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Becoming America - An Exploration of American Literature from Precolonial to Post-Revolution, 2018a

Becoming America - An Exploration of American Literature from Precolonial to Post-Revolution, 2018a

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BECOMING AMERICA<br />

REVOLUTIONARY AND EARLY NATIONAL PERIOD LITERATURE<br />

Many readers feel confused and disoriented when reading Whitman for the<br />

rst time. Without using the aid <strong>of</strong> rhyme and meter as a guide, Whitman’s poetry<br />

may initially appear disjointed and meandering, but at the same time readers <strong>of</strong>ten<br />

take great comfort in the simplicity <strong>of</strong> the language, the clarity <strong>of</strong> the images, and<br />

the deep cadences, or rhythms, <strong>of</strong> the verse. Such contradictions are at the heart<br />

<strong>of</strong> Whitman’s work. Much <strong>of</strong> Whitman’s success and endurance as a poet comes<br />

<strong>from</strong> his ability <strong>to</strong> marry embedded cultural forms <strong>to</strong> the needs <strong>of</strong> a growing and<br />

rapidly modernizing nation. Whitman rst came <strong>to</strong> wide public attention with the<br />

publication <strong>of</strong> the rst edition <strong>of</strong> Leaves <strong>of</strong> Grass in 1855 when he was just twenty-<br />

ve years old. Grand in scope if not in size, the rst edition established Whitman as<br />

a poet who loved wordplay and common images; by the time <strong>of</strong> his death in 1892,<br />

Whitman had expanded the initial collection <strong>of</strong> just twelve poems over the course<br />

<strong>of</strong> six editions <strong>to</strong> one that ultimately included more than 400 poems. The selection<br />

included here largely samples Whitman’s early poetry up through the Civil War. In<br />

the selections <strong>from</strong> Song <strong>of</strong> Myself and “Crossing Brooklyn Ferry,” we see Whitman<br />

at his most iconic: sweeping views <strong>of</strong> everyday life that freely mingle high and low<br />

culture. Yet the poet <strong>of</strong> the common man did not spend all <strong>of</strong> his days gazing at<br />

his fellow <strong>America</strong>ns. In the nal selection <strong>from</strong> Whitman, we see Whitman rising<br />

as a national poet with “O Captain! My Captain!” one <strong>of</strong> two poems on the death<br />

<strong>of</strong> Abraham Lincoln. <strong>An</strong> urban poet who lived almost his entire life in New York,<br />

New Jersey, and Washing<strong>to</strong>n, DC, the enduring appeal <strong>of</strong> his works testies <strong>to</strong> his<br />

ability <strong>to</strong> connect the great and the common through language.<br />

4.24.1 “Song <strong>of</strong> Myself”<br />

1<br />

I celebrate myself, and sing myself,<br />

<strong>An</strong>d what I assume you shall assume,<br />

For every a<strong>to</strong>m belonging <strong>to</strong> me as good belongs <strong>to</strong> you.<br />

I loafe and invite my soul,<br />

I lean and loafe at my ease observing a spear <strong>of</strong> summer grass.<br />

My <strong>to</strong>ngue, every a<strong>to</strong>m <strong>of</strong> my blood, form’d <strong>from</strong> this soil, this air,<br />

Born here <strong>of</strong> parents born here <strong>from</strong> parents the same, and their parents the<br />

same,<br />

I, now thirty-seven years old in perfect health begin,<br />

Hoping <strong>to</strong> cease not till death.<br />

Creeds and schools in abeyance,<br />

Retiring back a while suced at what they are, but never forgotten,<br />

I harbor for good or bad, I permit <strong>to</strong> speak at every hazard,<br />

Nature without check with original energy.<br />

2<br />

Houses and rooms are full <strong>of</strong> perfumes, the shelves are crowded with perfumes,<br />

I breathe the fragrance myself and know it and like it,<br />

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