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2. Philosophy - Stefano Franchi

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110<br />

A BSOLUTE( S ) SPIELEN<br />

scope of Western metaphysics, we would require the most metaphysical of the procedures:<br />

a determination of the “essence” of play. The task is impossible, it seems, since a determi-<br />

nation of the essence of play presupposes that being be thought in terms of Grund, and it<br />

forbids, therefore, to think being as Abgrund. The apparent contradiction disturbs the sym-<br />

metry of a question that strives to present two opposing ways of interpreting the relation-<br />

ship between being and play. In fact, there is a third term in play: thought. The condition of<br />

intelligibility of the question requires that thought, as soon as it deals with play, renounce<br />

any determination of its ground without renouncing to determine its nature. Therefore, the<br />

task of thinking “being as abyss starting from the nature of play,” as Heidegger says, be-<br />

comes a challenge for thought itself that here seems to have reached its limit. To think play<br />

(in the sense of Spiel, of course), and even more to think the abyss on the basis of play, can<br />

only mean to think differently because it requires that thinking must abandon its traditional<br />

efforts to think the nature of being as based on their ground. In other words, Heidegger’s<br />

question requires, in order to be properly understood, a reexamination of the relationship<br />

between play and thinking. A relationship that must be reconsidered in both its senses:<br />

when play is the object of thinking and when thinking is the object of play. It might be pos-<br />

sible to condense what I have been saying so far in a single question that is presupposed by<br />

the Heideggerian interrogation: “How to think play?” This question has to be heard in its<br />

intrinsic duplicity as a question about both play and thinking, as a combination of “how to<br />

think play,” and “how to think play.” To put it differently, the Heideggerian text seems to<br />

bring to light the issue of a “play’s thought” that he delivers as a task to philosophy. What<br />

is important, to understand the radicality of the Heideggerian questioning, is to heed both<br />

senses of the genitive in a complex unity. The issue at stake is to understand how play can<br />

arrive to thought because thought belongs to play. And conversely.<br />

Heidegger presents this issues as preliminary to a philosophy of being as Abgrund, as<br />

abyss. In other words, he ties any possible overcoming of Western metaphysics to an inter-<br />

rogation of the nature and consequences of the reciprocal interpenetration of thought and<br />

play, of Denken and Spiel. How does the text proceeds in this task?

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