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2. Philosophy - Stefano Franchi

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4<br />

P RELUDE<br />

that a writer’s or scientist’s work becomes interesting when it goes beyond such a common<br />

situation rather than when it presents yet another exposition of the unavoidable limits of<br />

representation. Such a theme, he concluded, is so banal that it might be rightly called the<br />

“triviality of modernity.” In a text written around the same time that treats of the difficulties<br />

encountered by the Indian philosopher Nagarjuna in his teaching of the doctrine of the void,<br />

1<br />

Agamben describes more precisely what he means by such a term. Indeed, several among<br />

Nagarjuna’s disciples—even Candrakirti, the most faithful—misunderstood his doctrine on<br />

an essential point, a point so subtle that even he, at times, could not grasp it. The difference<br />

between the two interpretations was infinitesimal, but incommensurable: his doctrine<br />

taught the vacuity of representation whereas his disciples “treated the void as a thing, they<br />

would form a representation of the vacuity of representation. But the realization of the void-<br />

ness of representation—continued Nagarjuna—is not, in turn, a representation: it is the end<br />

of representation.” Those who believe that “even the void is an opinion and that the irrep-<br />

resentable is a representation” fall into the trap of nihilism and miss the most important<br />

point of his teachings: “that the empty image is not an image of anything. The word, of its<br />

2<br />

vacuity, is perfectly full.”<br />

The following pages explore a possible interpretation of the difference between the<br />

doctrine of Nagarjuna and the misunderstanding of Candrakirti, between the doctrine of the<br />

void and the triviality of modernity, by reading a text by Italo Calvino, the author Agamben<br />

was referring to on both occasions. In the first section I will show that the unity and differ-<br />

ence of the two doctrines are portrayed by Mr. Palomar with a rare rigor and clarity and I<br />

will show how the enigmatic conclusion of the book is ideally suited to reflection. In short,<br />

1. See, respectively, Beppe Cottafavi, Maurizio Magri, eds., I narratori dell’invisibile (Modena: Mucchi,<br />

1987) 156 and Giorgio Agamben, Idea della Prosa (Milano: Feltrinelli, 1985) 98-101. Engl. tr. Idea of<br />

the Prose (Minneapolis: Minnesota UP, 1995)131-133. The latter text—’Idea del risveglio’ or “The<br />

idea of awakening—proposes a short but extremely interesting interpretation of the doctrine of voidness.<br />

The doctrine was developed by the Indian philosopher Nagarjuna in the second century A.D. and<br />

reinterpreted four centuries later by the philosopher Candrakirti in the school founded by Nagarjuna.<br />

The text is dedicated to Italo Calvino. It may be worth noting that every reference to the doctrines of<br />

Nagarjuna and Candrakirti in what follows is to be intended as a reference to Agamben’s text and not<br />

as a reference to the historical thinkers without which, perhaps, it cannot be understood.<br />

<strong>2.</strong> Giorgio Agamben, Idea della Prosa…,<br />

100; Engl tr. 133, Translation modified.

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