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2. Philosophy - Stefano Franchi

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228<br />

S TRUCTURES (AND SPACES)<br />

his applications of structural analysis to the American mythology. It should be noted, how-<br />

ever, that the critiques have either accepted the basic tenets of Structuralism and tried to<br />

correct Lévi-Strauss’s analysis by suggesting a different interpretation of the mythic mate-<br />

rial, or they have rejected the structural method in toto on the basis of general theoretical<br />

considerations (charges of reductivism and/or of rationalism, etc.) that do not affect the<br />

concrete articulation of the structure Lévi-Strauss proposes but aim instead at showing its<br />

untenable philosophical consequences. Since our goal, on the contrary, is not to discuss the<br />

validity of Lévi-Strauss’s interpretation of this particular myth, but precisely to reflect on<br />

the formal characteristics of the structure which makes it possible, we can largely dispense<br />

with a discussion of the controversy that this essay has stirred and turn instead our attention<br />

to a closer analysis of the structural apparatus. 16<br />

Consider the four columns identified by the analysis. Each of them may be considered<br />

as a variation, in a different narrative context, of the same element, as the same “move”<br />

played again and again: a new family member slain, a new monster killed, a new crippling<br />

arising, etc. Each column, in other words, “transforms” the same basic element, and the<br />

whole structure can be defined as “the group of transformations of a small number of ele-<br />

ments.” 17<br />

Let me add a bit of notation here, just to understand what Lévi-Strauss has in mind with<br />

this and other mathematical remarks. Suppose we denote with x the “killing of the father<br />

(by the son)”, then 1/x might denote the (reciprocal) transformation of x, e.g. the killing of<br />

the son (by the father)”, 1-x the killing of the brother (by the brother)”, etc. All these trans-<br />

formations of the same element make up the bundle of relations defined as “underrating of<br />

16. Examples of the first “integrative” category of critics are Michael P. Carroll, “Lévi-Strauss on the Oedipus<br />

Myth: A Reconsideration,” American Anthropologist, 80 (1978), 805-814, and Jean-Pierre Vernant,<br />

“The Lame Tyrant: From Oedipus to Periander;” “Ambiguity and Reversal: On the Enigmatic<br />

Structure of Oedipus Rex,” both republished in Tragedy and Myth in Ancient Greece, Jean-Pierre Vernant<br />

and Pierre Vidal-Nacquet, eds., (New York: Zone, 1988); an example of the second, “total” kind<br />

of critiques is furnished by Robert C. Marshall, “Moses, Oedipus, Structuralism, and History,” History<br />

of Religions, 28, 3 (1989), 245-266<br />

17. Claude Lévi-Strauss, Anthropologie Structurale Deux…, 164; Engl tr. 137. The notion of group is taken<br />

by Lévi-Strauss in its technical algebraic meaning: the closed structure formed by a set of elements<br />

and an operation completely defined on them and provided of a neuter element

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