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Current version - Indiana University South Bend

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IU SOUTH BEND COURSE DESCRIPTIONS 4359<br />

MUS: Music<br />

MUS-A 101<br />

MUS-A 102<br />

MUS-A 190<br />

MUS-B 443<br />

MUS-B 444<br />

MUS-C 401<br />

MUS-E 457<br />

MUS-E 490<br />

MUS-E 493<br />

MUS-E 494<br />

introduction to audio technology (3 cr.)<br />

Introduction to the equipment and<br />

techniques employed in audio recording<br />

and sound reinforcement.<br />

audio techniques i (3 cr.)<br />

P: MUS-A 101. Introduction to and<br />

use of studio equipment and recording<br />

procedures, microphone placement,<br />

recording techniques, editing concepts,<br />

and recording and signal processing<br />

equipment, leading to student recording<br />

project. II<br />

ART, AESTHETICS, AND CREATIVITY (3 cr.)<br />

Explores artistic disciplines and associated<br />

forms, materials, and practices. Develops<br />

students’ making, looking, and listening<br />

skills. Through the creative process,<br />

students explore relationships to other<br />

individuals and cultures, and review the<br />

implications of their learning for their<br />

personal, academic, and professional<br />

pursuits. I, II, S<br />

JUNIOR BARITONE HORN RECITAL (1 cr.)<br />

SENIOR BARITONE HORN RECITAL (1 cr.)<br />

sacred music 1 (3 cr.)<br />

Basic keyboard skills, four-part harmonization<br />

of melodies and given basses, improvisation<br />

of simple chord progressions in four-part<br />

style, basic modulation, transposition of fourpart<br />

materials (hymns).<br />

Instrumental Pedagogy (1-3 cr.)<br />

Pedagogy classes pertaining to the<br />

individual instruments.<br />

Psychology of Music Teaching (3 cr.)<br />

For all undergraduate applied music<br />

majors. Principles of the psychology<br />

of music, growth and development,<br />

learning; implications for teaching music.<br />

Piano Pedagogy (2-3 cr.)<br />

Required of senior piano majors. Methods<br />

and materials for teaching individuals<br />

and classes of both children and adults.<br />

Two hours of demonstration and two<br />

hours of teaching each week.<br />

VocAL Pedagogy (3 cr.)<br />

Principles of voice production. Quality,<br />

diction, range, breathing, vocalization,<br />

dynamics, agility, and vocal hygiene as<br />

bases for an approach to voice teaching.<br />

MUS-E 495<br />

MUS-E 496<br />

MUS-E 497<br />

MUS-E 517<br />

MUS-E 519<br />

MUS-E 545<br />

MUS-E 559<br />

MUS-E 593<br />

MUS-E 594<br />

Supervised Practice Teaching I<br />

(1-2 cr.)<br />

P: MUS-E 493, MUS-E 494, or consent<br />

of instructor. Supervised studio teaching<br />

of a specific instrument or voice, fitting<br />

the competence of the student. Enrollees<br />

are critiqued as they teach students<br />

assigned to them. (keyboard, orchestral<br />

instruments, or voice)<br />

Supervised Practice Teaching II<br />

(1-2 cr.)<br />

Continuation of MUS-E 495. (keyboard,<br />

orchestral instruments, or voice)<br />

Supervised Practice Teaching III<br />

(1-2 cr.)<br />

Continuation of MUS-E 496. (keyboard,<br />

orchestral instruments, or voice)<br />

SOCIOLOGY OF MUSIC (1-3 cr.)<br />

Investigation of a problem or project,<br />

chosen by the student, with solutions<br />

related to practical use in a teaching<br />

situation.<br />

Psychology of Music (3 cr.)<br />

Functions of the musical mind; factors in the<br />

development of musical skills and maturity.<br />

Guided Professional Experiences<br />

(1-3 cr.)<br />

P: Consent of instructor. Further development<br />

of professional skills in teaching, supervision,<br />

and administration by means of laboratory<br />

techniques and use of music facilities and<br />

resources. Evidence of ability to carry on<br />

independent work required.<br />

instrumental pedagogy (1-3 cr.)<br />

For teaching of instrumental music with<br />

an emphasis on music methods, books for<br />

band and orchestra.<br />

Piano Methods (2 cr.)<br />

Elective for master’s degree candidates in<br />

piano.<br />

vocal pedagogy (3 cr.)<br />

For teachers of voice, supervisors of<br />

school music, choir, and choral directors.<br />

Processes in voice production: respiration,<br />

phonation, articulation, resonation.<br />

Psychological, physiological, and<br />

acoustical problems. Voice classification,<br />

quality, diction registration, breath<br />

support, breath control.

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