2. Philosophy - Stefano Franchi

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224 S TRUCTURES (AND SPACES) as given what actually has to be found in the myth: the correct indexing of the various ele- ments. The task of the anthropologists, in fact, is far from trivial: they have to retrieve, be- low the surface of the mythical narration, the deeper correspondences that bind together the character and actions of the narrated story and represent its ultimate meaning. The applica- tion to the Oedipus myth produces the following structure (which must be read from left to right, to reproduce the narrative order, and from top to bottom to appreciate the four basic “chords”, i.e. the basic relations generating the myth):
Cadmos seeks his sister Europa, ravished by Zeus Oedipus marries his mother, Jocasta Antigones buries her brother, Polynices, despite prohibition F ROM LANGUAGE TO MYTH How are we to read such a bi-dimensional chart? If we follow the natural order, we find a skeletal version of the well-known myth, or, to be more precise, a rendition of a very old (Homeric) version. This is of course the order in which the myth is told, or sung, in the com- munity. The division by column, instead, stresses the “chords” to which the narration comes continuously back, row after row. This redundancy is not to be imputed to some defective feature of mythology. On the contrary, it represents, according to Lévi-Strauss, one if its most basic characters: the oral narration repeats a basic structure in order to make it more evident and easier to grasp for listeners who do not enjoy the privilege of a written text to ponder over. Thus, the linear diachronic order is governed by an intrinsic necessity analogous to what we saw above in the case of games: as every board position in chess is generated by a “move”—by the alteration of the previous position according to a rule—so each succes- sive step in the myth’s plot is obtained by a development of the previous one according to a specific rule. More precisely, by a development which belongs to the unit expected to come next. The Spartoi kill one another Oedipus kills his father, Laios Eteocles (Oedipus’ son), kills his brother, Polynices Cadmos kills the dragon Oedipus kills the Sphinx Labdacos (Laios’ father) = lame (?) Laios (Oedipus’ father) = leftsided (?) Oedipus = swollen foot (?) Lévi-Strauss goes even further than merely suggesting the existence of a rule govern- ing the temporal (diachronic) development of myths according to an atemporal (synchron- 225
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ENDGAMES Game and Play at the End o
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I. Prelude 1. Mr. Palomar 3 2. Mr.
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PRELUDE
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M R . PALOMAR will make clear, hope
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M R . PALOMAR’ S CHECKMATES I wil
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M R . PALOMAR’ S CHECKMATES Conce
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M R . PALOMAR’ S CHECKMATES “sh
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M R . PALOMAR’ S CHECKMATES after
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T HE WORLD OF CANDRAKIRTI we have s
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T HE WORLD OF CANDRAKIRTI in a manu
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T HE WORLD OF CANDRAKIRTI securing
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T HE WORLD OF CANDRAKIRTI and combi
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tion: T HE WORLD OF CANDRAKIRTI 1.
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T HE WORLD OF CANDRAKIRTI interpret
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T HE WORLD OF CANDRAKIRTI biguity,
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T HE IRREPARABLE LIGHT OF DAWN the
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T HE IRREPARABLE LIGHT OF DAWN In M
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CHAPTER I THE END OF PHILOSOPHY in
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2. Philosophy P HILOSOPHY Discourse
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P HILOSOPHY cably intertwined that
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P HILOSOPHY As this passage shows,
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H EGEL’ S PARADOX inner contradic
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H EGEL’ S PARADOX for better or f
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H EGEL’ S PARADOX a series of eve
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H EGEL’ S PARADOX Let us go back
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H EGEL’ S PARADOX then I am clear
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H EGEL’ S PARADOX opened up for u
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P HILOSOPHY’ S ENDS Therefore, ou
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P HILOSOPHY’ S ENDS Western tradi
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P HILOSOPHY’ S ENDS goes, has chi
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P HILOSOPHY’ S ENDS his argument.
