

as assigned by the music faculty must be presented<br />

and passed<br />

• Two semesters of MUS-X 423 Chamber Music (1 cr.<br />

each) required for instrumentalists only<br />

Electives (6 cr.)<br />

Graduate or undergraduate courses, as approved by<br />

the advisor. Classes in music literature, history, and/<br />

or pedagogy are recommended, though others may<br />

be possible with permission from the advisor. Studio<br />

courses or chamber music study may not be used to<br />

fulfill this requirement.

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