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P HILOSOPHY’ S ENDS sented as sep
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P HILOSOPHY’ S ENDS The first opt
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P HILOSOPHY’ S ENDS to philosophy
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P HILOSOPHY’ S ENDS This multipli
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O F LINES, CIRCLES, AND SPHERES. co
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O F LINES, CIRCLES, AND SPHERES. 12
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O F LINES, CIRCLES, AND SPHERES. on
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“EIN SPIELEN DER LIEBE MIT SICH S
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CHAPTER II ABSOLUTE(S) SPIELEN in w
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“ TO DIE GAME” Spiel is actuall
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“ TO DIE GAME” context of a “
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“ TO DIE GAME” tion that is the
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A BSOLUTE( S ) SPIELEN tragic: this
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A BSOLUTE( S ) SPIELEN the player m
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A BSOLUTE( S ) SPIELEN Hegel is the
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A BSOLUTE( S ) SPIELEN tation, woul
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A BSOLUTE( S ) SPIELEN the roots of
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B ORDERING PHILOSOPHY holds itself
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B ORDERING PHILOSOPHY informal expl
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B ORDERING PHILOSOPHY ditions that
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B ORDERING PHILOSOPHY inside the bu
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B ORDERING PHILOSOPHY The existence
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B ORDERING PHILOSOPHY duction that
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S PIELEN, THE ABYSS, AND THE CHILD
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T HE GREAT BEYOND source, from the
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T HE GREAT BEYOND completion. This
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T HE GREAT BEYOND proach practiced
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CHAPTER III PHILOSOPHY, NON-PHILOSO
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N ON-PHILOSOPHY does not build the
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N ON-PHILOSOPHY new fields of inqui
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N ON-PHILOSOPHY would do more justi
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N ON-PHILOSOPHY odology which is no
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O N THE VARIOUS MEANINGS OF “X IS
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B ETWEEN ENGINEERING, SCIENCE, AND
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A RTIFICIAL INTELLIGENCE AS A NON-
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S TRUCTURALISM AND PHILOSOPHY sight
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S TRUCTURALISM AND PHILOSOPHY terme
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S TRUCTURALISM AND PHILOSOPHY Geert
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Page 189 and 190: CHAPTER IV CHESS, GAMES, AND FLIES
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Page 193 and 194: T HE DROSOPHILA OF AI. analogy. 6 T
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Page 221 and 222: C OMBINATORIAL EXPLOSIONS in 1958 a
Page 223 and 224: C OMBINATORIAL EXPLOSIONS tics pose
Page 225 and 226: CHAPTER V STRUCTURES (AND SPACES) i
Page 227 and 228: G AMES AND STRUCTURES same function
Page 229 and 230: G AMES AND STRUCTURES ically limiti
Page 231 and 232: conscious phenomena. F ROM LANGUAGE
Page 233 and 234: F ROM LANGUAGE TO MYTH ulating an e
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Page 237: F ROM LANGUAGE TO MYTH sents itself
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Page 249 and 250: S EARCH- SPACES AND STRUCTURES peat
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Page 255 and 256: CHAPTER VI ANACLASTIC SUPPLEMENTS i
Page 257 and 258: T HE SUPPLEMENT We now have an answ
Page 259 and 260: T HE SUPPLEMENT Furthermore, let su
Page 261 and 262: T HE SUPPLEMENT bers of ~C and AB.
Page 263 and 264: T HE SUPPLEMENT the three sets A, B
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Page 275 and 276: S TRUCTURE AND SUBSTANCE This does
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Page 281 and 282: S TRUCTURE AND SUBSTANCE Strauss’
Page 283 and 284: S TRUCTURALISM, PHILOSOPHY, AND AI
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S TRUCTURALISM, PHILOSOPHY, AND AI
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T HE CHALLENGE OF CLOSURE methodolo
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T HE CHALLENGE OF CLOSURE on any co
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T HE CHALLENGE OF CLOSURE ing to L
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T HE CHALLENGE OF CLOSURE other wor
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T HE ANACLASTIC ILLUSION OF A TRANS
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CHAPTER VIII A MOVABLE CONCLUSION w
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A FTER GAME- BASED SPIELEN Play, th
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REFERENCES Adorno, Theodor, Hegel:
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Johns Hopkins UP, 1974). Derrida, J
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Hewson, John, “Saussure's Game of
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Mirowski, Philip, “When Games Gro
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Searle, John, The Rediscovery of th
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2. Philosophy - Stefano Franchi

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